Jerusalem

“What wiz it makes the pictures move?”

John offered him a sympathetic look.

“These what we’re walking on ain’t pictures, titch. These are the gentlemen themselves. You should be grateful they can only move the little that they can.”

Michael looked back down at the slab that they were standing on, with its writhing embellishments. He gave a little squawk and then performed a complicated dance in which he seemed to be attempting to lift both his slipper-clad feet from the tile at once, as if afraid of infernal contamination. In the end he stood on tiptoe, which was evidently the best compromise that he could manage. John was trying not to laugh, capping the sound off in a muffled detonation of amusement somewhere up his nose.

“Don’t worry, they can’t hurt you. When they’re flat like this they’re no more dangerous than Keyhole Kate or someone else out of a comic. Anyway, we’re nearly at the floor’s edge as it wiz. We’ll soon be on the stairs, where there’s no devils.”

Just as John had said, the vast wall rose immediately ahead of them and running up across it in diagonals there was a wooden staircase, its great zigzag length connecting four strata of balcony, the highest almost level with the poorly-drawn seal of the Works on its enormous plaque. The steps themselves were broad and sturdy and looked relatively normal in their ratio of tread to riser, unlike those that Michael had experienced a moment back while clambering up the Jacob Flight out of the ghost-seam. Anxious to be off this squirming carpeting of interlocking horrors, Michael didn’t risk any more dawdling until h

e and the gang had safely reached the possessed factory floor’s near side.

Seen from close up the stairs were several yards in width, bounded on one side by the sheer and soaring wall and on the other by a masterfully-wrought and polished banister of what was more than likely oak. Each step was cut from some unknown variety of marble, a profound and rich dark blue with mica twinkles seemingly suspended inside the translucent stone at differing depths, rather than simply glinting uniformly from its surface. Every one was like a solid block hewn from the night sky, and amongst the sparking flakes of mica here and there, Michael discovered, there were curdled nebulae and comet smears. It was a fire escape made out of universe, though he supposed they all were really, when you stopped to think.

The Dead Dead Gang began to climb the stairway from the dove-like murmur of the workplace, Phyllis Painter in the lead and striding up ahead of everybody else. As he ascended, somewhere near the group’s rear with big John, Michael looked down across the oaken balustrade towards the tiled floor dwindling beneath them. From this raised perspective he could almost see a unifying pattern to the movement of the builders as they hurried back and forth on their inscrutable trajectories, as if each worker were an iron filing caught up in the loops and whorls that radiated unseen from a magnet.

He could also now see clearly, thanks to his ghost-vision, all six dozen of the giant demon-haunted flagstones that comprised the floor, set out like an array of nightmare playing cards. He thought he could remember the deathmonger, Mrs. Gibbs, saying that out of all the devils that there were, the one who had abducted Michael, sneaky Sam O’Day, was number thirty-two. If that was right then his specific slab should be against the left-side wall, four rows away. He stood there gazing out over the wooden banister, moving his lips and jabbing at the air with one pink index finger as he counted to make sure. The stone in question, once he’d found it, was quite unmistakeable.

For one thing, it was one of only three or four flagstones in the arrangement that all of the builders seemed to manage to avoid as they traversed their busy place of labour. For another, unlike his confederate Amon, Sam O’Day was only shown in one form on the tile, this being the three-headed thing astride a dragon that had raged above them in the Attics of the Breath, what seemed a day or so ago. This complicated semblance was repeated something like a hundred times across the area of the slab, its contours engineered precisely so that all of the identically irregular shapes fitted perfectly together with an intricacy that was genuinely infernal. Empty spaces in between the creature’s many heads, as an example, were placed to accommodate the four legs of the dragon-steed belonging to the duplicate immediately above them in the pattern, while the tapering tail of each such mount was tailored to fit neatly in the open jaws of an identical heraldic dragon waddling behind it. Taking out his guide and scanning down the lengthy roll of hellish eminences until he’d reached number thirty-two, he tried to find out more about the fiend who had both literally and figuratively taken Michael for a ride.

The two and thirtieth Spirit is called Asmoday. He is a great King, strong and powerful. He cometh with three heads, whereof the first is like a bull, the second is like to a man and the third like unto a ram. He hath a serpent’s tail and belches noxious gas. His foot is webbed like to a goose. He sitteth upon an infernal dragon, carrying a Lance and Standard in his hand, whereon his ensign is displayed as so:

He giveth of the ring of Virtues, and teacheth the arts of Arithmetic, Geometry, Astronomy and handicraft. He giveth of full and true answers to all questions and can maketh men invisible. He showeth places where is treasure hidden and he governeth a full six dozen Legions of inferior spirits. If requested he may lift the conjuror into a higher place where they may looketh down upon their neighbours’ homes and see their fellows at their business as though it were that the roof had been removed.

Of all the eminences here bound and contained, most special caution is advised in all transactions with this Spirit. Of the devils captured by King Solomon on the symbolic plane, the fiercest and most difficult to subjugate is Asmoday. Indeed, in the rabbinical tradition it is said that Asmoday alone is proof against the magic ring of Mikael that he hath gifted to King Solomon. In their encounter, it is Asmoday who triumphs, hurling the defeated King so far into the sky that when he is returned to Earth he has forgotten quite that he is Solomon. Unchallenged, Asmoday assumes the form of Solomon and goeth on in this impersonation to complete the building of Solomon’s temple at Jerusalem and next take many wives, and to raise other, lesser temples to the foreign gods that these wives worship.

He is husband to the monster Lilith, Queen of Night and Mother of Abominations. While besotted with a princess in the land of Persia, Asmoday does slay as many of her rival suitors as there are days in the week, for which crimes is he driven out by exorcism into antique Egypt, spitefully removing all his mathematic insights from one kingdom to the other in attrition.

Asmoday, in the arrangement of ten rings or tori by which Hell and Heaven are composed, is the demonic ruler of the Fifth plane and is thus associated principally with Wrath. The flower of this particular domain is the five-petal rose, this being emblem to the mortal township, making it conducive to the fiend. Similarly, the reproduction of Solomon’s Temple raised in the First Borough is believed to strengthen the affinity felt by this Spirit for the earthly district. He is the most terrible of all the devils here confined, and in his wrath he is implacable. Asmoday’s colours, by which he is known, are red and green, which signify both his severity and the emotive nature of …

Michael glanced up from his guide-booklet, colour draining from his face until he looked almost exactly as he had done in the black and white expanses of the ghost-seam. Sizzling Sam O’Day, it seemed, was not just any common devil. He had beaten up King Solomon despite the King’s almighty magic ring which he’d been given by a Master Angle. He was “the most terrible of all the devils”. In his wrath he was “implacable”, which Michael thought meant something like “will get you in the end”. The small boy squinted hard at the end slab in the fourth row until he realised that the ram’s eyes, bull’s eyes, dragon’s eyes and man’s eyes in each picture, multiplied a hundred times across the writhing surface of the stone, were all staring directly at him. It was not a loving look.

Not without difficulty, Michael tore his gaze from the entrancing scintillations of the thirty-second Spirit and fell in with Phyllis and the others as they struggled up the constellated stairs to the first landing where, if he had understood their plan correctly, they intended to serve as spectators in a dreadful and unprecedented fight between the Master Builders. As Michael himself was seemingly the cause of this affray he wondered if attending it in person was the safest thing to do, the doubts he’d had on Scarletwell Street’s corner about how well Phyllis and the gang were looking after him resurfacing, if only for a moment. The five Dead Dead children were the only real friends that he’d got round here. Sticking the leaflet back into his pocket, Michael scurried upstairs after them.

A pair of builders passing down the wide and sweeping staircase in the opposite direction seemed to pay particular attention to the gang of ghost-kids, and specifically to Michael Warren. One inclined his head towards the child, at which the other nodded sagely. Both of them then smiled at Michael before walking on down the star-spattered steps, in their long trailing gowns of grey with peacock colours shimmering at the hem. Michael was faintly startled, having not seen this expression on the faces of the other builders labouring below. While they’d seemed fond or even proud of him, which made him feel warm and important, just the simple fact that they’d appeared to know him was a bit unnerving and raised fresh concerns regarding the advisability of turning up to watch the angle-fight.

By now the six of them had reached the first of the three landings jutting out from the east wall. A heavy swing door with a stained-glass panel and brass push-plate, like the ones that he had seen in pubs, led from the stellar marble of the platform out

onto the floorboards of a long and relatively crowded balcony with a black railing of pitch-treated wood. It looked a lot like the raised walkway up above the Attics of the Breath where the toddler had met with shifty Sam O’Day, and as big John held the door open for them while they filed out into crystal-perfect daylight, Michael briefly thought that it might be the same place but then realised swiftly that it wasn’t.

The most obvious and immediate difference was the sheer amount of people milling back and forth along the endless gallery, or leaning on its rail and chattering excitedly like patrons in the gods, the upper circle at a theatre. By Michael’s flailing estimate, along the reach of the veranda for as far as he could see, there must have been perhaps two or three hundred ghosts. He wondered if there was a special word like “pride” or “flock” or “herd” that you should employ when discussing such enormous quantities of phantoms, and asked his five ghost-pals if they’d heard of one. Phyllis insisted with an air of great authority that the appropriate term was “a persistence”, while Bill ventured “an embarrassment” as his alternative. Then John ended the speculation by suggesting that the best expression for a spectral multitude would be “a Naseby”, which he then had to explain to Michael, although everybody else was nodding gravely in agreement.

“Naseby wiz the village just outside Northampton where they had the final battle of the English Civil War. King Charles wiz captured and the field ran red, with bodies piled up in its ditches. Never visit Naseby while you’re in the ghost-seam, nipper. There’s dead cavaliers and Roundheads standing thick as rows of corn, chaps with great pike-holes through their jackets, all blood-black and bone-white and brain-grey, dragging maimed photo-trails behind ’em through the mud. You’ve never seen so many angry dead men. No, ‘a Naseby of ghosts’: that’s the only way to put it when you’ve got a crowd like this one here.”

The ghosts surrounding the Dead Dead Gang on the balcony were certainly diverse, containing representatives from most of the twenty or thirty centuries that there’d been people living in the present town’s vicinity. As he and his companions passed along the boardwalk, dodging in and out amongst the swarm of wraiths, Michael saw women clad in mammoth fur and children naked save for their deep blue tattoos. Homesick Danes with long golden plaits rubbed shoulders with jocular infantrymen who’d been casualties of World War One. A haughty-looking man with no chin and a black shirt leaned against the balustrade smoking a coloured cocktail cigarette, glumly discussing Jews with what appeared to be an equally disgruntled lower-ranking Roman soldier. There were even one or two of the ghost royalists and Roundheads John had mentioned, which suggested that they hadn’t all remained down in the ghost-seam out at Naseby, wallowing in the black mud they’d died in. Strangely, one man in a plumed hat who was the most obvious cavalier in the assembly stood there at the rail in amiable conversation with a hulking, grey-garbed man who had a cropped head and, even with no distinctive peaked iron helmet to confirm the fact, looked very much like someone who’d fought on the other side back in the 1600s. Puzzled, Michael pointed out the pair to John, who made a sound of mingled admiration and surprise on recognising at least one of them.

“Blimey! Well, I don’t know who the long-haired fellow wiz, but I expect you’re right and he fought for King Charley. Now, the big bloke with the shaved bonce, he’s a different matter. That’s Thompson the Leveller and, yes, he wiz on Cromwell’s side at first, but it wiz Cromwell in the end who laid him low, as surely as he did that cavalier what Thompson’s talking to. Old Cromwell, when he needed everybody he could get for taking on the King, he promised the idealists and the revolutionaries like the Levellers that if they helped him they could make England the place they’d dreamed about, where everyone wiz equal. Once the Civil War wiz won, of course, it wiz a different story. Cromwell had the Levellers done away with, so they wouldn’t cause him any trouble when he backed down on the promises he’d made ’em. Thompson – you can yourself see what a fierce-looking sod he wiz – he made his last stand in Northampton, and it looks as though he’s hung around here ever since. No, him and the old laughing cavalier there, they’ve both got a lot in common, I expect. You very seldom see him as high up as this, old Thompson. It looks like this fight between the builders has pulled in a crowd from up and down the linger of the Second Borough.”

It was true. As the ghost-children passed on down the length of the veranda, the thick crowd parting before them when they caught the scent of Phyllis Painter’s rancid necklace was like a peculiar historical parade or pageant, only one where no one looked as if they knew they were in fancy dress. Of course, most of them weren’t. A large majority of the good-natured jostling mob were ordinary Boroughs residents of the nineteenth and twentieth centuries, their clothing hardly different to the togs that Michael and the others had got on. The sightseers who’d turned up from other eras weren’t that difficult to spot, and most of them were easy to identify: a sack-clad Saxon drover with a modest herd of half-a-dozen ghost-sheep bleating all around him as they clattered down the timeless boards; innumerable monks of different dates and different orders, all with very little to debate except how wrong they’d got the afterlife; anxious and flinching Norman ladies; angry-looking Ancient Briton prostitutes who’d been sequestered to a Roman legion.

There were also other figures that were hard to put a name or time to. Something very tall was coming down the balcony towards them from the opposite direction, looming up a good two or three feet above the heads and shoulders of the milling horde around it. It looked like a kind of wigwam made of rushes, with a hollow wooden tube protruding from its upper reaches that looked something like a beak and gave the whole thing the appearance of a huge green wading bird. As they passed it, Michael noticed that it walked on stilts that poked out past the interwoven reeds around the hem of its strange gown. He’d got no idea what it was, nor what unheard-of period it had originated from. He watched it stalk away down the long landing, melting into the delirious masses that were gathered there, and was about to ask John for an explanation when his eye was caught by something that, to Michael, appeared every bit as curious.

It was a cowboy – a real cowboy in dust-coloured clothes and a soft hat that had been battered shapeless, old boots with a second sole of dry blonde mud and at least seven guns of different types and sizes, shoved in everywhere they’d fit. Two were in splitting leather holsters hung from a cracked belt with three more jammed into the fellow’s waistband. One was stuffed down one side of a boot, another jutting from a trouser pocket. All of them looked ancient and as dangerous accidentally as by intent. The man stood leaning on the rail, gazing across it with a prairie stare, and his smooth, flawless skin was blacker than the pitch with which the balustrade was painted. Slouching there at rest he had the lithe lines of a jaguar, the carved and stylised head of an Egyptian idol in obsidian. He was quite simply the most beautiful and perfect human being – man or woman – that the child had ever seen. The idea of a cowboy being black, though, seemed improbable, as did his presence here amongst the teeming, phantom flow of former Boroughs residents. This time, John noticed Michael gawking and was able to provide assistance without being asked.

“That one, the black chap there, he’s not a ghost. He’s someone’s dream. Somebody from the Boroughs dreamed about this bloke enough for him to have accumulated a fair bit of presence up here.”

Bill, who had been listening in on what John said to Michael as the dead gang walked along, put in his own two penn’orth.