Jerusalem - Page 126

So saying, Phyllis clambered nimbly up onto the alabaster rail that edged the walkway, asking John to pass up Michael Warren so that Phyllis and the toddler could jump from the Ultraduct together, holding hands. The other children followed suit, and soon they were all plunging slowly through the ghost-seam’s treacle atmosphere towards the scrunched-up time and space below, grey after-pictures in a smear behind them marking their trajectories. The phantom ruffians fell towards the overlapping madhouse lawns like graceful and unhurried smoke grenades.

Marjorie landed in a crouch upon the shaved baize, with her staggered rain of multiple exposures in accompaniment. The piece of lawn she landed on appeared well tended and was therefore probably a displaced fragment of St. Andrew’s Hospital, rather than part of the more lowly nuthouse here at Berry Wood. Upon closer inspection she could even see the seams where neatly-manicured St. Andrew’s verges met with the more roughly-shorn grounds of St. Crispin’s or Abington Park: irregular trapeziums and wedges of dark or light grass fitted unevenly beside each other like a poorly manufactured jigsaw, different places crumpled up into a single landscape by the cave-in of the higher planes above. Tilting her head and looking up, Marjorie noticed that the sky itself appeared pasted together; distinct cloud types from diverse locations and from wildly varying altitudes clumsily juxtaposed, with only rough torn-paper lines dividing them. From some segments or slices of the heavens, it was drizzling.

As disorienting as the natural features of the view such as the grass and sky might be, the folded-in and mixed up buildings of the various institutions that surrounded them appeared much more peculiar. Stretches of ivy-covered limestone that were clearly part of the asylum-turned-museum in Abington fused jaggedly with pale and stately ship-like buildings from St. Andrew’s Hospital, metamorphosing ultimately to the faintly sinister brick edifices of St. Crispin’s. These bizarre, Victorian constructions were most prevalent amongst the mix of madhouses, no doubt because St. Crispin’s was the actual geographical position in the ghost-seam that these other places had become conflated with, both in the upper territories and the confused inmate dreams those higher realms were founded on.

The architecture of the institution here at Berry Wood had seemed perverse to Marjorie since she’d first learned the word “perverse”. It just seemed wrong, housing the mentally disturbed in an unsettling environment such as St. Crispin’s, where the high-windowed brick wings huddled together in a whispering conspiracy, peering suspiciously from under the steep brims of their slate hats, and where a spidery tower of no apparent purpose rose obscurely from the already oppressive skyline. Taken as a whole, St. Crispin’s Hospital had the demeanour of a strange Bavarian social experiment, left over from a bygone century. There was a gaol or workhouse flavour to its labyrinthine paths, its curfew hush, its isolation. Frankly, having fragments of St. Andrew’s or the Abington Park madhouse muddled up with it was rather an improvement.

The ghost-children were progressing cautiously across the variegated lawn towards a hodgepodge of asylum buildings dominated by the purposeless St. Crispin’s tower, a thing too slender to make any sense save as a crematorium chimney stack. One of the huddled structures near the turret’s base was a prefab extension of its native hospital, a single-storey unit where on previous visits Marjorie had stumbled upon various framed artworks executed by the inmates. In amongst the strangely captivating landscapes on display, the burning orange skies, the metal shrubs trimmed to a dangerous and spiky topiary, she’d been unsurprised to find painted depictions of the way the overlapping madhouses appeared when looked at from the ghost-seam, lumps of Abington Park or St. Andrew’s spliced in with St. Crispin’s as though by mistake. Even the sudden bursts of higher-space phenomena – like the cascading moiré pattern currently erupting from behind the spindly brick spire ahead of them – were reproduced upon some of the canvasses, a proof that living people in an extreme mental state could sometimes see the upper world and its inhabitants. She’d even found a crayon drawing of a figure that looked the dead spit of Phyllis Painter, with the rabbit skins hung in a rancid garland round her neck. It had been a distorted charcoal sketch that made the ghost gang’s leader look a lot more frightening than she was in real life or death.

Marjorie’s reverie was interrupted by a sudden loud, indignant outburst from the real Phyll Painter, the sheer vehemence of which made Marjorie think that the unknown mental patient’s portrait might have been more accurate than she’d at first supposed.

“Some bugger’s ’ad ’em! There wiz ’undreds of ’em earlier, and all these trees wiz nearly creakin’ wi’ the weight of ’em! If I find out who’s come and nicked our Bedlam Jennies before we could nick ’em then I’ll punch ’is bloody lights out, even if it’s the Third Borough!”

Everybody else, even her presumed younger brother Bill, seemed stunned by the near-blasphemy of Phyllis’s incendiary rant. Marjorie glanced towards the nearby trees and madhouse eaves. She noticed that while there were still enough Puck’s Hats growing upon them to provide a satisfying meal for the dead youngsters, there were nowhere near as many as Phyllis had led them to expect. Was their infuriated leader right? Was there some other well-informed and highly organised ghost-scavenger at work here, possibly a rival phantom gang attempting to encroach upon their territory? Marjorie hoped that this wouldn’t prove to be the case. She’d never previously heard tell of gang warfare in Mansoul, but she imagined that it could get luminously ugly. Wraith-brawls spilling over from the Mayorhold, urchins swinging dreams or memories of pickaxe handles, although how would they distinguish between differing gang colours in the monochrome arena of the ghost-seam? One side could wear black, perhaps; the other white, like violent, scruffy chess. Her wandering thoughts had got as far as revenge doorstep exorcisms when she realised that she wasn’t thinking about her real, present circumstances at all but was instead plotting a third book, presumably a follow-up to her forthcoming novel about Snowy Vernall and his beautiful granddaughter hiking through Eternity.

It was as Marjorie was forcing her unruly literary fancies back into their cage that tall John cried out suddenly.

“I can see one of the blighters! Look! He’s peeping from behind the tower!”

Marjorie turned in time to see a tiny fair-haired head bob back behind one corner of the edifice’s base. You could tell that it was that of a ghost-kid by how it left a grey stream of little heads evaporating in its wake. So, she’d been right. There was a rival gang of spectral ruffians who’d beaten them to the mad apples. There were poachers on their land! Surprised by her own sense of angry indignation, Marjorie joined with the other children as they stormed towards the tower, their half-a-dozen swelled into a shrieking Mongol horde by all the trailing doppelgangers.

Rounding the dark brickwork of the corner they stopped dead and Marjorie once more found herself piling into Reggie Bowler’s back. Recovering, she peered between the taller gang-members in front of her, taking her glasses off to polish them upon one sleeve before replacing them, as if unable to believe what she and her confederates were seeing. It was actually a gesture she’d seen someone do once in a film – possibly Harold Lloyd – rather than natural behaviour. As if whatever startling vista you were seeing was a smear of grime to be wiped from the lens. It would, she thought, have to be quite an oddly-shaped and convoluted smear, especially in this current instance.

Some way off, a time-hole had been opened in the air quite near ground level, being almost three feet in diameter by Marjorie’s own estimate and bordered by the flickering static bands of alternating black and white that usually attended such phenomena. There were two tough and grubby-looking ghost-boys, one tall and the other short, holding between them what looked like some sort of lettered banner that was sagging under what must have been hundreds of ripe Puck’s Hats, all the moist and interlocking fairy figures in their starfish clusters, hints of colour in their glisten, fugitive and delicate, piled up like so many prismatic turnips on the strange flag being used to

carry them. Now that she looked more closely through her dead-eyes and her polished spectacles, Marjorie could see the tops of some embroidered letters on the banner that appeared to spell out the word ‘union’ or ‘upiop’, most probably the former. Had somebody formed a Union in Heaven, bargaining for better outfits and a shorter working ever-after? Focussing upon the two unlikely union representatives who were about to make off through their warp-window with all the stolen wraith-food, Marjorie could not help noticing that the loftier interloper wore a hat like Reggie Bowler’s …

On a head like Reggie Bowler’s. And a body.

It was Reggie Bowler, several yards away from her and from the other Reggie who was standing just in front of Marjorie and moaning in bewilderment as he surveyed his evil Puck’s Hat-thieving twin. The Reggie look-alike was holding one end of the heavy-laden banner while the other end was gripped by a precise and vivid reproduction of Phyll Painter’s nipper, rowdy little Bill. The real Bill, meanwhile, was stood swearing fluently beside his elder sister, who for once did not admonish him. Marjorie took her glasses off and polished them again, being unable to come up with any more appropriate reaction. This she left to Phyllis, who was after all the gang’s titular leader.

“William! What the B– ’Ell d’yer think yer playin’ at, you effin’ little C?”

Marjorie gasped. She’d never thought that Phyllis Painter would be one to use such coarse and vulgar letters of the alphabet. It was then that big John pitched in, sounding almost as angry.

“That’s a British Union of Fascists banner that you’re holding! If you’ve joined the Moseleyites as well as taking all our Bedlam Jennies then I’ll knock your heads together!”

By this point the surplus Bill and Reggie towards whom these hostile comments were addressed had managed to manoeuvre their apparently Blackshirt-affiliated makeshift stretcher full of Puck’s Hats through the time-hole. They were on the gap’s far side, weaving the interference-coloured edges back across the centre as they sealed the aperture behind them. Just before the opening disappeared completely, Reggie and Bill’s doubles gazed back through it at their dumbstruck counterparts.

“There’s a good explanation for all this, so don’t go blamin’ me.”

“Shut up, Reg. Listen, everybody, just remember that the devil’s in the driver’s seat. That way it won’t be a surprise when – ”

It was at this juncture that the final shimmering filaments were drawn across the breach in space, cutting off Bill’s twin in mid-sentence. There remained only the fractured view of the conjoined asylums, where a hundred or so years of inmates wandered aimlessly across a differently-toned patchwork of amalgamated lawns, and there was nothing to suggest that the time-hole had ever been there. It had vanished without trace.

Speechless with rage, Phyllis smacked Bill around the ear.

“Ow! Fuckin’ ’ell, you mad old bat! What are yer ’ittin’ me for?”

“Well, what are you stealin’ all ayr Puck’s ’Ats for, yer rotten little bugger? And what was that business abayt devils in the drivin’ seat?”

“Well, I don’t know! Are you completely fucking mental? I wiz standin’ over ’ere the ’ole time. That weren’t me and Reggie. It just looked like us.”

“Looked like! I’ll gi’ you looked like in a minute! That wiz you! D’yer think as I don’t know me own flesh and blood? That wiz just you from somewhere up the linger, from a moment we ent got to yet! You’re gunna dig back ’ere and pinch ayr mad apples before we ’ave a chance to ’arvest ’em, you and this silly bastard stood beside yer.” Phyllis glared at Reggie here. Disastrously, Bill tried to reason with her.

“Well, ’ow am I supposed to know what it all meant if we ain’t got there yet? I’m only fuckin’ dead, I’m not clairvoyant. John, mate, can’t you reason with her? When she’s off ’er HRT like this I might as well not bother.”

The good-looking older boy gave both the errant duo a refrigerated look of withering contempt.

Tags: Alan Moore Fantasy
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