An embress of textistence and embiddyment aflight, Lucia dawnsees on the meadhows grase.
So we wait for God, oh what’s the point
Of all these tears?
Letters of the alphabet are pouring from our ears
And all the wards are empty
And the beds are all unmade,
And we’re walking through the blackout
On this final white parade.
An embress of textistence and embiddyment aflight, Lucia dawnsees on the meadhows grase floriver.
BURNING GOLD
Smoulder-bearded, blind with tears of laughter, Roman takes Dean’s hand and drags him from the crackling nursery, little streets on fire behind them. Out in fresh air, grabbing their still-sniggering kiss behind a rolling screen of acrid grey, Roman can smell all of the potential never-to-be-realised cash as it’s cremated, an expensive stench diluted and dispersed in the slum firmament, into the dead-end Saturday, the hard-up afternoon. He’s still got that big painting in his shrunken monkey head: the giants in nightshirts thundering the fuck out of each other with their blazing billiard sticks, a precious gore of ore sprayed molten from the point of bloody impact. For Rome Thompson, snogging with his lover-boy there in the choke and uproar of the moment, there at that specific junction of his self-inflicted and unlikely roughneck history, there in the Boroughs and its timeless holy fire of poverty, the violent and unearthly image does no more than hold a mirror to real life, life being an affair of rage and pool-cues and colossal brawlers bleeding wealth. Of stolen kisses by the pyre of art, a kind of currency gone up in smoke here where the mint once stood, here where they hammered out the coin more than a thousand years ago. Behind a drifting cordite curtain stands Thompson the Leveller, frenching his young man, a fissured, glued-together composite of all his misspent times and misspelled words and miscreant deeds: the sum of his mosaic moments.
While the other eight- and nine-year-olds are learning how to read and write he’s up there in the slate-creak and the starlight, learning burglary. A spidery cut-out shape on a black paper 1950s skyline, it is in the slant and scrabble of the rooftop night that he receives an education in both politics and socio-economics, there at the blunt crowbar end of the economy, there in the fiscal infra-red. Shinning the rusted drainpipes that are too frail to take anybody’s weight save his, slipping head-first through open window-cracks that would defeat those with an ounce of flesh upon their fuse-wire bones, he understands the structure of the world that he’s so recently been born into to be entirely based on criminality, expressed in different languages, at different magnitudes. A warehouse skylight jemmied open here, an interest rate adjusted or a neighbouring state invaded there. The hostile takeover, or sticky brown tape on a pane of glass to stop the wind-chime pieces falling when you smash it. Little Roman Thompson and the boardroom blaggers, all in a great classless commonality of the adrenaline-habituated. Slide a sheet of newspaper beneath the door to drag the fallen key after you’ve poked it from the lock, or spread embezzled losses into the next quarter’s figures. Roman runs with bigger kids, semi-professionals, divides the loot, hears all of the instructive sex-jokes several years before his classmates. Nobody can catch him. He’s the gingerbread boy.
Consequently he can’t write to save his life, thinks syntax is a levy raised on condoms, sometimes gets his phraseology caught in his zip. When the authorities he’s nettled try to get their own back by accusing his beloved obsessive-compulsive boyfriend of being a social nuisance, Roman reckons that they must see Dean as his “Hercules Heel”. He reads, though, chewing ravenously through all of the history and politics that he can get his bony hands on, trying to locate and orient himself in socio-economic spacetime. He can’t write, then, other than the odd historical research piece or the slyly vitriolic Defend Council Housing pamphlets that he sometimes pens, but he can read. He can mine information from an electronic or a paper coal-seam, he can organise it in his stealthy nightlight-robbery mind and understand all its essential lowlife intricacies. He can read and he can talk – talk like Hell’s auctioneer as tenants’ representative at Borough Council meetings, making all the most embarrassing enquiries, mentioning the most unmentionable things, calling a cunt a cunt. He’s lost count of the occasions when he’s been evicted from the Guildhall to trot chuckling down the wedding-photo steps and squint up at the angel on the roof, the one that his mate Alma thinks is working class because it’s got a billiard cue in its right hand. He knows his Woodward and his Bernstein, knows all about following the money, lurks in ambush on the cash trail.
In so far as Roman understands these things, the Ancient Britons who originally have their settlements around these parts work with a barter system. This makes simple robbery or livestock-rustling an option for the proto-criminals inhabiting the Neolithic period and the Bronze Age, where they’ve got more of a grasp of owning property, relative to the wandering Old Stone Age hunter-gatherers of earlier times, and where therefore there are more things to steal. This is all still comparatively petty larceny, however, and major financial crimes will have to wait for the concept of finance, wait for Roman’s namesake empire to turn up in the first century and introduce us to the endlessly manipulatable idea of money: gold and silver coins which represent the sheaf of grain, the snorting bullock, down to the last hair, the meanest scruple, but are much more easy to make off with and to hide. During the Roman occupation, then, when everyone’s conditioned to accept that this much gold is worth that many ducks in what seems on the surface a fair proposition, Iron Age Northampton has its introduction to both coins and serious crime: in Duston, using cheaper metals to adulterate the silver, Roman coins are forged, a crucifixion felony. Iron Age ironically, the hard-up Empire has adulterated its own coinage at least since the reign of Diocletian, the same fraud upon an international rather than local level, all made possible by money. You can’t forge a cow.
Straight from what should have been his school years he rolls up his sleeves and gets beneath the bonnet of the world to fathom out its mechanism, ends up as head engineer at British Timken, then providing half the town’s employment. From there it’s a short step to becoming the key union representative, his bristling terrier countenance at each dispute, on every picket line, the blue touch-paper eyes restlessly searching for a weasel argument to shake between his teeth. In either of these two capacities, whether oil-stained professional or deepest red political, Rome’s main advantage is in understanding how things work, from cogs to councils to communities, from obstinate machines to management. His other big plus is his reputation: diabolically logical, tenacious to the point of tetanus once he has locked his jaws, as unpredictable as cheese-dreams and completely fearless from his burglar boyhood, madder than a bottle full of windows. In the police-scrums and demonstrations of the 1960s it’s mostly his spittle that gets emptied from the megaphones, and in the Anti-Nazi 1970s it’s him who breaks the riot-squad cordon, managing to land one on the National Front minder next to leader Martin Webster before being dragged away and charged. An atmosphere of gunpowder surrounds him, a perfume of Civil War and regicide. Below a straggling brow the china eyes spark in their wrinkle-cobwebbed sockets, always informed, always on the money.
When the Roman legions are withdrawn they leave us with a money habit. From the kick-off of the seventh century, gold and silver coins are struck as local currencies by various small coining operations up and down the country. In Thompson’s opinion, the most famous such establishment is probably at Canterbury although there are gold coins made here in Hamtun dated 600 AD, which have to be amongst the very first produced in Britain. And when he says Hamtun, Roman means the Boroughs. Possibly due to this early aptitude we have an unofficial mint here from 650 onwards churning out a stream of gleam into the Dark Ages’ protracted night, a golden shower. Meanwhile, unobserved in the surrounding information-blackout, the benighted half-mile settlement mysteriously gathers substance and significance: King Offa’s market town supplying his retreat at Kingsthorpe, here in Mercia’s centre at a time when Mercia is the most important of the Saxon kingdoms. To Rome Thompson’s way of thinking, it might even be that pilgrim bringing the stone cross here from Jerusalem around this period which helps cement Hamtun’s mystique as centre-of-the-land, but for whatever reason it’s from this ground during the 880s that King Alfred the failed cake-minder divides the country into slices, adding ‘North’ to the town’s tag and naming ‘Norhan’ as foremost amongst the shires, legitimising its two-hundred-year-old mint, acknowledging its status. Wax-sealing its fate.
He’s not obsessed with cash. He’s never had enough to get obsessed by, but you need to know how money works to understand its necessary complement, this being poverty. The two things are inseparable. John Ruskin claims that if resources were shared equally there’d be no poverty or wealth. Thus, to make someone rich depends on making someone else poor. Making someone very wealthy may depend upon impoverishing an entire population. Poverty is money’s obverse, the coin’s other side. Rome wants to scrutinise its dirty engine and to comprehend the micro-tolerances of hard times. He knows his own hard times have mostly happened not because of money, but because of how he used to drink before the heart attack and his sometimes deranged behaviour. He’s culpable, responsible – he knows all that – and sometimes feels a black pang if he thinks of Sharon, their doomed marriage, his exploded family. He would simply observe that those from a chaotic background frequently tend to be predisposed to alcohol and chaos, and that chaos levels rise as funds go down. That isn’t an excuse; it’s an example of how life is likely to work out in a poor neighbourhood, with more capacity for harm, for wheels to fall off struggling relationships, for nasty incidents. The squaddies eager for a scrap down in the cellar bar off vanished Wood Street. The slagheap collapsing on him in Paul Baker’s yard, crawling through dirt in search of a few bob on the Edwardian empties
.
Growing up, Rome thinks the king he’s heard about is called Alfred the Grate because of where he scorched the scones, then later learns about dividing up the shires, effectively making Hamtun the capital, establishing the mint at London (one of a few dozen) as an institution in 886, and all the rest of it. The king is trying to regulate the many regional economies, or so it seems to Thompson, but no one will have much luck with that until Edgar the Peaceful turns up to reform the coinage in his last year as king, 973 AD, and standardises it into a national currency stamped out at forty royal mints throughout the land, with Hamtun being one of them. This is the year you first get pennies turning up with “HAMT” on the reverse, the letters set in the four quarters of what’s known as a Long Cross, one where the arms reach right to the coin’s hammered edge. By Ethelred the Second’s reign, commencing 978, emergency mints are set up to cope with the privations caused by all the Viking raids the King was famously unready for, and by Harold the Second’s rule prior to the Norman conquest there’s at least seventy of them, with the biggest mint being the one in London. Following 1066, William the Bastard changes things. The mints are gradually reduced in number, centralising monetary control and rationalising an inherited and sprawling Saxon system. Disempowered, Northampton’s mint survives until the thirteenth century. Until Henry the Third arrives and really puts the chainmail boot in.
The subsiding fifty-year-old hill of ash and clinker falling in on him, the incident with the drunk soldiers: these are just part of the fire he’s dressed in, the insane debris of circumstance that makes him who he is; that ultimately tears apart his life with Sharon and the kids. He’s foraging for old stone bottles when some half-a-century of the town’s black, incinerated shit suddenly pounds its fist into his scrawny back and drives the precious wind out of his lungs. Dirt in his eyes, dirt in his mouth and enough time to form the thought, so this is how we all end up, before his mucker Ted Tripp grabs him by those matchstick ankles, drags him cursing from the sludge like an uprooted Tourette’s carrot out into the daylight of Paul Baker’s yard, just as the cop cars all come howling in. He owes Ted big time, and so when Ted’s lock-up full of hooky goods is raided some while afterwards and the arresting officers fail to lock up the premises behind them, Roman has the evidence away and leaves Ted to produce receipts so that the angry coppers have to reimburse him for the lock-up’s contents. Debt repaid, this means that Rome feels free to steal Ted’s car on that occasion with the pissed-up and abusive squaddies: Roman’s awesome and apocalyptic payback; his avenging angel-work. He feels that it’s important someone keeps the moral ledger straight, such as it is. The heart can’t keep double accounts, and its books must eventually be balanced.
Though Northampton has admittedly lost some of the illustrious burnish since its Alfred the Great heyday, it’s still an important central pivot of the country for two hundred years after the conquest, and still has its mint. A thriving, pretty little market town, by all accounts, since Dick the Lionheart grants it its charter in 1180-something. Cobblers and leather-workers all up Scarletwell Street and the old Gilhalda, the original town hall there on the Mayorhold, where they hold their Porthimoth di Norhan, although no one nowadays knows what that might have been. Something to do with boundaries. Henry the Third seems rather taken with the place at first and wants to give the town a university, before he’s had a chance to fully understand the fiery and unusual spirit of the ancient settlement. The Bacaleri di Norhan, the stroppy students, are protesting Henry’s imposition of a forty eight-strong council – the exact same number of the bastards that Rome Thompson currently contends with weekly – who are lining their own pockets with the profits of the town. Henry decides he doesn’t like the locale after all and sends his troops in through the wall of the old Cluniac priory where St. Andrew’s Road is now. They pillage, rape and burn until Northampton is an ugly, smoking wreck. And when he says Northampton, Roman means the Boroughs. Henry’s promised university ends up in Cambridge, and with Henry’s death in 1272 they take away the mint as well.
His reputation for exacting startling retribution, whether against individuals or institutions, means that anyone who’s heard of him knows that they’re better off not picking fights with Roman. Which leaves those who haven’t heard of him. He’s visiting the cellar bar outside the Grosvenor Centre, near where Wood Street used to be, for a quick drink. There are these nineteen-, twenty-year-old soldiers from some camp outside Northampton, half-a-dozen getting rowdy in the lounge, shoving past regulars. When Rome asks one of these latter-day roundheads to watch where he’s going, he’s got the whole mob around him swilling their testosterone and vodka smoothies. “Yeah? What are you gunna do about it, Catweazle?” Six of the nation’s finest, being all they can be with a stick figure in his mid forties. Roman puts his palm up. “Sorry, lads. I’m evidently in the wrong pub. I’ll just finish up me pint and go.” He leaves them to their night out without answering them, without saying what he’s gunna do about it. Never cross someone with neither want nor fear of anything. Like he tells Alma while he’s lounging calmly in the middle of a blazing bonfire on that camping holiday in Wales, “It’s all about will, Alma, ain’t that right?” She pulls upon her reefer and considers while he starts to smoulder. “Yeah. Well, will and flammability.” They have to drag him from the flames and beat him out, but Roman feels he’s made his point. He’s put his money where his mouth is.
As does England after 1272 when Henry’s dead. The number of mints are reduced to six – rebellious Northampton not included – with the main one at the Tower of London from 1279 onwards, housed there for the next five hundred years, the only game in town by 1500, a monopoly. Northampton, far from being King Alfred’s de facto capital, is on its way to being somewhere that’s unmentionable. Roman doesn’t think this is because the place is unimportant, more that it’s important in a way that’s toxic to authority’s best interests, churning out its Doddridges, its Herewards, its Charlie Bradlaughs, its Civil War agitators, Martin Marprelates, Gunpowder Plotters, Bacaleri di Norhan or its Diana Spencers. At best huge embarrassments and at worst riots or heads on poles. Perhaps Northampton has become the anti-matter capital, an insurrectionist parallel universe, not to be spoken of. While this is clearly just how everything was always going to work out, Roman blames Henry the Third, a spiteful little fucker at the best of times. And his son Edward’s even worse. In 1277 some three hundred of the Jewish population centred around Gold Street are all executed – stoned to death as Rome hears it: accused of clipping bits from the old hammered coins to melt down and make new ones. Actually, the royals owe the Jews a wad of cash. Survivors are first driven out of town and then all Jews are banished from the land, brutally welching on the debt, putting the plan into Plantagenet.
All about will and flammability, so Alma says, and Roman thinks she’s right. Having the fire of will and spirit is a must, but useless if your fuel’s damp or goes up like tinder. What’s important is the way you burn. He can remember Alma telling him about how she has Jimmy Cauty and Bill Drummond from the KLF turn up one day at her house on East Park Parade to show the film of them torching a million quid up on the Isle of Jura, where George Orwell completes 1984. She says she likes a movie where you can see every penny of the budget up there on the screen but Roman’s not sure how he feels at first about all that potentially life-saving lucre going up the chimney. Still, as Alma points out, if the million had gone up their noses nobody would raise an eyebrow. In the end, Rome comes to the conclusion that it’s glorious, more than just a gesture. It’s the whole idea of money being burned, not just the actual loot. It’s saying that the golden dragon that enslaves us, that allows a tiny fraction of the global population to own nearly all the wealth, that ensures almost universal human poverty by its very existence, doesn’t actually exist at all, is made of worthless paper, can be taken care of with a half-box of Swan Vestas. Drummond is Northampton reared, a hulking Scot from Corby who goes to the art school here and works at the St. C
rispin’s nuthouse for a while. Rome fancies you can see the town’s brand on the renegade rock-god: incendiary, justified and ancient.
This is money from a local point of view, a shell-game with evolving rules, a long con given centuries to hone its act; achieve a peak of predatory sophistication. Looking at the hundred or so years after the Norman occupation, with the number of mints dwindling as the manufacture of the coin is centralised and brought under control, Roman can see the obstacle that money-hungry kings are left with. Cash is still too real, too physical. Getting the planet to accept that discs of precious metal represent a crop or herd is an immense accomplishment, but coins with their smooth hammered edges are still vulnerable to clipping, and material gold and silver pieces are less easy to manipulate and conjure with than something that is hardly there at all. It’s in the twelfth or thirteenth century that the Knights Templar, hanging out at the round church in Sheep Street and collecting dues from local businesses as an ecclesiastical protection racket, come up with the idea of the internationally-valid promissory note or money order. They invent the cheque, have the idea of money as a piece of paper long before 1476 when William Caxton’s earliest English printing press makes banknotes possible, just in time for the Tower of London’s mint to assume its monopoly in 1500. Given all the harm caused by the Templar’s fiscal origami, Rome feels it’s an insult that they get wiped out because Pope Clement claims they’re gay, two men on one horse, all that Catholic bollocks.
Roman’s own epiphany comes with the heart attack that marks his fiftieth birthday. It’s around the sleeping-in-a-campfire period of Rome’s existence, when the mania that drives him is at its most phosphorescent. His behaviour at this point is already more than halfway to dismantling his family so he’s alone there in the house all night, on his own, when the left-arm lightning hits. He sprawls there, on his back in the dark living room, and can’t move. There’s no one to call for help and Roman knows that this is it. He’s going to die, and in a few days he’ll be back under the dirt like that time down Paul Baker’s yard except with no Ted Tripp to haul him out. Under the dirt forever, and with so much unresolved. During his long hours in the twilight between quick and dead, Roman reviews his life and is astonished to discover that his foremost fear is dropping off the twig before he gets the nerve up to tell anyone, himself included, that he’s homosexual. All those years he’s taken pride in never backing down to anyone or anything, not to police or management or to those drunken square-bashers or even to the element of fire, to find that he’s been bottling the biggest, pinkest challenge of them all. Roman resolves that if by some chance he survives this he’ll go out for some queer fun and then tell everyone about it. As it turns out that’s what happens, but he’s not expecting love. He’s not expecting Dean, the two of them together on the one horse from then on.
Gay or not, the Knights Templar clearly aren’t the first people to think of folding money – Roman reckons that he can remember something about paper notes in seventh century China – but they are the first to introduce the notion to the West. It still isn’t until the nineteenth century that you see proper printed English dosh, but back at the exclusive Tower of London mint in 1500 you can tell they’re warming up to the idea. The goldsmith-bankers of the sixteenth century issue these receipts called running cash notes, written out by hand and promising to pay the bearer on demand. Even with Caxton’s press, the near-impossibility of printing counterfeit-proof wealth means England’s paper currency will be at least partially scribbled for the next three hundred years or more. The paper concept only gains momentum when the Bank of England is established during 1694 and straight away is raising funds for William the Third’s war on France by circulating notes inscribed on specially-produced bank paper, signed by the cashier with the sum written down in pounds, shillings and pence. In the same year Charles Montague, later the Earl of Halifax, becomes the Chancellor of the Exchequer. Two years on, in need of a new warden of the mint, he offers the position – “ ’Tis worth five or six hundred pounds per annum, and has not too much business to require more attendance than you can spare” – to a fifty-five-year-old man previously passed over for high office: Isaac Newton.
Roman tells Bert Regan, Ted Tripp and the others that the most feared and respected of their formidable number is officially now travelling on the other bus. Endearingly, given the reputation of the working class for homophobia, they merely take the piss the way they would if he’d told them he was part Irish or developed comically deforming facial cancer, and then carry on as normal. They treat Dean respectfully despite the fact that his OCD impulses do tend to put him at the “Ooh, look at the muck in here” end of the homosexual spectrum. Ted Tripp asks Rome who’s the horse and who’s the jockey, and Rome patiently explains that it’s less about sex than you might think and more about the love. Ted may make arse-related jokes around the situation but he understands, has always been there when Rome needed him, will lend Rome anything, particularly if he doesn’t know he’s doing it. The night when Rome exits the cellar bar with military mockery still ringing in his ears he marches down to the Black Lion in St. Giles Street and there in the notoriously haunted hostelry he finds Ted Tripp in the front room, playing a hand of brag with rotund troubadour Tom Hall and junkyard-owner Curly Bell. Rome sits with Ted and idly chats for a few minutes while Ted’s mind is on the game, and then gets up and leaves. Ted barely registers Rome’s visit, much less that his car keys, which should be on the pub table next to his tobacco, are no longer there.
Still, that seventeenth century: a bastard from the outset and then it builds up to Isaac fucking Newton as its big finale. It kicks off with the gunpowder plot and Francis Tresham’s head impaled down at the end of Sheep Street, then it picks up pace with the Enclosures Act when all the toffs are given liberty to fence off areas of common land, legally sanctioned smash-and-grab with all the main protestors being local, all the doomed and dashing Captains, Swing and Slash and Pouch, this last one landing on a spike in Sheep Street within eighteen months of his posh adversary Francis Tresham. You can see what makes the land-reclaiming Diggers and the class-war Levellers so popular when they arrive in the mid-1640s to support Oliver Cromwell, alongside all of the other ranting, quaking dissidents that use Northampton as a millenarian theme-park in those years. The town backs Cromwell. He turns out to be like Stalin but without the sense of humour. Anyway, he’s dead by 1658, his son and heir fucks off to France and so by 1660 Charles the Second’s on the throne. Upset about Northampton’s role in getting his dad’s head lopped off he has its castle torn down as a punishment, but he’s concerned about the currency as well. Charles’s reign sees the introduction of milled edges to some of the previously hammered coins to prevent clipping, but the practice is still rife in ’96 when Isaac Newton comes to town, the Eliot Ness of English finance in the sixteen-hundreds.