although there’s obviously there’s paedophiles serial murderers war criminals there’s obviously exceptions you can take all this predestination business too far and if nothing’s anybody’s fault if everybody’s only doing what the world is forcing them to do all just obeying orders then what are we meant to think about morality I mean you’d have to say that Myra Hindley Adolf Hitler Fred West there’s the 7/7 bombers everybody’s innocent you’d have to let them go you’d have to throw away the whole idea of sin of punishment it’s not that I’m religious not especially but you’d be saying in effect there was no right or wrong and that’s just wrong it stands to reason otherwise there’d be no basis for the law all Mandy’s work with the police it would be stood on nothing how would you judge anybody there’d be no one to condemn for anything and, and, and there’s another side
if no one’s evil how can anyone be good how is there such a thing as virtue or a virtuous act if everything we do is preordained just as you couldn’t judge the guilty there’d be no way you could even recognise a saint a decent person no way that we could reward somebody for outstanding work by giving them a medal, say, or making them an alderman I’m only using that as an example but I mean you’d have to throw away Mother Theresa Jesus Ghandi Princess Di not that I ever thought that much of her to be quite honest, clearly there were those who did, there’d be no heroes heroines no villains and what kind of story would that leave us with we’d have no way of shaping a society I can’t imagine one how could we impose any sort of pattern any sort of meaning on our lives how could we tell ourselves we were good people no, no it’s ridiculous there has to be free will or all of this is just a story just a pantomime with all the world a stage and all the men and women merely players it’s free will or free Will Shakespeare that’s quite good that I’ll perhaps remember it and put it in the column no it’s like I’ve always said how everyone’s responsible for what they do and how they act although in certain circumstances, I’m not saying mine, there might be strong extenuating reasons why they feel they should do one thing rather than another free will it’s a complicated issue
Katherine’s Gardens just across the dual carriageway Garden of Rest they used to call it when the Mitre was still standing up in King Street just across the road from the Criterion there used to be that statue there the Lady and the Fish she had these hard stone tits it was like an erotic idol standing at the garden entrance I think later someone knocked the head off so they moved it out to Delapré and all the girls the prostitutes they’d either have the cab firm next door to the Mitre run them to their flats in Bath Street or they’d have a quick knee-trembler in the bushes the police would turn a blind eye for a hand job mind you all the trade’s moved down to the St. Andrew’s Road these days between the station and the Super Sausage Quorn Way all up that end where I saw the stripy-haired girl that time otherwise the Boroughs is just how it always was I mean we put the concrete bollards up blocking the streets from Marefair all the way to Semilong we thought it might discourage the curb-crawlers but it’s not made any difference all it’s done is make it harder for the ambulances or the engines to get in if there’s a fire say in St. Katherine’s House where all the dregs all of these kids straight out of care get placed the tower block well the fire services condemned it and yet there’s still people being put there so God help whoever’s council leader if it all goes up in flames you know I miss it sometimes but I’m well off out of all of that the stress it puts upon you knowing things like that the worrying in case somebody finds out, all that on your mind and obviously the people in the flats you worry for them too and it would be a dreadful thing if that should happen right there where the Great Fire broke out in the 1670s whenever but then on the other hand a lot of the planned changes to the area could go ahead so it’s an ill wind and all that although of course no one wants that to happen I’m just saying if it did
of course this thing about there being no
free will then just because we might not like it or we might have to surrender things that we regard as moral certainties that doesn’t mean it isn’t true
the gardens at the back of Peter’s House in Bath Street on my left now everything looks grey and threadbare litter all the usual it’s depressing and across the street you’ve got the Saxon the hotel the Moat House sticking up down at the foot of Silver Street with all the scalloped frills the pastel colours it reminds me of an ornament you might stick in a fish tank though I don’t know why, at least it’s better looking than St. Peter’s House I think I can remember when they put the Saxon up in 1970 I think it was whereas the Bath Street flats they’re 1920s 1930s and they show their age the fancy brickwork that’s got cracks and fissures sprouting tufts of yellow grass of course when they went up same as a number of the flats around the Boroughs they weren’t meant to last this long they were intended as a temporary measure but with nowhere else to put the people I imagine that they’ll be there either till they die or till their homes just crumble down to dust around them what was here in Horsemarket before the flats I wonder I suppose the clue’s most likely in the name horse-traders wasn’t it or did I hear it was horse-butchers there was once a knacker’s yard I think down near Foot Meadow so perhaps oh God that’s broke my dream my other dream I had it just last night oh God
I was where was I, I was in my vest and underpants again and I was I know where I was it was a cellar a Northampton cellar in the dream for some reason I think of it as being Watkin Terrace Colwyn Road one of them up there by the Racecourse but the atmosphere it had it felt like somewhere from the Boroughs somewhere really old and I remember now, before that in the dream I’d been just walking in those big grass wastelands with the flooded earthworks giant disused railway bridges and just single red brick buildings sticking up, middle of nowhere under heavy skies a bit like that one house still standing at the bottom end of Scarletwell Street but it’s weirder it’s a place I’m sure I’ve dreamed about before perhaps since I was little but it’s hard to tell I’d somehow got inside this house at first there might have been somebody with me but I lost them and the only way that I could get to where I thought they might be it was through this sort of granite shower-block where the lights were out and there were all these toilets without proper cubicles around them and they all had their seats missing or were overflowing all over the floor and I went on and down these stairs, stone stairs and then I went the wrong way and I found myself in these they were like cellars and they were all lit up as if by electric light although I don’t remember seeing any bulbs or lamps and on the floor the rough stone floor it was like straw and sawdust horrible mixed in with it there was a lot of blood and shit you didn’t know if it was animal or human and there was it looked like fish innards and skins and strings of meat all rotten in the corners and I must have gone from one part of the cellar to another trying to find my way out and suddenly there’s the mad poet bloke the one who’s always pissed Benedict Perrit he’s lived down the Boroughs years everyone knows him though I’ve never had a lot to do with him myself he’s standing waiting for me in this cellar smells of frightened animals like in a slaughterhouse I’m getting nervous I explain I’m lost and ask him how I can get out and he does this peculiar high-pitched laugh and says he’s trying to get further in and I wake up with the old heart going at nineteen to the dozen I know that it doesn’t sound much but the atmosphere it was that atmosphere that hangs around the Boroughs and it always puts the shits up me it’s I don’t know it’s ancient, stinks, it isn’t civilised older than that with its collapsing buildings people its collapsing past it’s like a Frankenstein thing stitched together from dead bits of social engineering it’s a monster from another century resentful in its ominous reproachful silence I can tell that I’ve done something to offend it that it doesn’t like me but I don’t know why time and again I wake up sweating here we are the Mayorhold Merruld the old dears down here pronounce it, makes them sound half-sharp
glancing down Bath Street and across the train-tracked valley as the light goes
up the other way a widened Silver Street unrecognisable the thuggish multistorey car park that’s got Bearward Street and Bullhead Lane God only knows what else beneath it somewhere looking out across the grim sprawl of the traffic junction with its lights and colours brighter in the falling twilight almost magical it’s funny when you think that this where it started the whole civic process in Northampton when the Boroughs was the whole town and this was the town square so I’m told with the first guildhall the Gilhalda wasn’t it up at the top of Tower Street here it used to be the top of Scarletwell before Beaumont and Claremont Courts went up in the late ’sixties and there
there they are
the high-rise flats the two giant fingers raised as if to say fuck off
who to though is it them to us or us to them I don’t know what I even mean by that
a window lit up here and there light through cheap curtains coloured squares on the dark blocks darker against the last remains of day over the railway yards the dimming west the tops of higher buildings last to catch the sun and you can still make out the sideways metal N in NEWLIFE with the lettering running down the side I thought that looked quite smart, no, what it was when I was council leader someone made out they were eyesores two monstrosities that shouldn’t have been put up in the first place and proposed we pull them down but I said no that’s not the way to go for one thing social housing in the Boroughs people haven’t got a clue just how precarious it is those towers they house a lot of people and don’t think that when they’re pulled down there’ll be anywhere to put the tenants or there’ll be new housing built dream on that isn’t how it works those towers are all you’re going to get and when they’re gone they’re gone, no, what I said, we ought to do them up refurbish them so that they’re fit to live in and okay you may say where’s the money going to come from but what I suggested was we sell the flats for next to nothing a housing association that I knew was interested at least that way the council’s spared the costs of demolition not to mention all the headache of rehousing so it went ahead and Bedford Housing picked them up at fifty pee apiece I know that there were people at the time and since who questioned that but they don’t understand how much the people here have benefited when you think of the alternative have genuinely benefited and alright that was in 2003 when I stood down from council after speaking out against the situation in Iraq not that the two things were connected it was more that being on the council stopped me from pursuing other ventures shall we say I mean how many companies is it where I’m secretary or director ten something like that so it was proper I should stand down otherwise it might have looked as if I’d got a vested interest and you know how cynical it is these days the view the public have of anyone in politics, no, I stood down so that I could take care of Anglicom in Basra me and Colin though that didn’t work out obviously but also after stepping down that left me free to take up my position on the board of Bedford Housing well if someone’s going to make a profit from it then you tell me why it shouldn’t be a Boroughs resident that’s better surely than it going to someone outside the area and anyway it’s done, it’s history, the other options were much worse I talked it through with Mandy and I don’t see why I need to justify myself
along the walkway on the west side of the Mayorhold making for the crossings that will get me over to the Roadmender in two or three hops when the lights are right it’s like a game of Frogger and down on the left there’s Tower Street and the NEWLIFE buildings and past that you can still just about make out the school Spring Lane those years I was a teacher there back when you couldn’t live on what you made as councillor I mean some of the kids some of the families they were beyond help some of them it was horrific sometimes frankly and that’s really I suppose where I first got a peep into the way these people’s lives work if they work at all and thinking back that’s probably when I first got the horrors just a shudder every now and then about the are
a and what was going on behind all the net curtains honestly you should have heard some of the stories although by and large the kids were nice I liked them they respected me I think I had a reputation as a decent bloke a decent teacher that was who I was that’s how I saw myself and I was happier then I think I don’t know, can I say that, there’s a lot of benefits to being who I am today but even so perhaps you could say I was happier in myself I think I thought more of myself and everything was more straightforward everything was simpler then not such a moral maze I think that was a program on the television or the radio they asked Cat Stevens Yusuf Islam or whatever he’s called now if he would personally carry out the fatwa against Salman Rushdie and I think he said he wouldn’t but he’d phone the Ayatollah what’s his name Khomeini anyway when you’re a teacher there’s the satisfaction when you feel you’ve made a difference how can I describe it it’s like when you feel as if you’re a good person deep inside beneath it all, it’s not like politics it’s the reverse it’s the exact reverse of that nobody trusts you they’re prepared to think the worst of you they hate you everybody hates your guts and the abuse the personal abuse you get is it a wonder if it gets to you affects your self esteem I don’t mean me specifically just public figures, political types in general what it is it’s hurtful and it makes your blood boil you find that you’re muttering to yourself settling imaginary scores it wears you out and it
crossing St. Andrew’s Street so that I can cross Broad Street makes me think of Roman Thompson who I think lived round here until recently I would see quite a bit of him back in his union days when we were both on the same side well nominally anyway and even more of him when I was on the council his Tenant’s Association bollocks he called me a wanker once right to my face he said I’d always been a wanker and that didn’t make me very jolly I can tell you fucking militants the fucking pickaxe-handle tendency with their more-socialist-than-thou they don’t see that the kind of socialism they believe in they’re anachronisms all that’s dead that was the ’70s and Margaret Thatcher smash the National Front and we were out of office the best part of twenty years it was demoralising all the splits and schisms in the party it was cunts like Thompson radicals to blame for all of that stuck in the ’60s and refusing to accept that times change and the Labour Party if it wants to be electable it changes with them now I’m not the biggest fan of Tony Blair I think that I can safely say that now but what he did whichever way you look at it he got us back in government he modernised the party he’d learned lessons from what Thatcher did and it was necessary redefining Labour values and the Tories had a winning formula you have to deal with the reality it’s no good being off in some idealist never-never land after the revolution no you have to work with what you’ve got adjust to different ways of thinking different ways of doing things and Roman Thompson calling me a wanker Roman Thompson, people like that, Marxist throwbacks they don’t understand real politics the compromises and negotiations that you have to make they’re not prepared to give you it, benefit of the doubt, they’re ready to believe the worst of you a wanker he’s the fucking wanker and it’s that it’s the abuse you get I shouldn’t think about it, more stress on the heart, what does he matter anyway he’s
toddling over Broad Street with the green light and the Roadmender there on the corner white in the descending gloom the front part rounded tall smoked windows up behind its railing ten or fifteen feet above the street it’s like a prow it’s like a ship a liner beached here at the furthest inland point lured by the false beam of the Express Lifts tower and the empty promise of the Harbour Lights they had high hopes for the place once all the well-meaning Christian types who founded it as a youth centre said that it was going to “mend the road” the road through life that disadvantaged youngsters faced I mean as an idea it’s well intentioned like I say but it’s not aged well these days you’re not going to mend the road you’ve very little chance of even finding it and in the meantime well it’s left us with a building to maintain and no way that the space will ever turn a profit we’ve tried everything they’ve put some bands on big names some comedians but with that sort of audience they’re students mostly they’re not going to spend much even if you pack the place out every night it isn’t going to work from what I hear it’s got six months left possibly a year oh fuck another hill
at this age you don’t know you never know you never hear the one that hits you
was it here perhaps where Bullhead Lane was, the steep climb to Sheep Street
just across the road the multistorey with dead socket-spaces staring from between its pillars there’s a scrap of mitigating vegetation here and there half-hearted verges as inadequate respite from all that concrete but it’s all half-dead it covers nothing up and only makes the rest of it look worse a diamante G-string on an ugly stripper
when you’re closer to the top you see the bus station most gruesome building in the country so they reckon with its empty upper spaces gazing menacingly at the car park’s brutal bulk across the intervening grassy waste where that Salvation Army fort once stood as if it sees it as a rival in some fuck-faced competition although when you think about it with the flats the car park the bus station and the rest of the unsightly hulks that seem to congregate down here it isn’t any wonder that the people feel so singled out for punishment you have to ask yourself if Roman Thompson and the awkward squad might not be right at least on that one, on that single issue obviously and not on everything not after what he called me what he said to me and Lady’s Lane it yawns away towards the Mounts the arse-end of the bus station on one side with the law courts on the other there’s that sort of gibbet-shape that’s echoed in the architecture and you get the feeling that the whole place is condemned whichever way you look at it the swathes of empty grass up this end if you ask me it’s not the old creepy houses it’s the patches of bare ground that seem most haunted
turn left into Sheep Street and it’s not a haunting like you see in films or when you read a ghost story in many ways it’s like the opposite of that it’s not about mysterious presences it’s more about the absences not how the past endures but how it doesn’t
back at Spring Lane school sometimes at Christmas I remember how I’d read a ghostly tale or two you know something traditional they used to love it nothing really frightening I’d read A Christmas Carol not The Signalman, Canterville Ghost perhaps but not Lost Hearts, the English ghost story it’s marvellous one of the things that can make teaching English such a pleasure just the way the masters of the form can set the scene and structure things they mostly seem to take a lot of time establishing a situation that’s believable and quite a lot of them like M.R. James they base the stories solidly upon a real location so you get the what’s the word I hate it when I can’t remember things it worries me verisimilitude and there’s the moral aspect of a ghost yarn that’s quite interesting the way that sometimes like with Scrooge the ghosts are actually a moral force and he’s done something to deserve a visit from them whereas to my mind the other type of story, that’s more frightening, where ghosts descend on somebody because they’re in the wrong place at the wrong time where the victim is somebody innocent someone who doesn’t know what he’s done to deserve it I suppose that the abiding fear in all these stories is the world we live in comfy and predictable it might all of a sudden change and let in things that we can’t understand or handle that’s the underlying terror, that things might not be the way we think they are it’s almost dark now all the streetlamps have come on
the absences tend to accumulate up this end, Sheep Street, there’s the yard that beech tree stood in eight hundred years old I think they said it was before it passed away of natural causes that’s a euphemism we all know perfectly well who poisoned it somebody highly placed at one of the adjacent businesses who wanted to extend the parking area but obviously there’s nothing can be done you’d have a hard time proving it for one thing and when you consider all the upset it would cause I mean it wouldn’t bring the tree back would it no what’s done is done it’s better to accept it and move on that’s the mature the practical approach that’s politics like it or lump it no use crying over spilled milk when the horse has bolted just across the road the Chinese restaurant, been there years changed hands of course and names I think that me and Mandy went there once or twice before we were in a position to go further and have better no the food was very nice as I remember it lobster I think I had
and there’s the Holy Sepulchre the round church bulging out into the dusk pregnant with guilty secrets fat with memory I shouldn’t wonder
the knights Templar used to worship in it don’t they say we had a lot of them round these parts after the Crusades somebody ought to write a novel a Da Vinci Code or something I suppose Northampton’s seen a fair bit of religious stuff across the years extremism you’d have to call it there were all the weirdo groups in Cromwell’s time the Levellers and Ranters and what have you the town draws them like a magnet Philip Doddridge he’s another one Thomas á Becket running for it in the middle of the night it’s like I say there’s plenty of religious history but none of it’s exactly what you might call normal it’s fanatical or else it’s having visions and it’s seeing things didn’t they burn the witches just a little further up, on Regent Square I think I can remember someone telling me
cross to the church side of the street there’s nothing coming at the moment although up the end there on the square itself the traffic’s bunching at the lights as always
and it’s funny
you look from the round church to the junction up ahead and there’s a sort of wholeness a simplicity about the past and then on Regent Square the present all the cars the signals changing colour it’s more like a jigsaw that’s been flung across the room
and set on fire