Grave Peril (The Dresden Files 3) - Page 69

Bianca presented her with a small black case. Lea opened it, and a slow tremble ran down her body, made her flame-red hair shift and glisten. My godmother closed it again and said, "A princely gift. Happily, as is the custom of my people, I have brought a matter of equal worth, to exchange with you."

Lea beckoned the attendant forward, and was given a long, dark case. She opened it, displaying it for a moment to Bianca, and then turned, showing it to the gathered Court.

Amoracchius. Michael's sword. It lay gleaming in the dark box, casting back the ruddy light with a pure, argent radiance. Michael went stiff beside me, stifling a shout.

A murmur went up from the assembled vampires and sundry creatures. They recognized the sword as well. Lea basked in it for a moment, until she folded the case closed and passed it over to Bianca. Bianca settled it across her lap, and smiled down at me and, I thought, at Michael.

"A worthy reply to my gift," Bianca said. "I thank you, Lady Leanandsidhe. Let Mavra of the Black Court come forward."

My godmother retreated. Mavra glided out of the night and onto the dias.

"Mavra, you have been a most gracious and honorable guest in my house," Bianca said. "And I trust that you have found your treatment here fair and equitable."

Mavra bowed to Bianca, silent, her rheumy eyes gleaming, glancing down towards Michael.

"Oh, Jesus," I whispered. "Son of a bitch."

"He didn't mean it, Lord," Michael said. "Harry? What did you mean?"

I clenched my teeth, eyes flickering around. Everyone was watching me, all the vampires, Mister Ferro, everyone. They all knew what was coming. "The tombstone. It was written on my damned tombstone."

Bianca watched the realization come over me, still smiling. "Then please, Mavra, accept these minor tokens of my goodwill, and with them my hopes that vengeance and prosperity will belong to you and yours." She offered forth the case, containing the sword, which Mavra accepted. Bianca then beckoned to the background, and the attendants brought out another covered bundle.

The attendants jerked the cover off of the bundle - Lydia. Her dark, tousled hair had been trimmed into an elegant cut, and she wore a halter and shorts of black Lycra that emphasized her hips, the beauty of her pale limbs. Her eyes stared into the lights, glazed, drugged, and she sagged helplessly between the attendants.

"My God," Susan said. "What are they going to do with that girl?"

Mavra turned to Lydia, reaching into the case as she did. "Sweet," her hissing voice rasped. Her eyes went to Michael again. "Now to open my gift. It may tarnish the steel a bit, but I'm sure I'll get over it."

Michael drew in a sudden breath.

"What's going on?" Susan blurted.

"The blood of innocents," he snarled. "The Sword is vulnerable. She means to unmake it. Harry, we cannot allow it."

All around me, vampires dropped their wineglasses, slid out of their jackets, bared their scarlet-smeared fangs in slow smiles to me. Bianca started laughing, up above me, as Mavra opened the case and withdrew Amoracchius. The sword seemed to almost chime with an angry sound as the vampire touched it, but Mavra only sneered down at the blade as she lifted the sword.

Thomas moved closer to us, pushing Justine behind him as he drew his sword. "Dresden," he hissed. "Dresden, don't be a fool. It's only one life - one girl's life and a sword balanced against all of us. If you act now, you condemn us all."

"Harry?" Susan asked, her voice shaking.

Michael too turned to look at me, his expression grim. "Faith, Dresden. Not all is lost."

All looked pretty damned lost to me. But I didn't have to do anything. I didn't have to lift a finger. All I had to do, to get out of here alive, was to sit still. To do nothing. All I had to do was stand here and watch while they murdered a girl who had come to me a few days before, begging me for protection. All I had to do was ignore her screams as Mavra gutted her. All I had to do was let the monsters destroy one of the major bastions standing against them. All I had to do was let Michael go to his death, claim the protection of the laws of hospitality upon Susan, and I could walk away.

Michael nodded at me, then drew both knives and turned toward the dias.

I closed my eyes. God forgive me for what I'm about to do.

I grabbed Michael's shoulder before he could start walking. Then I drew the sword blade forth from the cane, holding the cane in my left hand, reversing it in my grip as I drew in my will, sent it coursing down the haft of the cane, caused blue-white light to flare in the runes etched there.

Michael flashed me a fighting grin and took position at my right. Thomas took one look at me and whispered, "We're dead." But he fell in at my left, crystalline sword glittering in his hand. A howl went up from the vampires, a sudden wave of deafening sound. Mavra turned her eyes to us, gathering night into the fingers of her free hand again. Bianca slowly rose, dark eyes glowing in triumph. Over to one side, Lea laid her hand on Mister Ferro's arm, frowning faintly, standing well out of the way.

Mavra hissed, lifting Amoracchius up high.

"Harry?" Susan asked. Her shaking hand touched my shoulder. "What are we going to do?"

"Stay behind me, Susan." I clenched my teeth. "I guess I'm going to do the right thing."

Even if it kills me, I thought. And all of you, too.

Chapter Thirty

In games and history books and military science lectures, teachers and old warhorses and other scholarly types lay out diagrams and stand up models in neat lines and rows. They show you, in a methodical order, how this division forced a hole in that line, or how these troops held their ground when all others broke.

But that's an illusion. A real struggle between combatants, whether they number dozens or thousands, is something inherently messy, fluid, difficult to follow. The illusion can show you the outcome, but it doesn't impress upon you the surge and press of bodies, the screams, the fear, the faltering rushes forward or away. Within the battle, everything is wild motion and sound and a blur of impressions that flash by almost before they have time to register. Instinct and reflex rule everything - there isn't time to think, and if there's a spare second or two, the only thought in your head is "How do I stay alive?" You're intensely aware of what is happening around you. It's an obscure kind of torture, an acute and temporary hell - because one way or another, it doesn't last long.

A tide of vampires came toward us. They rushed in, animal-swift, a blur of twisted, bulging faces and staring black eyes. Their jaws hung too far open, fangs bared, hissing and howling. One of them held a long spear and shoved it toward Thomas's pale belly. Justine screamed. Thomas swept the crystalline sword he bore down in an arc, parrying the spear's tip aside and cutting through the haft.

Tags: Jim Butcher The Dresden Files Suspense
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