Death Masks (The Dresden Files 5)
Page 48
"Assuming the note means that the sale is at eleven forty-five, that doesn't give us much time to look around. This place is huge."
We got onto an escalator and Susan arched an eyebrow at me. "Do you have any better ideas?"
"Not yet," I said. I caught a glimpse of myself in a polished brass column. I didn't look half-bad. There's a reason the tux has weathered a century virtually unchanged. You don't fix what isn't broken. Tuxedos make anyone look good, and I was a living testament to it. "Think they will have anything to eat? I'm starving."
"Just keep the shirt clean," Susan muttered.
"No problem. I can wipe my fingers on the cummerbund."
"I can't take you anywhere," Susan said. She leaned a little against me, and it felt nice. I felt nice, generally speaking. I cleaned up pretty well, it would seem, and I had a lovely woman-no, I had Susan on my arm, looking lovely. It was a small silver lining compared to the troubled clouds I'd been floundering through, but it was something, and it lasted all the way up the escalator. I take the good moments wherever I can get them.
We followed the flow of formally dressed men and women up another escalator or three to a cavernous ballroom. Chandeliers hung from the ceiling and tables laden with expensive-looking snacks and ice sculptures all but overflowed onto the floor. A group of musicians played on the far side of the ballroom. They didn't seem to be stretching themselves with some relaxed and classy jazz. Couples who also weren't stretching themselves danced together on a floor the size of a basketball court.
The room wasn't crammed with people, but there were a couple of hundred there already, and more coming in behind us. Polite but insincere chatter filled the space, accompanied by equally insincere smiles and laughter. There were a number of city officials whom I recognized in the immediate area, plus a couple of professional musicians and at least one motion-picture actor.
A waiter in a white jacket offered us a tray of champagne glasses, and I promptly appropriated a pair of them, passing the first to Susan. She lifted the glass to her mouth but didn't drink. The champagne smelled good. I took a sip, and it tasted good. I'm not a terribly impressive drinker, so I stopped after the first sip. Chugging down champagne on an empty stomach would probably prove inconvenient if it turned out I needed to do any quick thinking. Or quick leaving. Or quick anything.
Susan said hello to an older couple, and stopped for introductions. I kept my duck blind of a smile in place, and mouthed appropriately polite phrases in the right spots. My cheeks had already started hurting. We repeated that for half an hour or so, while the band played a bunch of low-key dance music. Susan knew a lot of people. She'd been a reporter in Chicago for five or six years before she'd had to leave town, but she had evidently managed to ingratiate herself to more people than I would have guessed. You go, Susan.
"Food," I said, after a stooped older man kissed Susan's cheek and walked away. "Feed me, Seymour."
"It's always the brain stem with you," she murmured. But she guided us over to the refreshment tables so that I could pick up a tiny sandwich. I didn't wolf the thing down in one bite, which was just as well, since it had a toothpick through it to hold it together. But the sandwich didn't last long.
"At least chew with your mouth closed," Susan said.
I took a second sandwich. "Can't help it. I got all kinds of joie de vivre, baby."
"And smile."
"Chew and smile? At the same time? Do I look like Jackie Chan?"
She had a retort but it died after a syllable. I felt her hand tighten on my arm. I briefly debated wolfing the second sandwich, just to get it out of the way, but I took the more sophisticated option instead. I put it in my jacket pocket for later, and turned to follow Susan's gaze.
I looked just in time to meet the gaze of Gentleman Johnny Marcone. He was a man of slightly above average height and unassuming build. He had handsome but unremarkable features. Central casting would have placed him as the genial next-door neighbor. He didn't have the usual boater's tan, it being February and all, but the crow's-feet at the corners of his pale green eyes remained. He looked a lot like the fictional public image he projected-that of a normal, respectable businessman, an American tale of middle class made good.
That said, Marcone scared me more than any single human being I'd ever met. I'd seen him produce a knife from his sleeve faster than a hyperstrong psychotic could swing a tire iron at him. He'd thrown another knife through a rope while spinning in circles as he hung upside down in the dark, later the same night. Marcone may have been human, but he wasn't normal. He'd taken control of Chicago's organized crime during a free-for-all gang war, and he'd run it ever since despite the efforts of both everyday and supernatural threats. He'd done it by being deadlier than anything that came after him. Of all the people in the room, Marcone was the only one I could see who wasn't wearing a fake smile. It didn't look like he was particularly troubled by the fact, either.
"Mister Dresden," he said. "And Miss Rodriguez, I believe. I didn't realize you were an art collector."
"I am the foremost collector of velvet Elvii in the city of Chicago," I said at once.
"Elvii?" Marcone inquired.
"The plural could be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural."
Marcone did smile that time. It was a cool expression. Tigers with full stomachs wear smiles like Marcone's when they're watching baby deer play. "Ah. I hope you can find something to suit your tastes tonight."
"I'm easy," I said. "Any old rag will do."
Marcone narrowed his eyes. There was a short, pointed silence while he met my gaze. He could do that. I'd gotten into a soulgaze with him in the past. It was one of the reasons he scared me. "In that case, I would advise you to exercise caution in your acquisitions."
"Cautious, that's me," I said. "You sure you wouldn't rather make this simple?"
"In deference to your limitations, I almost would," Marcone said. "But I'm afraid I'm not quite sure what you're talking about."
I felt my eyes narrow and I took a step forward. Susan's hand pressed against my arm, silently urging restraint. I lowered my voice to something between Marcone and myself. "Tell you what. Let's start with one of your monkeys trying to punch my ticket in a parking garage. From there, we can move along to the part where I come up with a suitable reply."