The Clockwork Scarab (Stoker & Holmes 1)

For a moment I was stunned. Not because my conclusion had been confirmed, but because he'd come from so far-more than a hundred years ahead. Countless questions popped into my head. Where did one begin?

"What's it like?" I asked. "There, in 2016?"

"It's very different . . . and not so different. For one thing, it's not so . . . dim and dark all the time. And electricity isn't illegal," he added. "It's never been illegal. It's not a threat to society any more than-than steam. Or horse-drawn carriages."

More and more questions poured into my mind like sand funneling down through an old-fashioned timekeeper, but I ruthlessly shoved them away. I could interrogate him later-and I fully intended to do so. But now was not the time.

Miss Adler had been staring at my companion. And now she said, "Truly-2016?"

"Yes, for real. And, like, could you just call me Dylan? Or Eckhert, as my friends do? I can't deal with this Mr. Eckhert stuff."

"Of course, Dylan," Miss Adler said, seeming to recover herself. "If it will make you feel more comfortable."

"Mr. Eckhert traveled here with the help of an illuminated scarab on a statue of Sekhmet. At just about the same time Miss Hodgeworth was being murdered. It cannot be coincidence that those two events happened concurrently."

"Of course not," she agreed.

"He was arrested trying to break into the museum last night, presumably to try and find the Sekhmet statue so he could determine how to return home. I was able to get him released on bail, and we've come directly from the jail."

"I did hear about the attempted break-in. And what a traumatic experience you've had." Miss Adler still wore an expression of shock, and I couldn't blame her. After all, I'd had more than a day to come to the conclusion . . . and yet, I still couldn't fathom the concept. Time travel? "Perhaps you'd like to-er-wash up a bit, Dylan?" she suggested. "I'm certain we could obtain some clean clothing for you as well."

When our guest accepted the offer with alacrity, Miss Adler added, "Mina, perhaps you'd take a moment to read this passage while I show Dylan to a washroom." She gestured to the open book on her desk. "I suspect you'll find it enlightening."

As they left, I settled myself in her position at the desk and took note of the large book. The pages were old and yellow, held together not by the stitched leather binding we find on current publications but by large, looping leather thongs. The text was cramped and faint, and simple sketches broke up the blocks of prose. The words were handwritten rather than typeset and in a variety of colors and styles. The mechanical device on which Miss Adler had mounted the tome not only provided light, it also magnified the text and held the book open to the proper page.

The line drawing of a lion-headed woman drew my attention. Beneath it, in flowing, fading text, was a poem or song. It took me a moment to decipher the cramped, ornate entry, and even then, I passed over some words and phrases when they were blotched or unreadable.

Sekhmet, the Goddess of Death, shall be called back to life.

Shall endow Her strength and power upon those deserving.

Gather Her Instruments, meld them whole --

With the purest of sacrifices shall find the - power.

For the Power of Sekhmet shall rise in vengeance

For the weak and restrained.

A little shiver went down my spine. Last night, the Ankh had referred to "the Power of Sekhmet."

The day is nigh, the Ankh had said.

What were the instruments?

Gather Her Instruments, meld them whole . . .

I examined the pages, trying to find further reference to the instruments or to the Power of Sekhmet. From what I was able to glean from the book, it seemed to be a collection of Egyptian and Sumerian legends and writings.

After carefully turning one more crisp, browned page, I found an entire leaf devoted to them: The Instruments of Sekhmet: Her Scepter. Her Diadem. Her Cuff. Her Sistrum.

There were drawings of them all. First, the tall scepter with a lion's head. A detail in the drawing indicated a green gem for the feral feline's eye, and its long, smooth, mane running the entire length of the staff.

Sekhmet's diadem appeared to be a delicate, filigreed object-not at all Egyptian in appearance. It looked as if it were made from slender golden curves and twists, but upon closer examination, I realized it too depicted a lion. A feminine snout at the front of the diadem was combined with the leonine mane that curled and curved in an ethereal shape that would hug the crown of the head.

The cuff was a smooth, flat, metal band that enclosed the wrist. The drawing was faded and mottled, making it difficult to see much detail. With the help of the magnifyer and a bit of patience, I was able to discern that the fastener which held the bracelet closed was made of two almond-shaped feline eyes.

The sistrum, a small musical instrument, resembled an ankh in the drawings: it was cross-shaped and had a loop in place of the top, upright bar.

The door to the office opened, and in walked Miss Adler, accompanied by Dylan. He was clean, shaved, and dressed in proper English clothing, with the exception of gloves. I didn't bother to ask how she had arranged it; there was no sense wasting time on such trivial details.

He looked very British, yet he still seemed . . . different. With his long hair flipping up gently in random places and the slender, blue rubber bracelet he wore, along with the manner in which he stood and moved, he exuded foreignness. He reminded me of a cat reluctantly dressed up in child's clothing-subdued for the moment, but not in his natural habitat. Not terribly different from how I'd felt at Lady Cosgrove-Pitt's ball, dolled up and thrust into an unfamiliar environment.

Shifting under my regard, Dylan gave me a sort of lopsided smile and tucked a finger inside the collar of his shirtwaist, tugging sheepishly at the neckcloth.

"I trust you found the reading relevant?" Miss Adler said, redirecting my attention.

"Indeed. I have much to tell you, for this makes what I learned last night clearer." I launched into an explanation of the events surrounding the Roses Ball and our unexpected adventure. It was with great effort that I managed to keep an accusatory tone from my voice as I described Miss Stoker's foolhardy actions-from leaving me behind at the top of that long, dark, subterranean flight of stairs, to her bold accusation of the Ankh.

"Fortunately we were able to escape, thanks in part to Miss Stoker's physical capabilities," I said, keeping the begrudging tone from my voice with effort.

"The leader's name was the Ankh?" Miss Adler said.

"Yes. Clearly nothing more than a symbolic name. Ankh, of course, means 'life' and is a common icon in Egyptian culture." I could have lectured further, but Miss Stoker wasn't present, and surely Miss Adler was already familiar with the symbol.