The Girl in the Ice (Detective Erika Foster 1)

‘Right, thank you everyone. We need to get ahead on this. Put Marco Frost to the back of your minds. Tune out the press; drop your pre-conceived ideas. Concentrate on what is in front of us here and now. We get ahead of the news cycle and we’ll start to win this.’

Erika rose and left the incident room as it began to buzz with activity.

54

The press appeal was in stark contrast to the previous press conference in Marble Arch. Erika had insisted it was held on the steps of Lewisham Row Station, and that it should be more genuine and urgent than the polished nature of the previous press conference, with its video screens and elegant conference room.

In addition, Erika had insisted that Marsh not be present, which hadn’t gone down well. The light was fading by the time that Erika, Moss and Peterson gathered on the steps of Lewisham Row in front of the assorted television and print journalists. A harsh light was trained on them, which bounced off the chipped wood of the station’s main entrance behind.

‘Thank you for attending today,’ Erika began, raising her voice above the crowd. She was faced with scores of lenses. The televisions cameras trained their lenses on the stairs, and cameras fired off flashes. Moss and Peterson stared straight ahead.

Erika continued, ‘I guess that many of you here today might already have written this story, and made up your minds about what I’m going to say. But before you drift off and metaphorically file your copy in your head, writing luridly about police incompetence, or before you decide that Andrea’s death is more newsworthy than that of someone who wasn’t born into a life of privilege, think back to why we are all here today. Our job is to catch the bad guys; your job is to report on that in a fair and just manner. Yes, we do use each other. The police use the press to further our cause, and to spread a message. You sell column inches. So, ladies and gentlemen of the press, I ask that we work together today. Let me give you a new story to run with.’

Erika paused. ‘Marco Frost was today released from custody due to insufficient evidence. He was able to supply us with an alibi and we had no choice but to release him. He’s an innocent man. But that is not your story. Your story is that the killer of Andrea is still out there, at large in society. After reviewing the evidence and refocusing the investigation, we have strong reason to believe that the death of Andrea wasn’t an isolated crime. The man we are looking for has killed previously. We believe he is responsible for the death of three young Eastern European women: Tatiana Ivanova, Mirka Bratova and Karolina Todorova. They all came to London in the belief that there would be a good job here for them. What happened, however, is that they were trafficked as prostitutes and forced to work to pay off a debt. We also believe that the same individual is responsible for the death of forty-seven-year-old Ivy Norris. Now, please, you will see a photo of our prime suspect in this case. His name is George Mitchell . . .’

Back in the incident room, Chief Superintendent Marsh was watching the press conference with Colleen as it went out live on the BBC News channel.

‘It looks amateurish, and she’s coming across a bit schoolmarmish,’ he said, as the picture cut away from Erika, Moss and Peterson in the glare of the cameras to a photo of George Mitchell.

‘Of course, a woman is confident of her opinion and she’s schoolmarmish,’ said Colleen.

A number and email address flashed along the bottom of the screen. After a few moments, the screen cut back to Erika.

‘Please if you have any information about this man, contact us using the details on your screens. Your call will be dealt with in confidence. We also advise anyone who sees this man not to approach him. I thank the members of the press for your time and for your help with this matter.’

There was a pause on screen, and then journalists began to shout out questions.

‘Will Marco Frost be entitled to compensation?’ shouted one voice.

‘Marco Frost’s case will be treated in the same way as all others. The Crown Prosecution Service will be looking into it as a matter of urgency,’ said Erika.

The journalists started to bombard Erika with more questions.

‘Are these murders linked to the business activities of Sir Simon Douglas-Brown?’

‘I think what we need to remember that Sir Simon is a father whose daughter died in a horrific manner. Just like the other girls – they also have family who feel their loss every day. This investigation has already been hampered by the perceived manner in which we should do things. What we realise now is that Andrea’s secrets are the very thing that will lead us to the killer. Please don’t judge her, or her family.’