The City of Mirrors (The Passage 3)

Peter raised his head.

“Would you please kill her?”

—

Michael pushed backward from the window on his palms, leaving a wide trail of blood on the floor. There was more than one viral out there, he could sense it; they were like wraiths, there and not there, shadowy figures gliding and shifting in the dust.

Searching. Hunting.

Once they found him, he wouldn’t make it two steps. He scooted to the rear of the room, where there was a long counter and, behind it, a doorway half-hidden by a curtain. As he slipped behind the counter, the floor began to shake again. The feeling gathered in intensity like a revving engine. Clothes racks toppled. Mirrors shattered and burst outward. Chunks of plaster severed from the ceiling and detonated on the floor. Curled into a ball, arms wrapped around his head, Michael thought, God, whoever you are, I am sick of your shit. I am not your plaything. If you’re going to kill me, please stop screwing around and get it over with.

The shaking subsided. From all up and down the street, Michael heard the crack of windows popping free of their frames and crashing on the pavement. The virals still lurked out there, but maybe the commotion had put them off his trail. Maybe they were cowering in some dark corner, as he was. Maybe they were dead.

He peeked around the counter. The place looked like a wrecking ball had hit it, nothing left intact except for a free-standing, full-length mirror, which stood anomalously on the right side of the room like a bewildered survivor surveying the wreckage of some terrible catastrophe. Angled slightly toward the front of the store, the mirror’s face gave him a partial view of the street.

A pod of three emerged in the murk. They seemed to be drifting aimlessly, looking around as if lost. Michael willed his body into absolute stillness. If they couldn’t hear him, maybe they’d pass him by. For several seconds they continued their confused wandering, until one of them stopped abruptly. Standing in profile, the viral rotated its face from side to side, as if attempting to triangulate the source of a sound. Michael held his breath. The creature paused and angled its chin upward, holding this position for another several seconds before swiveling toward the storefront. Its nose was twitching like a rat’s.

—

Peter stepped toward her. There was no point in trying to get away; the outcome would be the same. Time had given up its customary course. Everything seemed to happen in a manner both rushed and strangely sluggish; her vision had narrowed, the city around her fading to a collection of shadows.

She was crying, though not for herself. She couldn’t have said what she was crying for; her tears possessed an abstract quality of sadness, though something else as well. Her trials were ended. In a way, she was glad. How strange, to put down life like a heavy load she had been too long forced to carry. She hoped she would go to the farmstead. How happy she had been there. She remembered the piano, the music flowing forth, Peter’s hands resting on her shoulders, the joy of his touch. How happy they had been, together.

“It’s all right,” she murmured. Her voice felt distant, not quite her own. It spilled from her lips on shallow, rapid breaths. “It’s all right, it’s all right.”

Peter positioned the sword so that the tip was pointed at the base of her throat. The gap narrowed, then stopped, flesh mere inches from steel. His head cocked to the side; in another second he would strike.

“Well?” Fanning said.

Their gazes met and held. To know and be known: that was the final desire, the heart of love. It was the one thing she could give him. A huge force was bursting open inside her. It was a kind of light. She would have beamed it straight into his heart if she could.

“You’re Peter,” Amy whispered, and went on whispering, so that he would be hearing these words. “You’re Peter, you’re Peter, you’re Peter…”

—

The blood, thought Michael.

They can smell my blood.

He wasn’t sure he could stand, let alone run. He had painted a road of red on the floor, leading them straight to him. He pressed his back against the counter and drew his knees to his chest. The virals had entered the store. He heard a kind of wet snuffling, like the noise of hogs rooting in mud; they were sucking the blood off the floor. Michael felt a weird surge of protectiveness. Hey, leave my blood alone! On and on went their lascivious slurping. So intense was their focus that Michael began to think about the curtained door. What lay beyond it? Was it a dead end or was there, perhaps, a hallway that led deeper into the building—to the street, even? The doorway was only partially concealed by the counter. For some interval of time, depending on how fast he was able to go, he would be exposed.