The City of Mirrors (The Passage 3) - Page 278


This is the first mention of her family, which is, Logan learns, quite large. Raised in a northern suburb, where her parents still live—her father is a postmaster—she is the fourth of six children. Three of them, her older sisters and a younger brother, are married with families of their own. So, Logan thinks, she is alone but not unacquainted with the life he has led, that customary life of children and duty and never enough time. Logan has already explained that the party will be held at his ex-wife’s house, a fact on which Nessa has made no comment. He wonders if this is a reportorial habit, withholding her thoughts so that others will reveal more of themselves, then chastises himself for being suspicious; maybe it makes no difference to someone of her generation, raised in a more ethically malleable world of constantly changing partners.

The drive to Olla’s takes thirty minutes. Their talk comes easily. Little mention is made of the conference. He questions her about her work, if she enjoys it, which she says she does. She likes the travel, meeting new people, learning about the world and trying to shape it into stories. “I was always like that, even as a kid,” she explains. “I’d sit in my room and write for hours. Silly stuff mostly, elves and castles and dragons, but as I got older, I got more interested in real things.”

“Do you still write fiction?”

“Oh, once in a while, just for fun. Every reporter I know has a half-written novel in their desk somewhere, usually pretty awful. It’s like a disease we all have, this wish to get below the surface somehow, to find some kind of larger pattern.”

“Do you think that’s possible?”

She considers the question, looking out the windshield. “I think there is one. Life means something. It’s not just going to work and making dinner and taking your car to the repair shop. Wouldn’t you agree?”

They are passing through an outer neighborhood: tidy houses set far back from the road, mailboxes standing at attention at the curb, dogs barking from the yards as they drive by.

“I think most people would,” Logan says. “At least, we hope so. It can be very hard to see, though.”

She seems pleased with his answer. “So you have your way, and I have mine. Some people go to church. I write stories. You study history. They’re not really so very different.” She glances over at him, then returns her gaze to the passing world. “I have a friend who’s a novelist. He’s rather famous—maybe you’ve heard of him. The man’s a total mess, drinks a liter a day, barely bothers to change his clothes, the whole cliché of the tortured artist. I asked him once, Why do you do it if it makes you feel so awful? Because seriously, the man’s not going to make it to forty the way he lives. His books are thoroughly depressing, too.”

“What did he say?”

“ ‘Because I can’t stand not knowing.’ ”

They arrive. The door stands open in welcome; the road in front of the house is lined with cars. Parents and children of various ages are making their way up the path, the youngest ones dashing ahead, bearing the presents they cannot wait to see opened, their magical contents revealed. Logan hadn’t realized the party would be so large; who are all these people? Companions of the boys from play school, neighbors, colleagues of Race and Kaye and their families, Olla’s sisters and their husbands, a few old friends Logan recognizes but in some cases hasn’t seen for years.

Olla greets them as they enter. She is wearing a willowy dress, a large, somewhat clumsy necklace, neither shoes nor makeup. Her hair, gray since her early forties, falls unmanaged to her shoulders. Gone forever is the barrister in a polished suit and heels, replaced by a woman of simpler, more relaxed habits and tastes. She kisses Logan on both cheeks and turns to Nessa to shake hands, her eyes bright with barely concealed surprise; never did his ex-wife imagine that her dare would be accepted. Nessa goes to the kitchen to fetch drinks while Logan and Olla carry their presents to the spare room off the hall, where a huge pile of gifts rests on the bed.

“Who is she, Logan?” Olla says enthusiastically. “She’s lovely.”

“You mean young.”

“That’s entirely your business. How did you meet her?”

He tells her about the interview. “It was kind of a shot in the dark,” he admits. “I was surprised she said yes, an old codger like me.”

Olla smiles. “Well, I’m glad you asked her. And she certainly seems to like you.”

In the living room he moves among the adults, greeting those he knows, introducing himself to those he doesn’t. Nessa is nowhere to be found. Logan exits through the patio doors onto the ample, sloped lawn, which is flanked by elaborate gardens, Bettina’s handiwork. The children are madly dashing around according to some secret code of play. He spies Nessa seated with Kaye at the edge of the patio, the two of them locked in animated talk, but before he can go over, Race grips him by the arm.

Tags: Justin Cronin The Passage Horror
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