Forge of Darkness (The Kharkanas Trilogy 1)

Abara had been a settlement known for its growth, its wealth, before the wars took all the young men and women; in the time when House Drukorlas was on the verge of becoming a Greater House. When Sandalath had finally been sent back, like a gift that had lost its beauty, its purpose, she had been shocked by the poverty of her home — the village, the grand family house and its tired, tattered grounds.

Her father had just died, before her return, a wound brought back from the war gone suddenly septic — striking him down before any healer could attend; a tragic, shocking death, and for her, a new emptiness to replace an old emptiness. Her mother had always kept her husband — Sandalath’s father — for herself. She spoke of her selfishness as her reason for sending her daughter from the room, or keeping closed a door. There was talk of another child, but no child had come, and then her father was gone. Sandalath remembered him as a tall, faceless figure, and most of her memories of him were the sound of his boots on the wooden floor in the chamber above her bedroom, pacing through the night.

Now her mother never spoke of him. She was a widow and this title seemed to carry with it all the wealth it would ever hold, but it was the solitary kind; it embraced no one but Nerys herself. Meanwhile, poverty gnawed inward on all sides, like undercut riverbanks in a spring flood.

The young warrior who came to Abara, one-armed and soft-eyed, had changed her world, in ways she only now understood. It was not simply the child he gave her, or the nights and afternoons out under the sky, in meadows and glens on the estate, when he taught her to open herself up and draw him inside. He had been a messenger from another world, an outside world. Not the Citadel, not the house where dwelt her mother, for ever awaiting her husband. Galdan’s world was a hard place of violence, of adventure, where every detail glowed as if painted in gold and silver, where even the stones underfoot were one and all gems, cut by a god’s hand. She understood it now as a world of romance, where the brave stood firm in the face of villainy, and honour held vigilance over tender hearts. And there was love in the fields, in a riot of flowers and hot, bright summer days.

This was the world she whispered about to her son, when she told him old tales, to show him who his father was, and where he had lived, the great man he had been, before she snuffed out the candle and left Orfantal to sleep and dreams.

bara had been a settlement known for its growth, its wealth, before the wars took all the young men and women; in the time when House Drukorlas was on the verge of becoming a Greater House. When Sandalath had finally been sent back, like a gift that had lost its beauty, its purpose, she had been shocked by the poverty of her home — the village, the grand family house and its tired, tattered grounds.

Her father had just died, before her return, a wound brought back from the war gone suddenly septic — striking him down before any healer could attend; a tragic, shocking death, and for her, a new emptiness to replace an old emptiness. Her mother had always kept her husband — Sandalath’s father — for herself. She spoke of her selfishness as her reason for sending her daughter from the room, or keeping closed a door. There was talk of another child, but no child had come, and then her father was gone. Sandalath remembered him as a tall, faceless figure, and most of her memories of him were the sound of his boots on the wooden floor in the chamber above her bedroom, pacing through the night.

Now her mother never spoke of him. She was a widow and this title seemed to carry with it all the wealth it would ever hold, but it was the solitary kind; it embraced no one but Nerys herself. Meanwhile, poverty gnawed inward on all sides, like undercut riverbanks in a spring flood.

The young warrior who came to Abara, one-armed and soft-eyed, had changed her world, in ways she only now understood. It was not simply the child he gave her, or the nights and afternoons out under the sky, in meadows and glens on the estate, when he taught her to open herself up and draw him inside. He had been a messenger from another world, an outside world. Not the Citadel, not the house where dwelt her mother, for ever awaiting her husband. Galdan’s world was a hard place of violence, of adventure, where every detail glowed as if painted in gold and silver, where even the stones underfoot were one and all gems, cut by a god’s hand. She understood it now as a world of romance, where the brave stood firm in the face of villainy, and honour held vigilance over tender hearts. And there was love in the fields, in a riot of flowers and hot, bright summer days.

This was the world she whispered about to her son, when she told him old tales, to show him who his father was, and where he had lived, the great man he had been, before she snuffed out the candle and left Orfantal to sleep and dreams.

She was forbidden from speaking the truth, the ignominy of the discoveries about Galdan’s real past, or the fact that Nerys had sent the young man away, exiled into the lands of the Jaghut, and that word had come back that he had died, the circumstances unknown. No, such truths were not for her son, not for his image of his father — Sandalath would not be so cruel, could not. The boy needed his heroes. Everyone did. And for Orfantal, his father would be a man impervious to infamy, unsullied by visible flaws, the obvious weaknesses that every child eventually saw in their living parents.

In her creations, as she spoke at her son’s bedside, she remade Galdan, building him from pieces of Andarist, Silchas Ruin, and, of course, Anomander. Mostly Anomander, in fact. Down to his very features, his way of standing, the warmth of his hand closing upon that of a child — and when Orfantal awoke in the night, when all was dark and quiet and he might become frightened, why, he need only imagine that hand, closing firm about his own.

Her son asked her, where had he gone? What had happened to his father?

A great battle against the Soletaken Jheleck, an old feud with a man he’d once thought his friend. A betrayal, even as Galdan gave his life defending his wounded lord. His betrayer? Dead as well, stalked by his treachery — they said he took his own life, in fact — but no one ever speaks the tale, not a word of it. All the Tiste grieved over the sad events, and then vowed that they would speak of it no more, to mark their honour, their grief.

There were things a child needed to believe, sewn like clothes, or even armour; that he could then wear until the end of his days. So believed Sandalath, and if Galdan had stolen her own clothes, with his sweet lies, only to leave her shivering and alone… no, Orfantal would not suffer the same. Would never suffer the same.

The carriage was a cauldron. She felt fevered with the heat, wondering who would tell her son stories at night. There was no one. But he could reach out in the darkness, couldn’t he, to take his father’s hand. She need not worry any more on that matter — she had done what she could, and her mother’s rage — Nerys’s bitter accusation that Sandalath was too young to raise a child — well, she had proved otherwise, had she not? The heat was suffocating her. She felt ill. She thought she had seen Galdan, in the village — she thought she had seen him, stumbling as if to chase down the carriage, and then he’d fallen, and there had been more laughter.