Toll the Hounds (The Malazan Book of the Fallen 8)

Might she try again?

He realized he was no longer sure she wouldn’t.

This is the moment for mirrors, and surely that must be understood by now. Pol-ished, with the barest of ripples to twist the reflection, to make what one faces both familiar and subtly altered. Eyes locked, recognition unfolding, quiet horrors flow-ering. What looks upon you here, now, does not mock, denies the cogent wink, and would lead you by a dry and cool hand across the cold clay floor of the soul.

People will grieve. For the dead, for the living. For the loss of innocence and for the surrender of innocence, which are two entirely different things. We will grieve, for choices made and not made, for the mistakes of the heart which can never be undone, for the severed nerve-endings of old scars and those to come.

A grey-haired man walks through the Estate District. No more detailed de-scription is necessary. The blood on his hands is only a memory, but some mem-ories leave stains difficult to wash away. By nature, he observes. The world, its multitude of faces, its tide-tugged swirling sea of emotions. He is a caster of nets, a trailer of hooks. He speaks in the rhythm of poetry, in the lilt of song. He un-derstands that there are wounds in the soul that must not be touched; but there are others that warm to the caress. He understands, in other words, the necessity of the tragic theme. The soul, he knows, will, on occasion, offer no resistance to the tale that draws blood.

Prise loose those old scars. They remind one what it is to grieve. They remind one what it is to live.

A moment for mirrors, a moment for masks. The two ever conspire to play out the tale. Again and again, my friends.

Here, take my hand.

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Might she try again?

He realized he was no longer sure she wouldn’t.

This is the moment for mirrors, and surely that must be understood by now. Pol-ished, with the barest of ripples to twist the reflection, to make what one faces both familiar and subtly altered. Eyes locked, recognition unfolding, quiet horrors flow-ering. What looks upon you here, now, does not mock, denies the cogent wink, and would lead you by a dry and cool hand across the cold clay floor of the soul.

People will grieve. For the dead, for the living. For the loss of innocence and for the surrender of innocence, which are two entirely different things. We will grieve, for choices made and not made, for the mistakes of the heart which can never be undone, for the severed nerve-endings of old scars and those to come.

A grey-haired man walks through the Estate District. No more detailed de-scription is necessary. The blood on his hands is only a memory, but some mem-ories leave stains difficult to wash away. By nature, he observes. The world, its multitude of faces, its tide-tugged swirling sea of emotions. He is a caster of nets, a trailer of hooks. He speaks in the rhythm of poetry, in the lilt of song. He un-derstands that there are wounds in the soul that must not be touched; but there are others that warm to the caress. He understands, in other words, the necessity of the tragic theme. The soul, he knows, will, on occasion, offer no resistance to the tale that draws blood.

Prise loose those old scars. They remind one what it is to grieve. They remind one what it is to live.

A moment for mirrors, a moment for masks. The two ever conspire to play out the tale. Again and again, my friends.

Here, take my hand.

He walks to an estate. The afternoon has waned, dusk creeps closer through the day’s settling dust. Each day, there is a moment when the world has just passed by, leaving a sultry wake that hovers, suspended, not yet stirred by the awakening of night. The Tiste Edur worship this instant. The Tiste Andii are still, motionless as they wait for darkness. The Tiste Liosan have bowed their heads and turned away to grieve the sun’s passing; In the homes of humans, hearthfires are stirred awake. People draw into their places of shelter and think of the night to come.

Before one’s eyes, solidity seems poised, moments from crumbling into disso-lution. Uncertainty becomes a law, rising supreme above all others. For a bard, this time is a minor key, a stretch of frailty, a pensive interlude. Sadness drifts in the air, and his thoughts are filled with endings.

Arriving at the estate, he is quickly and without comment escorted into the main house, down its central corridor and out into a high-walled garden where night flow-ers stream down the walls, drenched blossoms opening to drink in the gathering dusk. The masked bodyguard then leaves him, for the moment alone in the garden, and the bard stands motionless for a time, the air sweet and pungent, the sound of trickling water filling the enclosed space.

He recalls the soft songs he has sung here, unaccompanied by any instrument. Songs drawn from a hundred cultures, a dozen worlds. His voice weaving together the fragments of Shadow’s arrival, drawing together the day just past and the night eager to arrive.

There were secrets in music and poetry. Secrets few knew and even fewer un-derstood. Their power often stole into a listener subtle as the memory of scent on a drawn breath, less than a whisper, yet capable of transforming the one so gifted, an instinctual ecstasy that made troubles vanish, that made all manner of grandeur possible-indeed, within reach.

A skilled bard, a wise bard, knew that at certain moments in the course of a cycle of day and night, the path into the soul of a listener was smooth, unob-structed, a succession of massive gates that swung open to a feather’s touch. This was the most precious secret of all. Dusk, midnight, and that strange period of sudden wakefulness known as the watch-yes, the night and its stealthy ap-proach belonged to the heart.

Hearing a footfall behind him, he turns.

She stands, her long black hair shimmering, her face untouched by sun or wind, her eyes a perfect reflection of the violet blossoms adorning the walls. He can see through the white linen of her dress to the outlines of her body, roundness and curves and sweeps of aesthetic perfection-those forms and lines that mur-mured their own secret language to awaken desires in a man’s soul.

Every sense, he knows, is a path into the heart.

Lady Envy watches him, and he is content to let her do so, as he in turn re-gards her.

They could discuss the Seguleh-the dead ones in the casks, the living ones serving in this estate. They could ponder all that they sensed fast approaching. He could speak of his anger, its quiet, deadly iron that was so cold it could burn at the touch-and she would see the truth of his words in his eyes. She might drift this way and that in this modest garden, brushing fingertips along trembling petals, and speak of desires so long held that she was almost insensate to the myr-iad roots and tendrils they had wrought through her body and soul, and he would perhaps warn her of the dangers they presented, the risk of failure that must be faced and, indeed, accepted-and she would sigh and nod and know well he spoke with wisdom.