Cannery Row

Mack’s head jolted but he was braced now so he wouldn’t fall. And his hands stayed at his sides. “Go ahead, Doc,” he said thickly through his broken lips. “I got it coming.”

Doc’s shoulders sagged with defeat. “You son of a bitch,” he said bitterly. “Oh you dirty son of a bitch.” He sat down on the couch and looked at his cut knuckles.

Mack sat down in a chair and looked at him. Mack’s eyes were wide and full of pain. He didn’t even wipe away the blood that flowed down his chin. In Doc’s head the monotonal opening of Monteverdi’s Hor ch’ el Ciel e la Terra began to form, the infinitely sad and resigned mourning of Petrarch for laura. Doc saw Mack’s broken mouth through the music, the music that was in his head and in the air. Mack sat perfectly still, almost as though he could hear the music too. Doc glanced at the place where the Monteverdi album was and then he remembered that the phonograph was broken.

He got to his feet. “Go wash your face,” he said and he went out and down the stairs and across the street to Lee Chong’s. Lee wouldn’t look at him as he got two quarts of beer out of the icebox. He took the money without saying anything. Doc walked back across the street.

Mack was in the toilet cleaning his bloody face with wet paper towels. Doc opened a bottle and poured gently into a glass, holding it at an angle so that very little collar rose to the top. He filled a second tall glass and carried the two into the front room. Mack came back dabbing at his mouth with wet towelling. Doc indicated the beer with his head. Now Mack opened his throat and poured down half the glass without swallowing. He sighed explosively and stared into the beer. Doc had already finished his glass. He brought the bottle in and filled both glasses again. He sat down on his couch.

“What happened?” he asked.

Mack looked at the floor and a drop of blood fell from his lips into his beer. He mopped his split lips again. “I and the boys wanted to give you a party. We thought you’d be home last night.”

Doc nodded his head. “I see.”

“She got out of hand,” said Mack. “It don’t do no good to say I’m sorry. I been sorry all my life. This ain’t no new thing. It’s always like this.” He swallowed deeply from his glass. “I had a wife,” Mack said. “Same thing. Ever’thing I done turned sour. She couldn’t stand it any more. If I done a good thing it got poisoned up some way. If I give her a present they was something wrong with it. She only got hurt from me. She couldn’t stand it no more. Same thing ever’ place ’til I just got to downing. I don’t do nothin’ but down no more. Try to make the boys laugh.”

Doc nodded again. The music was sounding in his head again, complaint and resignation all in one. “I know,” he said.

“I was glad when you hit me,” Mack went on. “I thought to myself — ‘Maybe this will teach me. Maybe I’ll remember this.’ But, hell, I won’t remember nothin’. I won’t learn nothin’. Doc,” Mack cried, “the way I seen it, we was all happy and havin’ a good time. You was glad because we was givin’ you a party. And we was glad. The way I seen it, it was a good party.” He waved his hand at the wreckage on the floor. “Same thing when I was married. I’d think her out and then — but it never come off that way.”

“I know,” said Doc. He opened the second quart of beer and poured the glasses full.

“Doc,” said Mack, “I and the boys will clean up here— and we’ll pay for the staff that’s broke. If it takes us five years we’ll pay for it.”

Doc shook his head slowly and wiped the beer foam from his mustache. “No,” he said, “I’ll clean it up. I know where everything goes.”

“We’ll pay for it, Doc.”

“No you won’t, Mack,” said Doc. “You’ll think about it and it’ll worry you for quite a long time, but you won’t pay for it. There’s maybe three hundred dollars in broken museum glass. Don’t say you’ll pay for it. That will just keep you uneasy. It might be two or three years before you forget about it and felt entirely easy again. And you wouldn’t pay it anyway.”

“I guess you’re right,” said Mack. “God damn it, I know you’re right. What can we do?”

“I’m over it,” said Doc. “Those socks in the mouth got it out of my system. Let’s forget it.”

Mack finished his beer and stood up. “So long, Doc,” he said.

“So long. Say, Mack — what happened to your wife?”

“I don’t know,” said Mack, “She went away.” He walked clumsily down the stairs and crossed over and walked up the lot and up the chicken walk to the Palace Flophouse. Doc watched his progress through the window. And then wearily he got a broom from behind the water heater. It took him all day to clean up the mess.

Chapter XXII

Henri the painter was not French and his name was not Henri. Also he was not really a painter. Henri had so steeped himself in stories of the Left Bank in Paris that he lived there although he had never been there. Feverishly he followed in periodicals the Dadaist movements and schisms, the strangely feminine jealousies and religiousness, the obscurantisms of the forming and breaking schools. Regularly he revolted against outworn techniques and materials. One season he threw out perspective. Another year he abandoned red, even as the mother of purple. Finally he gave up paint entirely. It is not known whether Henri was a good painter or not for he threw himself so violently into movements that he had very little time left for painting of any kind.

About his painting there is some question. You couldn’t judge very much from his productions in different colored chicken feathers and nutshells. But as a boat builder he was su. path. Henri was a wonderful craftsman. He had lived in a tent years ago when he started his boat and until galley and cabin were complete enough to move into. But once he was housed and dry he had taken his time on the boat. The boat was sculptured rather than built. It was thirty-five feet long and its lines were in constant state of flux. For a while it had a clipper bow and a fantail like a destroyer. Another time it had looked vaguely like a caravel. Since Henri had no money, it sometimes took him months to find a plank or a piece of iron or a dozen brass screws. That was the way he wanted it, for Henri never wanted to finish his boat.

It sat among the pine trees on a lot Henri rented for five dollars a year. This paid the taxes and satisfied the owner. The boat rested in a cradle on concrete foundations. A rope ladder hang over the side except when Henri was at home. Then he pulled up the rope ladder and only put it down when guests arrived. His little cabin had a wide padded seat that ran around three sides of the room. On this he slept and on this his guests sat. A table folded down when it was needed and a brass lamp hung from the ceiling. His galley was a marvel of compactness but every item in it had been the result of months of thought and work.