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K is for Killer (Kinsey Millhone 11)

Page 88

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At the bottom of the page, he'd scrawled three big question marks. My sentiments exactly.

When I reached Danielle's cottage, I parked in the alleyway near the hedge as I had the night before. It was dark by then. At this rate I might never see full sun again. I took out my flashlight and checked the batteries, satisfied that the beam was still strong. I spent a few minutes walking along the borders of the alleyway, using the blade of light to cut through the weeds on either side. I didn't expect to find anything. I wasn't really looking for "evidence" as such. I wanted to see if I could figure out where Danielle's assailant might have gone. There were any number of places where he might have hidden, yards he could have crossed to reach the streets on either side. In the middle of the night, even a slender tree trunk can provide cover. For all I knew, he'd taken up a position within easy viewing distance, watching the ambulance and all the cop cars arrive.

I went back to Danielle's cottage, where I crossed the backyard to the main house. I climbed the back steps and knocked on the lighted kitchen window. I could see Danielle's landlord rinsing dinner dishes before he placed them in the rack. He caught sight of me at just about that time and came to the back door, drying his hands on a dish towel. I got a key from him, pausing to chat for a few minutes about the assault. He'd gone to bed at ten. He said he was a light sleeper, but his bedroom was on the second floor, the street side of the house, and he'd heard nothing. He was a man in his seventies, retired military, though he didn't say which branch. If he knew how Danielle made a living, he made no comment. He seemed as fond of her as I was, and that was all I cared about. I professed ignorance of her current status, except to indicate that she'd survived and was expected to recover. He didn't press for specifics.

I walked back along the brick path to Danielle's small porch. The crime scene tape had been removed, but I could still see traces of fingerprint powder around the doorknob and frame. The rag-wrapped length of bloody pipe would probably be tested for fingerprints, but I doubted it would yield much. I let myself into the cottage and flipped on the overhead light. The splattered blood was like a Rorschach, a dark red pattern of smears and exclamation marks where the force of the blows had flung blood in two tracks across the wall. The bloodstained rug had been removed, probably tossed in the trash can at the rear of the lot. The blood on the baseboard looked like teardrops of paint.

The entire apartment was barely a room and a half and cheaply constructed. I toured the premises, though there wasn't much to see. Like mine, Danielle's living quarters occupied a very small space. It looked as though Danielle's battle with her assailant had been confined to the front room, most of which was taken up with a sitting area and a king-size bed. The sheets and comforter were a Laura Ashley print, pink-and-white floral polished cotton with matching drapes, and a correlating pink-and-white-striped paper lined the walls. Her kitchen consisted of a hot plate and a microwave oven sitting atop a painted chest of drawers.

The bathroom was small, painted white, with tiny old-fashioned black-and-white tiles on the floor. The sink was skirted in the same Laura Ashley print she'd used in the bedroom. She'd bought a matching polished-cotton shower curtain, with a valance covering the rod. The wall opposite the john was a minigallery. A dozen framed photographs were hung close together, many sitting crooked on the hangers. Danielle must have been flung up against the connecting wall during the assault. Several had been knocked off the wall and lay facedown on the tile floor. I lifted them with care. Two of the frames had smashed on impact, and the glass in all four was either badly cracked or broken. I stacked the four damaged pictures together, tossed glass shards in the trash, and then straightened the remaining photographs, pausing to absorb the subject matter. Danielle as a baby. Danielle with Mom and Dad. Danielle at about nine, in a dance recital with her hair done up.

I went back into the front room and found a thick sheaf of brown grocery bags tucked in the slot between the wall and the chest of drawers. I put the damaged framed photographs in the bag and set them by the front door. I'd seen similar frames at the drugstore for a couple of bucks apiece. Maybe I'd stop by and pick up some replacements. I pulled all the linens off the bed and set them out on the porch. Even the dust ruffle had picked up a spray of blood posies. I'd make a trip to the cleaners in the morning. I filled my bucket with hot water, mixing a potent brew of cleaning solutions. I wiped down the walls, scrubbed the baseboards and floors until the soapy water turned a frothy pink. I clumped that lot, refilled the bucket, and started over again.


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