P is for Peril (Kinsey Millhone 16)

Paloma Lane is a shady two-lane road that runs between Highway 101 land the Pacific Ocean, sharing the irregular strip of land with the Southern Pacific Railroad. Despite the proximity to the freight and passenger trains thundering past twice daily, many houses along Paloma sell in the millions, depending on the number of linear feet of beachfront a property claims. The houses vary in style from |Pseudo-Cape Cod to Mock Tudor to Faux Mediterranean to Contemporary. All are situated as far away from the railroad tracks as possible and as close to the sand as county setbacks permit. Crystal Purcell's lot was one of the few without electronic gates. The house next door, to the left of hers, bore a discreet For Sale sign with a PRICE REDUCED banner across the center.

Crystal's house filled the narrow lot. The glass-and-cedar structure was probably forty feet wide and three stories high, each floor angled strategically to keep the neighboring houses out of sight. To the left, an open carport sheltered a silver Audi convertible and a new white Volvo, with a vanity license plate that read CRYSTAL. The end slot was free; probably where Dow Purcell had parked his Mercedes. To the right, there was room for an additional three cars on the gravel stretch where I parked my slightly dinged 1974 VW.

The rear facade of the house was austere, a windowless wall of weathering wood. On either side of the door, a row of thirty-foot fan palms had been planted in enormous black jars. I trudged across the gravel to the entrance and rang the bell. The woman who answered the door carried a wide martini glass by the rim. She said, "You must be Kinsey. I'm Anica Blackburn. Nica's the name most people use. Why don't you come in? Crystal's just finished her run. She'll be down in a bit. I told her I'd let you in before I headed home." Her dark auburn hair was slicked back, strands looking wet as though she was fresh from the shower. A faint, damp heat seemed to rise from her skin, which smelled of French milled soap. Her body was slim and straight. She wore a black silk shirt, crisply pressed jeans, and no shoes. Her bare feet were long and elegant.

I stepped into the foyer. The lower level widened from the entry, expanding into a great room that utilized the entire width of the house. Tall windows looked out onto a weathered wooden deck with worn canvas chairs bleached to a hue somewhere between putty and dun. The floors were a pale wood, covered with pale sisal carpeting, probably selected for its ability to disguise sand tracked in from the beach. Everything else within view, from the walls to woodwork to the plump upholstered furniture dressed in wrinkled linen slipcovers, was as white as whole milk.

Beyond the deck, there was an apron of scruffy grass about ten yards wide. Beyond the grass, the ocean looked cold and unforgiving in the late-afternoon light. The sea was a pearly gray, dark at the horizon where the water and cloud cover met and melded into one somber mass. The surf tumbled monotonously against the shoreline. Waves relaxed and fanned out, reached, hesitated, and then withdrew again. Inside, somewhere above, I could hear voices raised in heat.

"SHUT UP! That's bullshit. You are such a bitch. I HATE you! . . ."

The reply was low and firm, but apparently ineffective.

A shrieking invective was hurled in response. A door slammed once and then slammed again so hard it made the windows shake.

I glanced at Nica, who had her face upturned, regarding the ceiling with an air of bemusement. "Leila's home for the weekend-Crystal's only daughter, age fourteen. That's skirmish number one. Trust me, the fights will escalate as the hours wear on. By Sunday, it's all-out war, but then it's back to school for her. Next weekend they start in again, and so it goes." She gestured for me to follow and then moved into the great room and took a seat on the couch.

"She's in boarding school?" I asked.

"Fitch Academy. Malibu. I'm the school guidance counselor and I provide personal transportation to and from. Not part of my duties. As it happens, I rent a house two doors down." She had strong, arched brows over dark eyes, high cheekbones with a smattering of freckles, and a pale wide mouth, showing perfect white teeth. "This particular Donnybrook is about whether Leila's going to spend the night with her dad. Four months ago she was fanatical about him. If she couldn't spend the weekend with him, she'd regale everyone in ear range with loud, shrieking fits. Now they're on the outs and she refuses to go. Up to this point, she was winning the battle. Once she slams the door, it's over. She loses big points for that, giving Crystal a tactical advantage."

"I'd find it difficult."

"Who doesn't? Girls her age are melodramatic by nature and Leila's high-strung. She's one of the brightest kids we have, but she's a handful. They all are-except for a few Goody Two-shoes. You never know where you stand with them. Personally, I prefer this, though it does get tedious."