A Thousand Splendid Suns

"Don't say that. I love you."

"I'm sorry - "

"I love you."

How long had she waited to hear those words from him? How many times had she dreamed them uttered?

There they were, spoken at last, and the irony crushed her.

"It's my father I can't leave," Laila said. "I'm all he has left. His heart couldn't take it either."

Tariq knew this. He knew she could not wipe away the obligations of her life any more than he could his, but it went on, his pleadings and her rebuttals, his proposals and her apologies, his tears and hers.

In the end, Laila had to make him leave.

At the door, she made him promise to go without goodbyes. She closed the door on him. Laila leaned her back against it, shaking against his pounding fists, one arm gripping her belly and a hand across her mouth, as he spoke through the door and promised that he would come back, that he would come back for her. She stood there until he tired, until he gave up, and then she listened to his uneven footsteps until they faded, until all was quiet, save for the gunfire cracking in the hills and her own heart thudding in her belly, her eyes, her bones.

Chapter 26

It was, by far, the hottest day of the year. The mountains trapped the bone-scorching heat, stifled the city like smoke. Power had been out for days. All over Kabul, electric fans sat idle, almost mockingly so.

Laila was lying still on the living-room couch, sweating through her blouse. Every exhaled breath burned the tip of her nose. She was aware of her parents talking in Mammy's room. Two nights ago, and again last night, she had awakened and thought she heard their voices downstairs. They were talking every day now, ever since the bullet, ever since the new hole in the gate.

Outside, the far-off boom of artillery, then, more closely, the stammering of a long string of gunfire, followed by another.

Inside Laila too a battle was being waged: guilt on one side, partnered with shame, and, on the other, the conviction that what she and Tariq had done was not sinful; that it had been natural, good, beautiful, even inevitable, spurred by the knowledge that they might never see each other again.

Laila rolled to her side on the couch now and tried to remember something: At one point, when they were on the floor, Tariq had lowered his forehead on hers. Then he had panted something, either Am I hurting you? or Is this hurting you?

Laila couldn't decide which he had said.

Am I hurting you?

Is this hurting you?

Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know.

Laila closed her eyes. Concentrated.

With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion - like the phantom pain of an amputee.

Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would all come rushing back. The spontaneity of it. Their astonishing imprudence. Their clumsiness. The pain of the act, the pleasure of it, the sadness of it. The heat of their entangled bodies.

It would flood her, steal her breath.

But then it would pass. The moment would pass. Leave her deflated, feeling nothing but a vague restlessness.

She decided that he had said Am I hurting you? Yes. That was it. Laila was happy that she'd remembered.

Then Babi was in the hallway, calling her name from the top of the stairs, asking her to come up quickly.

"She's agreed!" he said, his voice tremulous with suppressed excitement. "We're leaving, Laila. All three of us.

We're leaving Kabul."

IN MAMMY'S ROOM, the three of them sat on the bed.

Outside, rockets were zipping across the sky as Hekmatyar's and Massoud's forces fought and fought.

Laila knew that somewhere in the city someone had just died, and that a pall of black smoke was hovering over some building that had collapsed in a puffing mass of dust. There would be bodies to step around in the morning. Some would be collected. Others not. Then Kabul's dogs, who had developed a taste for human meat, would feast.

All the same, Laila had an urge to run through those streets. She could barely contain her own happiness. It took effort to sit, to not shriek with joy. Babi said they would go to Pakistan first, to apply for visas. Pakistan, where Tariq was! Tariq was only gone seventeen days, Laila calculated excitedly. If only Mammy had made up her mind seventeen days earlier, they could have left together. She would have been with Tariq right now! But that didn't matter now. They were going to Peshawar - she, Mammy, and Babi - and they would find Tariq and his parents there. Surely they would. They would process their paperwork together. Then, who knew? Who knew? Europe? America? Maybe, as Babi was always saying, somewhere near the sea . . .

Mammy was half lying, half sitting against the headboard. Her eyes were puffy. She was picking at her hair.

Three days before, Laila had gone outside for a breath of air. She'd stood by the front gates, leaning against them, when she'd heard a loud crack and something had zipped by her right ear, sending tiny splinters of wood flying before her eyes. After Giti's death, and the thousands of rounds fired and myriad rockets that had fallen on Kabul, it was the sight of that single round hole in the gate, less than three fingers away from where Laila's head had been, that shook Mammy awake. Made her see that one war had cost her two children already; this latest could cost her her remaining one.

From the walls of the room, Ahmad and Noor smiled down. Laila watched Mammy's eyes bouncing now, guiltily, from one photo to the other. As if looking for their consent. Their blessing. As if asking for forgiveness.

"There's nothing left for us here," Babi said. "Our sons are gone, but we still have Laila. We still have each other, Fariba. We can make a new life."

Babi reached across the bed. When he leaned to take her hands, Mammy let him. On her face, a look of concession. Of resignation. They held each other's hands, lightly, and then they were swaying quietly in an embrace.

Mammy buried her face in his neck. She grabbed a handful of his shirt.

For hours that night, the excitement robbed Laila of sleep. She lay in bed and watched the horizon light up in garish shades of orange and yellow. At some point, though, despite the exhilaration inside and the crack of artillery fire outside, she fell asleep.

And dreamed.

They are on a ribbon of beach, sitting on a quilt. It's a chilly, overcast day, but it's warm next to Tariq under the blanket draped over their shoulders. She can see cars parked behind a low fence of chipped white paint beneath a row of windswept palm trees. The wind makes her eyes water and buries their shoes in sand, hurls knots of dead grass from the curved ridges of one dune to another.

They're watching sailboats bob in the distance. Around them, seagulls squawk and shiver in the wind. The wind whips up another spray of sand off the shallow, windward slopes. There is a noise then like a chant, and she tells him something Babi had taught her years before about singing sand.

He rubs at her eyebrow, wipes grains of sand from it.

She catches a flicker of the band on his finger. It's identical to hers - gold with a sort of maze pattern etched all the way around.

It's true, she tells him. It's the friction, of grain against grain. Listen. He does. He frowns. They wait. They hear it again. A groaning sound, when the wind is soft, when it blows hard, a mewling, high-pitched chorus.

BABI SAID THEY should take only what was absolutely necessary. They would sell the rest.

"That should hold us in Peshawar until I find work."

For the next two days, they gathered items to be sold. They put them in big piles.

In her room, Laila set aside old blouses, old shoes, books, toys. Looking under her bed, she found a tiny yellow glass cow Hasina had passed to her during recess in fifth grade. A miniature-soccer-ball key chain, a gift from Giti. A little wooden zebra on wheels. A ceramic astronaut she and Tariq had found one day in a gutter. She'd been six and he eight. They'd had a minor row, Laila remembered, over which one of them had found it.

Mammy too gathered her things. There was a reluctance in her movements, and her eyes had a lethargic, faraway look in them. She did away with her good plates, her napkins, all her jewelry - save for her wedding band - and most of her old clothes.

"You're not selling this, are you?" Laila said, lifting Mammy's wedding dress. It cascaded open onto her lap. She touched the lace and ribbon along the neckline, the hand-sewn seed pearls on the sleeves.

Mammy shrugged and took it from her. She tossed it brusquely on a pile of clothes. Like ripping off a Band-Aid in one stroke, Laila thought.

It was Babi who had the most painful task.

Laila found him standing in his study, a rueful expression on his face as he surveyed his shelves. He was wearing a secondhand T-shirt with a picture of San Francisco's red bridge on it. Thick fog rose from the whitecapped waters and engulfed the bridge's towers.

"You know the old bit," he said. "You're on a deserted island. You can have five books. Which do you choose? I never thought I'd actually have to."

"We'll have to start you a new collection, Babi."

"Mm." He smiled sadly. "I can't believe I'm leaving Kabul. I went to school here, got my first job here, became a father in this town. It's strange to think that I'll be sleeping beneath another city's skies soon."

"It's strange for me too."

"All day, this poem about Kabul has been bouncing around in my head. Saib-e-Tabrizi wrote it back in the seventeenth century, I think. I used to know the whole poem, but all I can remember now is two lines:

"One could not count the moons that shimmer on her roofs,

Or the thousand splendid suns that hide behind her walls."

Laila looked up, saw he was weeping. She put an arm around his waist. "Oh, Babi. We'll come back. When this war is over. We'll come back to Kabul, inshallah. You'll see."

* * *

ON THE THIRD MORNING, Laila began moving the piles of things to the yard and depositing them by the front door. They would fetch a taxi then and take it all to a pawnshop.

Laila kept shuffling between the house and the yard, back and forth, carrying stacks of clothes and dishes and box after box of Babi's books. She should have been exhausted by noon, when the mound of belongings by the front door had grown waist high. But, with each trip, she knew that she was that much closer to seeing Tariq again, and, with each trip, her legs became more sprightly, her arms more tireless.

"We're going to need a big taxi."

Laila looked up. It was Mammy calling down from her bedroom upstairs. She was leaning out the window, resting her elbows on the sill. The sun, bright and warm, caught in her graying hair, shone on her drawn, thin face. Mammy was wearing the same cobalt blue dress she had worn the day of the lunch party four months earlier, a youthful dress meant for a young woman, but, for a moment, Mammy looked to Laila like an old woman. An old woman with stringy arms and sunken temples and slow eyes rimmed by darkened circles of weariness, an altogether different creature from the plump, round-faced woman beaming radiantly from those grainy wedding photos.