Burnt Offerings (Vampire Hunter 7)

We were both bound to Jean-Claude. I was his human servant and Richard was his wolf. It was a painful intimacy.

"You aren't lukoi," Lorraine said. "You aren't a shapeshifter. How did you do that?"

I smiled. "Trade secret." Truth was, I didn't know. I'd have to ask Jean-Claude tonight. I hoped he could explain it. He was only the third master vampire in their long history to have bound both a mortal and a shapeshifter into a single bond. I suspected strongly that there wasn't a manual, and that Jean-Claude winged it more often than I wanted to know.

Teddy went down on his knees. "You are lupa." The other two followed him. They abased themselves like good little submissive wolves, though Kevin didn't like it, and neither did I. But I wasn't sure how much was form and how much was necessary. I wanted them submissive because I didn't want to have to fight anybody, or kill anybody. So I let them crawl on the floor and run their hands along my legs, and sniff my skin like dogs. Which is when the nurse came in.

Everybody got up off the floor. I tried to explain and finally stopped. The nurse just stood there staring at all of us, a strange frozen smile on her face. She finally backed out without doing a damn thing. "I'll send Doctor Wilson in to check on them." She nodded her head too often and too rapidly and shut the door behind her. If she'd been wearing heels, I'd have bet we could have heard her run.

So much for not being one of the monsters.

7

Tucking in the baby-sitting werewolves made me late for my date. Taking time to read McKinnon's file made me later, but if there was a fire tonight, it'd be embarrassing not to be prepared. I learned two things from the file. One, that all the fires had been started after dark, which made me think instantly of vampires. Except that vampires couldn't start fires. It wasn't one of their abilities. In fact fire was one of the things they feared most. Oh, I'd seen a few vamps that could control existing flames to a small extent. Make a candle flame rise or fall, parlor tricks, but fire was the element of purity. Purity and the vamps didn't mix. The second thing I learned from the file was that I didn't know much about fires in general or arson in particular. I was going to need a book or a good lecture.

Jean-Claude had made reservations at Demiche's, a very nice restaurant. I'd had to run home, to my new rented house, to change. It had put me late enough that I'd arranged to meet him at the restaurant. The trouble with fancy dates was where to put my weapons. Women's dress clothes are the ultimate challenge to concealed-weapon carry.

Formals hid more but made grabbing the weapon harder. Anything form-fitting made it difficult. Tonight I was wearing a spaghetti-strap formal with slits so high on either side, I'd had to make sure that the hose were a matching off-black, and the underwear was lacy and black. I knew myself well enough to know that sometime during the evening I'd forget and flash the undies. And if I had to go for the gun, I'd certainly flash. So why wear it? Answer: I had a Firestar 9mm pistol tucked inside a bellyband.

The bellyband was an elastic strap that went over the underwear, but under the outerwear. It was designed to wear under a button-down dress shirt. Pull the shirt up with the free hand, pull the gun out, and viola, start shooting. The bellyband didn't work well under most formals, because you had yards of cloth to raise before you could get to the gun. It was better than nothing, but only if the bad guy was patient. But this dress, all I had to do was put my hand up through one of the slits. I had to pull the gun out, down, and out from under the dress, so it still wasn't speedy, but it wasn't bad. The bellyband also did not work with an especially form-fitting dress. Nobody gains weight in the shape of a gun.

I'd actually found a strapless bra that matched the black panties, so once I took off the gun and dress, I was wearing lingerie. The shoes were higher heels than I'd normally accept, but it was either that or hem the dress. Since I refuse to sew, heels it was.

The one major drawback to the spaghetti straps was that it showed off all my scars. I'd thought about buying a little cover-up jacket, but this wasn't a dress that was meant for a jacket. So screw it. Jean-Claude had seen the scars before, and the few people rude enough to give second glances could have an eyeful.

I was getting pretty good at makeup, eye shadow, blusher, lipstick. The lipstick was red--very, very red. But I had the coloring for it. Pale skin, black curly hair, pure brown eyes. I was all contrasts and strong colors the bright red lipstick matched. I was feeling pretty spiffy until I got a glimpse of Jean-Claude.

He was sitting at the table, waiting for me. I could see him from the entryway, though the maitre d' was two people ahead of me. I didn't mind. I enjoyed the view.

Jean-Claude's hair is black and curly, but he'd done something to it so it was straight and fine, falling past his shoulders, curled under at the ends. His face seemed even more delicate, like fine porcelain. He was beautiful, not handsome. I wasn't sure what saved his face from being feminine--some line of his cheek, bend of his jaw, something. You would never mistake him for anything other than male. He was dressed in royal blue, a color I'd never seen him in. A short jacket of a shining, almost metallic cloth was overlaid with black lace in a pattern of flowers. The shirt was his typical frilled, a la 1600's shirt, but it was a rich, vibrant blue, down to the mound of ruffles that climbed up his neck to frame his face and spill out the sleeves of the jacket to cover the upper half of his slender white hands.

He held an empty wineglass in his hand, spinning the stem of the glass between his fingers, watching the light spill through the crystal. He couldn't drink wine more than a sip at a time and mourned it.

The maitre d' led me through the tables towards him. He looked up, and seeing his face full-on made my chest tight, and it was suddenly hard to breathe. The blue so close to his face made his eyes bluer than I'd ever seen them, not the color of midnight skies, but cobalt blue, the color of a good sapphire. But no jewel ever had that weight of intelligence, of dark knowledge. The look in his eyes as he watched me walk towards him made me shiver. Not cold, not fear. Anticipation.

In the heels, and with the slits on both sides of the dress, there was an art to walking. You had to sort of throw yourself into it, a sling-back, slouching, hip-swinging walk, or the dress wrapped around your legs and the heels twisted at your ankles. You had to walk like you knew you could wear it and look wonderful. If you doubted yourself, hesitated, you'd fall to the floor and turn into a pumpkin. After years of my not being able to wear heels and dress clothes, Jean-Claude had taught me in a month what my stepmother couldn't teach me in twenty years.

He stood, and I didn't mind, though once upon a time I'd pissed off a prom date by standing every time that he did for the other girls at the table. One, I'd mellowed since then; two, I could see the rest of Jean-Claude's outfit.

The pants were black linen, clinging smooth and perfect to his body, so form fitting that I knew there was nothing under the pants but him. Black boots climbed his legs to the knees. The boots were soft, crepe-like leather, wrinkled and pettable.

He glided towards me, and I stood there watching him come. I was still half afraid of him. Afraid of how much I wanted him. I was like a rabbit caught in headlights, frozen, waiting for death to come. But did the rabbit's heart beat fast and faster? Did its breath come like a choking thing into its throat? Was there an eager rush to the fear, or was there just death?

He wrapped his arms around me, drawing me close. His pale hands were warm as they slid over my bare arms. He'd fed on someone tonight, borrowed their warmth. But they'd been willing, even eager. The Master of the City never went begging for donors. Blood was about the only bodily fluid I wouldn't share with him. I slid my hands over the silk of his shirt, underneath the short jacket. I wanted to mold my body against his stolen warmth. I wanted to run my hands over the roughness of the linen, contrasting it to the smoothness of the silk. Jean-Claude was always a sensual feast, right down to his clothing.

He kissed my lips lightly. We'd learned that the lipstick came off. Then he tilted my head to one side and breathed along my face, down my neck. His breath was like a line of fire along my skin. He spoke with his lips just above the big pulse in my neck. "You are lovely tonight, ma petite." He pressed his lips against my skin, softly. I let out a shuddering breath and drew back from him.

It was a greeting among the vampires to plant a light kiss above the big pulse in the throat. It was a gesture reserved for the very closest friends. It showed great trust and affection. To refuse it meant you were angry or distrustful. It still seemed too intimate for public consumption to me, but I'd seen him use it with others and seen fights start with a refusal. It was an old gesture just coming back into vogue. In fact, it was becoming a chic greeting among entertainers and others of the same ilk. Better than kissing the air near someone's face, I guess.