Michael Curry had nearly died on Christmas. No one knew what had happened to Rowan. It was all too awful, and everyone knew it, yet everyone wanted to gather on Mardi Gras Day at First Street. Well, they would have to tell Gifford how it went.
Of course the great Mayfair legacy itself was in no real danger. Gifford's mountainous trust funds were in no real danger. It was the Mayfair State of Mind that was threatened--the collective spirit of some six hundred local Mayfairs, some triple and quadruple cousins of each other, who had been lifted to the heights recently by the marriage of Rowan Mayfair, the new heiress of the legacy, and then dashed to the rocks of hell by her sudden defection, and the obvious sufferings of Michael Curry, who was still recovering from the heart attack he'd suffered on December 25th. Poor Michael. He had aged ten years in the month of January, as far as Gifford was concerned.
Gathering this Mardi Gras Day at the house had been an act, not of faith, but of desperation--of trying to hold to an optimism and excitement which in one afternoon of horror had become impossible to maintain. And what a dreadful thing they had all done to Michael. Didn't anyone care what the man felt? Imagine. Surrounding him with Rowan's family as if it were just business as usual, when Rowan had gone. The whole thing was typical Mayfair--bad judgment, bad manners, bad morals--all disguised as some sort of lofty family activity or celebration.
I wasn't born a human being, I was born a Mayfair, Gifford thought. And I married a Mayfair, and I have given birth to Mayfairs; and I shall die a Mayfair death no doubt, and they will pile into the funeral parlor, Weeping in Mayfair style, and what will my life have been? This was often Gifford's thought of late, but the disappearance of Rowan had driven her nearly to the brink. How much could she take? Why had she not warned Michael and Rowan not to marry, not to live in that house, not even to remain in New Orleans?
Also there was the whole question of Mayfair Medical--the giant neuro-research complex which Rowan had been master-minding before her departure, a venture which had elicited enthusiasm from hundreds of family members, especially Gifford's eldest and favorite son, Pierce, who was now heartbroken that the medical center along with everything else pertaining to Rowan was on indefinite hold. Shelby was also crushed, though being in law school still, she'd never been so involved; and even Lilia, Gifford's youngest and most estranged, at Oxford now, who had written home to say they must--at all costs--go on with the medical center.
Gifford felt a sudden tensing all over, as once again she put it all together, only to be frightened by the picture and convinced that something had to be discovered, revealed, done!
And then there was Michael's ultimate fate. What was it to be? He was recovering, so they said. But how could they tell Michael how bad things really were without causing him a setback? Michael could suffer another heart attack, one which might be fatal.
So the Mayfair legacy has destroyed another innocent male, Gifford thought bitterly. It's no wonder we all marry our cousins; we don't want to bring in the innocents. When you marry a Mayfair, you should be a Mayfair. You have lots of blood on your hands.
As for the idea that Rowan was in real danger, that Rowan had been forced somehow to leave on Christmas Day, that something might have happened to her--that was almost too terrible a thought for Gifford to bear. Yet Gifford was pretty sure something had happened to Rowan. Something really bad. They could all feel it. Mona could feel it, and when Gifford's niece, Mona, felt something you had to pay attention. Mona had never been a melodramatic, bragging Mayfair, claiming to see ghosts on the St. Charles streetcar. Mona had said last week she didn't think anybody should bank on Rowan coming back, that if they wanted the medical center, they ought to go ahead without her.
And to think, Gifford smiled to herself, that the august firm of Mayfair and Mayfair, representing Mayfair ad infinitum, stops to listen when a thirteen-year-old speaks. But it was true.
Gifford's biggest secret regret was that she had not connected Rowan with Mona while there had been time. Maybe Mona would have sensed something and spoken up. But then Gifford had so many regrets. Sometimes it seemed to her that her entire life was a great sighing regret. Beneath the lovely surface of her picture-book Metairie home, her gorgeous children, her handsome husband, and her own subdued southern style, was nothing but regret, as if her life had been built atop a great and secret dungeon.
She was just waiting to hear the news. Rowan dead. And for the first time in hundreds of years, no designee for the legacy. Ah, the legacy, and now that she had read Aaron Lightner's long account, how would she ever feel the same way about the legacy? Where was the precious emerald, she wondered? Surely her efficient husband, Ryan, had stashed it in an appropriate vault. That was where he should have stashed that awful "history." She could never forgive him for letting it slip into Mona's hands, that long Talamasca discussion of generations of witchcraft.
Maybe Rowan had run away with the emerald. Oh, that made her realize something else, just one of those minor-league regrets--! She'd forgotten to send the medal to Michael.
She'd found the medal out by the pool only two days after Christmas, while the detectives and the coroner's office were making all their tests inside the house, and while Aaron Lightner and that strange colleague of his, Erich Somethingorother, were gathering specimens of the blood that stained the wails and the carpets.
"You realize they will write all this in that file?" Gifford had protested, but Ryan had let these men proceed. It was Lightner. Everyone trusted him. Indeed Beatrice was in love with him. Gifford wouldn't be surprised if Beatrice married him.
The medal was St. Michael the Archangel. A gorgeous old silver medal on a broken chain. She'd slipped it into her purse, and meant a thousand times to send it to him--after he came home from the hospital of course, so as not to upset him. Well, she should have given it to Ryan before she left. But then again, who knew? Maybe he'd been wearing that medal on Christmas Day, when he'd nearly drowned in the pool. Poor Michael.
The logs in the fire shifted noisily and the mellow soothing light flared on the plain sloped ceiling. It made Gifford aware of how very quiet the surf was and had been all day. Sometimes the surf died to absolutely nothing on the Gulf of Mexico. She wondered if that could happen on the ocean. She loved the sound of the waves, actually. She wished they were roaring away out there in the dark, as if the Gulf were threatening to invade the land. As if nature were lashing back at the beach houses and the condominiums and the trailer parks, reminding them that they might be wiped off the smooth sandy face of the earth at any minute, should a hurricane or a tidal wave come. And certainly those things would inevitably come.
Gifford liked that idea. She could always sleep well when the waves were fierce and rapid. Her dreads and miseries didn't stem from the fear of anything natural. They came from legends, and secrets, and tales of the family's past. She loved her little house on account of its fragility, that a storm would most surely fold it up like a pack of cards.
This afternoon she had walked several miles south to inspect the house bought so recently by Michael and Rowan, a high contemporary structure built as it ought to be built--on pilings, and looking down upon a deserted sweep of beach. No sign of life there, but what had she expected?
She'd wandered back, heavily depressed by the mere sight of the place--how Rowan and Michael had loved it; they'd gone there on their honeymoon--and glad that her own little house was low and old and hidden behind a small and insignificant little dune, the way you couldn't and shouldn't build them today. She loved its privacy, its intimacy with the beach and the water. She loved that she could walk out her doors, and up three steps and along her boardwalk, and then down and out across the sand to the lip of the sea.
And the Gulf was the sea. Noisy or quiet, it was the sea. The great and endless open sea. The Gulf was the entire southern horizon. This might as well have been the end of the world.
One hour more and then it would be Ash Wednesday; she waited as if waiting for the witching hour, tense and resent
ful of Mardi Gras, a festival which had never made her particularly happy and always involved far more than she could endure.
She wanted to be awake when it was over; she wanted to feel Lent come on, as if the temperature itself would change. Earlier she'd built up the fire, and slumped down on the couch, merely to think away the hours, as if working on something, counting the minutes, feeling guilty naturally, for not going to First Street, for not having done all sorts of things to try to prevent this disaster, and then tensing with resentment against those who always tried to stop her from implementing her good intentions, those who seemed unable to distinguish between the real and imagined threat, and dismissed everything Gifford said out of hand.
Should have warned Michael Curry, she thought. Should have warned Rowan Mayfair. But they had read that tale. They should have known! Nobody could be happy in that First Street house. Fixing it up, that was sheer nonsense. The evil in that house lived in every brick and every bit of mortar; thirteen witches; and to think, all those old possessions of Julien's were up in the attic. The evil lived in those things; it lived in the plaster ceilings, and under the porches and eaves, like bees' nests hidden in the capitals of the Corinthian columns. That house had no hope, no future. And Gifford had known it all her life.
She hadn't needed these Talamasca scholars from Amsterdam to tell her. She knew.
She'd known it when she'd first gone to First Street--a little girl with her beloved grandmother Ancient Evelyn, who was even then called Ancient because she was already old, and there were several young Evelyns then--one married to Charles Mayfair and another to Bryce--though whatever became of them, she couldn't now remember.
She and Ancient Evelyn had gone to First Street, to visit Aunt Carl and poor doomed Deirdre Mayfair, the heiress in her rocking-chair throne. Gifford had seen the famous ghost of First Street--clearly and distinctly--a male figure standing behind Deirdre's chair. Ancient Evelyn had seen it too, no doubt in Gifford's mind. And Aunt Carlotta, that steely, cold and vicious Aunt Carlotta, had chatted with them in the dreary parlor as if there were no ghost there at all.
As for Deirdre, she had been already catatonic. "Poor child," Ancient Evelyn had said. "Julien foresaw everything." That was one of those statements Ancient Evelyn always refused to explain, though she often repeated it. And later, to her little granddaughter Gifford: "Deirdre's known all the sorrow and never knew the fun of being one of us."
"There was fun?" Gifford wondered about that now, as she had wondered then. What did Ancient Evelyn mean by fun? Gifford suspected she knew. It was all recorded in those old photographs of her with Oncle Julien. Julien and Evelyn in the Stutz Bearcat on a summer day, in white coats and goggles. Julien and Evelyn under the oaks at Audubon Park; Julien and Evelyn in Julien's third-floor room. And then there was the decade after Julien's death, when Evelyn had gone away with Stella to Europe, and they had had their "affair," of which Evelyn spoke with great solemnity.
In Gilford's early years, before Ancient Evelyn had gone silent, Ancient Evelyn had always been willing to tell those tales in a whispered but steady voice--of how Julien had bedded her when she was thirteen, of how he'd come up to Amelia Street, and cried from the sidewalk, "Evelyn, come down, come down!" and forced Evelyn's grandfather Walker to let her loose from the attic bedroom where he had locked her up.
Bad bad blood between Julien and Evelyn's grandfather--going way back to a murder at Riverbend when Julien was a boy, and a gun had gone off by accident, killing his cousin Augustin. The grandson of Augustin swore hate for the man who had shot his ancestor, though all were ancestors of everyone involved in some way or another. Tangle, tangle. Family trees of the Mayfair clan were like the thorny vines that choked off the windows and doors of Sleeping Beauty's castle.
And to think, Mona was working it all out on her computer, and had only recently made the proud announcement that she had more lines of descent from Julien, and from Angelique, than anyone. Not to mention the lines feeding in from the old Mayfairs of Saint-Domingue. It made Gifford dizzy and sad, and she wished Mona would go for boys her own age, and care a little about clothes, and stop this obsession with family, and computers, and race cars, and guns.
"Doesn't it teach you something about guns?" Gifford had demanded. "This huge rift between us and the Mayfairs of First Street? All happened on account of a gun."
But there was no stopping Mona's obsessions, large or small. She had dragged Gifford five times to a miserable little shooting gallery across the river just so they both could learn how to shoot their big noisy .38s. It was enough to make Gifford go mad. But better to be with Mona than to worry what Mona was doing on her own.
And to think, Ryan had approved of it. Made Gifford keep a gun after that in her glove compartment. Made her bring a gun to this house.
There was so much for Mona to learn. Had Ancient Evelyn ever told Mona those old tales? Now and then Ancient Evelyn emerged from her silence. And her voice was still her voice, and she could still begin her chant, like the elder of a tribe giving forth the oral history:
"I would have died in that attic had it not been for Julien--mad and mute, and white as a plant that has never seen sun. Julien got me with child and that was your mother, poor thing that she became."
"But why, why did Oncle Julien do it with a girl so young?" Gifford had asked only once, so great was the thunder in response:
"Be proud of your Mayfair blood. Be proud. Julien foresaw everything. The legacy line was losing his strength. And I loved Julien. And Julien loved me. Don't seek to understand those people--Julien and Mary Beth and Cortland--for then there were giants in the earth which there are not now."
Giants in the earth. Cortland, Julien's own son, had been Ancient Evelyn's father, though Ancient Evelyn would never admit it! And Laura Lee, Julien's child! Dear God, Gilford couldn't even keep track of the lines unless she took a pen and paper and traced them out, and that she frankly never wanted to do. Giants in the earth! More truly devils from hell.
"Oh, how perfectly delicious," Alicia had said, listening gleefully and always ready to mock Gifford and her fears. "Go on, Ancient Evelyn, what happened then? Tell us about Stella."
Alicia had already been a drunk by the age of thirteen. She had looked old for her age, though thin and slight like Gifford. She'd gone into barrooms downtown and drunk with strange men, and then Granddaddy Fielding had "fixed her up" with Patrick just to get some control of her. Patrick, of all the cousins. A horrid idea, though he hadn't seemed so bad in himself back then.
This is my blood, all these people, Gifford thought. This is my sister, married to her double or triple cousin, Patrick, whatever he is. Well, one thing can be said for sure. Mona is no idiot. Inbred, yes, child of an alcoholic, yes, but except for being rather "petite," as they said of short girls in the South, she was on every count a winner.
Probably the prettiest of that entire generation of Mayfairs far and wide, and surely the most intelligent and the most reckless and belligerent, though Gifford could not stop loving Mona no matter what Mona did. She had to smile when she thought of Mona firing that gun in the shooting gallery and shouting to her over the earplugs: "Come on, Aunt Gifford, you never know when you might have to use it. Come on, both hands."
Even Mona's sexual maturity--this mad idea that she must know many men, which had Gifford frantic--was part of her precocity. And Gifford had to admit, protective though she was, she feared for the men who caught Mona's attention. Heartless Mona. Something hideous had happened with old Randall for instance, Mona seducing him almost certainly, and then losing interest in the entire venture, but Gifford could get no straight answers out of anyone. Certainly not Randall, who went into an apoplectic fit at the mention of Mona's name, denying that he would "harm a fly," let alone a child, et cetera. As if they were going to send him to prison!
And to think the Talamasca with all their scholarship knew nothing about Mona; knew nothing about Ancient Evelyn and Oncle Julien. Knew nothing about the on
e little girl in this day and age who might be a real witch, no joke.
It gave Gifford a confusing, almost embarrassing, satisfaction to think of it. That the Talamasca did not know any more than the family did why Julien had shot Augustin, or what Julien was about and why he had left so many illegitimate children behind him?
Ah, but most of that Talamasca history had been quite impossible to accept. A ghost was one thing; a spirit that--Ah, it was all too distasteful to Gifford. She had refused to let Ryan circulate the document. It was bad enough that he and Lauren and Randall had read the thing, and that Mona, of all people, Mona had snatched up the file off his desk and read it in its entirety before anyone knew what had happened.
But the thing about Mona was this: she did know reality from fantasy. Alicia didn't. That's why she drank. Most Mayfairs didn't. Ryan, Gifford's husband, didn't. In his refusal to believe in anything supernatural or inherently evil, he was as unrealistic as an old voodoo queen who sees spirits everywhere.
But Mona had a mind. Even when she called Gifford last year to announce that she, Mona Mayfair, was no longer a virgin, and that the actual moment of deflowering had been unimportant but the change in her outlook was the most important thing in the world, she had made it a point to add: "I'm taking the pill, Aunt Gifford; and I have an agenda. It has to do with discovery, experience, drinking from the cup, you know, all the things Ancient Evelyn used to say. But I am very health-conscious."
"Do you know right from wrong, Mona?" Gifford had asked, overwhelmed, and in her deep secret heart even a little envious. Gifford had already begun to cry.
"Yes, I do, Aunt Gifford, and you know I do. And for the record, I've made the Honor Roll again. I just cleaned up the house. And I managed to make Mom and Dad both eat dinner before they started their nightly party. Everything is nice and quiet up here. Ancient Evelyn spoke today. She said she wanted to sit on the porch and watch the streetcars pass. So don't worry. I've got everything covered."
Everything covered! And then there was Mona's strange admission to Pierce, surely a calculated lie, "Look, I like having them drunk all the time. I mean I wish they were living human beings and all, and that they weren't drinking themselves right into the grave before my eyes, but hell, I have plenty of freedom. I can't stand it when meddlesome cousins come over here and start asking me what my bedtime is, or if I've done my homework. I walk all over town. Nobody bugs me."