He'd grabbed her by the arms, tried to kiss her. "Rowan, I love you, but she isn't the woman I married ... "
"No? Not the woman you've cheated on for thirty years?"
"She's just a thing in there, I want to remember her the way she used to be ... "
"You talk that crap to me!"
That had been the instant that his eyes fixed and the expression washed out of his face. People always die with such peaceful countenances. On the brink of rape, the man in the Jeep had just gone blank.
Before the ambulance had come, she had knelt beside Graham, put her stethoscope to his head. There was that sound, so faint that some doctors could not hear it. But she heard it--the sound of a great deal of blood rushing to one spot.
No one ever accused her of anything. How could they? Why, she was a doctor, and she'd been with him when the "awful thing" happened, and God knows, she did everything she could.
Of course everybody knew Graham was a thoroughly second-rate human being--his law partners, his secretaries, even his last mistress, that stupid little Karen Garfield person who had come over wanting some keepsake, everybody knew. Except, that is, Graham's wife. But there wasn't the slightest suspicion. How could there be? It was just death by natural causes when he was about to make away with the fortune made through his wife's inheritance and a twenty-eight-year-old idiot who had already sold her furniture and bought their airline tickets for St. Croix.
But it wasn't death by natural causes.
By this time she knew and understood the diagnostic sense; she'd practiced it and strengthened it. And when she had laid her hand on his shoulder, the diagnostic sense had said: no natural death.
That in itself ought to have been enough. Yet maybe she was mistaken. Maybe it was the great deceptiveness of pattern which we call coincidence. And nothing more than that.
But suppose she met with Michael Curry. Suppose he held her hand as she closed her eyes and thought about those deaths? Would he see only what she had seen, or would some objective truth be known to him? You killed them. It was worth a try.
What she realized tonight, as she wandered slowly and almost aimlessly through the hospital, as she took detours through vast carpeted waiting rooms and down long wards where she was not known, and would never be known, was that she had felt an overwhelming desire just to talk to Michael Curry for a long time. She felt connected to Michael Curry. As much by the accident at sea as by these psychic secrets. She wanted, perhaps for reasons she didn't fully understand, to tell him and him alone what she'd done.
It wasn't easy for her to face this weakness. Absolution for murder came only when she operated. She was at the altar of God when the nurses held out the sterile gown for her, when they held up the sterile gloves.
And all her life she'd been a solitary person, a good listener, but invariably colder than those around her. That special sense, the one that aided her so as a physician, had always made her too keenly aware of what others truly felt.
She'd been ten or twelve years old before she realized other people didn't have it, sometimes not even a particle of it. That her beloved Ellie, for instance, didn't have the slightest idea that Graham did not love her so much as he needed her, and needed to denigrate her and lie to her and to depend on her always being there, and being inferior to him.
Rowan had sometimes wished for that kind of ignorance--not to know when people envied you, or disliked you. Not to know that many people lied all the time. She liked the cops and the fire fighters because they were to some extent perfectly predictable. Or maybe it was simply that their particular brand of dishonesty didn't bother her so much; it seemed harmless compared to the complex, insidious, and endlessly malicious insecurity of more educated men.
Of course diagnostic usefulness had redeemed this special psyche sense completely.
But what could ever redeem the ability to kill at will? To atone was another matter. To what proper use could a telekinetic ability like that ever be put?
And such a power was not beyond scientific possibility, that was the truly terrifying part. Like the psychometric power of Michael Curry, such things might have to do with measurable energy, complex physical talents which might someday be as definable as electricity or microwaves, or high-frequency sounds. Curry was capturing an impression from the objects he handled, and that impression was very likely the product of energy. Very likely every object in existence--every surface, every definable bit of matter--contained such stored "impressions." They existed in a measurable field.
But parapsychology wasn't Rowan's love. She was mesmerized by what could be seen in test tubes, slides, and graphs. She didn't care to test or analyze her own killing power. She wanted only to believe that she had never used it, that maybe there was some other explanation for what had happened, that maybe somehow she was innocent.
And the tragic thing was, maybe nobody could ever tell her what had really occurred with Graham, and the man in the Jeep and the kid on the playground. And all she could hope for was to tell someone, to unburden and exorcise, as everybody else did, through talk.
Talk, talk, talk.
That's exactly what Rowan wanted. She knew.
Only once before had this desire to confide nearly overcome her. And that had been quite an unusual event. In fact, she had almost told a perfect stranger the entire story, and there were times since when she wished that she had done just that.
It was late last year, a full six months after Ellie's death. Rowan was feeling the keenest loneliness she'd ever known. It seemed to her the great pattern called "our family" had been washed away overnight. Their life had been so good before Ellie's illness. Even Graham's affairs couldn't spoil it, because Ellie pretended the affairs weren't happening. And though Graham was not a man whom any human being would have called a good person, he possessed a relentless and infectious personal energy that maintained the family life in high gear.
And how Rowan had depended upon them both.
Her dedication to medicine had pretty much taken her away from her old college cronies. None of them had gone into the sciences. But the family was all that the three of them ever needed. From the time of Rowan's earliest memories, they were an unshakable trio, whether cruising the Caribbean, or skiing in Aspen, or eating a midnight Christmas dinner on a room service table in a suite in the Plaza in New York.
Now the dream house on the Tiburon shore stood empty as a beached shell.
And Rowan had the odd feeling that the Sweet Christine did not belong so much to her and her various well-chosen love partners, but rather to the family who had left the more dominant impression over a decade of happy years.
One night after Ellie's death, Rowan had stood alone in the wide living room beneath the high-beamed ceiling, talking aloud to herself, laughing even, thinking there is no one, no one to know, no one to hear. The glass walls were dark and indistinct with reflected carpet, furniture. She couldn't see the tide that lapped ceaselessly at the pilings. The fire was dying out. The eternal chill of the coastal night was moving slowly through the rooms. She had learnt a painful lesson, she thought--that as they die, the ones we love, we lose our witnesses, our watchers, those who know and understand the tiny little meaningless patterns, those words drawn in water with a stick. And there is nothing left but the endless flow.
It was shortly after that that the bizarre moment had come, when she had almost taken hold of this stranger and poured out her tale.
He was an elderly gentleman, white-haired--British, quite obviously from the first words he spoke. And they had met, in of all places, the cemetery where her adoptive parents had been laid to rest.
It was a quaint old graveyard, sprinkled with weathered monuments on the edge of the small northern California town where Graham's family had once lived. These people, not related to her by blood, had been completely unknown to her. She'd gone back several times after Ellie's funeral, though why she wasn't quite sure. On that particular day her reason was simple: the gravestone had finall
y been completed and she wanted to see that the names and the dates were correct.
It had occurred to her several times on the drive north that this new gravestone would stand as long as she was living, and after that, it would tumble and crack and lie there in the weeds. The relatives of Graham Franklin had not even been notified about his funeral. Ellie's people--far away in the dim South--had not been notified of her death. Even in ten years, no one would know or care then about Graham and Ellie Mayfair Franklin. And by the end of Rowan's life, everyone who had ever known them or even heard of them would be dead.
Spiderwebs broken and torn in a wind that is indifferent to their beauty. Why bother with this at all? But Ellie had wanted her to bother. Ellie had wanted a headstone, flowers. That was the way they did it in New Orleans when Ellie was a little girl. Only on her deathbed had she spoken of her home finally, and to say the strangest things--that they had laid out Stella in the parlor, that people had come to see Stella and kiss her even though her brother had shot her, that Lonigan and Sons had closed up the wound in Stella's head.
"And Stella's face was so beautiful in the coffin. She had such beautiful black hair, all in little waves, you know, and she was as pretty as her picture on the living room wall. I loved Stella! Stella let me hold the necklace. I sat on a chair by the coffin. I was kicking my feet and my Aunt Carlotta said to stop."
Every word of that strange diatribe was engraved on Rowan's memory. Stella, her brother, Aunt Carlotta. Even the name Lonigan. Because for a precious few seconds there had been a flash of color in the abyss.