The Witching Hour (Lives of the Mayfair Witches 1)

By all reports, the house was extremely cheerful, filled with bright colors, gay wallpaper, traditional furnishings, and books. Numerous French doors opened to the garden, the pool, and the front lawn.

The entire family seems to have thought it was the best place for Deirdre. Metairie had none of the gloom of the Garden District. Cortland assured Beatrice that Deirdre was resting, that the girl's problems had been compounded by a lot of secrecy and bad judgment on the part of Carlotta.

"But he won't really tell me what's happening," Beatrice complained to Juliette. "He never does. What does he mean, secrecy?"

Beatrice queried the maid by phone whenever she could. Deirdre was just fine, said the maid. The girl's color was excellent. She had even had a guest, a very nice-looking young man. The maid had only seen him for a second or two--he and Deirdre had been out in the garden--but he was a handsome, gentlemanly sort of young man.

"Now, who could that be?" Beatrice wondered over lunch with Juliette Milton. "Not that same scoundrel who sneaked into the nuns' garden to bother her at St. Ro's!"

"Seems to me," wrote Juliette to her London contact, "that this family does not realize this girl has a lover. I mean one lover--one very distinguished and easily recognized lover, who is seen in her company over and over. All the descriptions of this young man are the same!"

The significant, thing about this story is that Juliette Milton had never heard any rumors about ghosts, witches, curses, or the like associated with the Mayfair family. She and Beatrice truly believed this mysterious person was a human being.

Yet at the very same time, in the Irish Channel old people gossiped over kitchen tables about "Deirdre and the man." And by "the man," they did not mean a human being. The elderly sister of Father Lafferty knew about "the man." She tried to talk to her brother about it; but he would not confide in her. She gossiped with an elderly friend named Dave Collins about it; she gossiped with our investigator, who walked along with her on Constance Street as she made her way home from Sunday Mass.

Miss Rosie, who worked in the sacristy, changing the altar cloths and seeing to the sacramental wine, also knew the shocking facts about those Mayfairs and "the man." "First it was Stella, then Antha, now Deirdre," she told her nephew, a college boy at Loyola who thought she was a superstitious fool.

An old black maid who lived in the same block knew all about "that man." He was the family ghost, that's who he was, and the only ghost she ever saw in broad daylight, sitting with that girl in the back garden. That girl was going to hell when she died.

It was at this point, in the summer of 1958, that I prepared to go to New Orleans.

I had finished putting the entire Mayfair history into an early version of the foregoing narrative, which was substantially the same as what the reader has only just read. And I was deeply and passionately concerned about Deirdre Mayfair.

I felt that her psychic powers, and especially her ability to see and communicate with spirits, were driving her out of her mind.

After numerous discussions with Scott Reynolds, our new director, and several meetings with the entire council, it was decided that I should make the trip, and that I should use my own judgment as to whether Deirdre Mayfair was old enough or stable enough to be approached.

Elaine Barrett, one of the oldest and most experienced members of the Talamasca, had died the preceding year, and I was now considered (undeservedly) the leading expert in the Talamasca on witch families. My credentials were never questioned. And indeed, those who had been most frightened by the deaths of Stuart Townsend and Arthur Langtry--and most likely to forbid my going to New Orleans--were no longer alive.

Twenty-three

THE FILE ON THE MAYFAIR WITCHES

PART IX

The Story of Deirdre Mayfair

Revised Completely 1989

I arrived in New Orleans in July of 1958, and immediately checked into a small, informal French Quarter hotel. I then proceeded to meet with our ablest professional investigators, and to consult some public records, and to satisfy myself upon other points.

Over the years we had acquired the names of several people close to the Mayfair family. I attempted contact. With Richard Llewellyn I was quite successful, as has already been described, and this report alone occupied me for days.

I also managed "to run into" a young lay teacher from St. Rose de Lima's who had known Deirdre during her months there, and more or less clarified the reasons for the expulsion. Tragically this young woman believed Deirdre to have had an affair with "an older man" and to have been a vile and deceitful girl. Other girls had known of the Mayfair emerald. It was concluded that Deirdre had stolen it from her aunt. For why else would the child have had such a valuable jewel at school?

The more I talked with the woman the more I realized that Deirdre's aura of sensuality had made an impression on those around her. "She was so ... mature, you know. A young girl has no business really having enormous breasts like that at the age of sixteen."

Poor Deirdre. I found myself on the verge of asking whether or not the teacher thought mutilation was appropriate in these circumstances, then terminated the interview. I went back to the hotel, drank a stiff brandy, and lectured myself on the dangers of becoming emotionally involved.

Unfortunately I was no less emotional when I visited the Garden District the following day, and the day after that, during which time I spent hours walking through the quiet streets and observing the First Street house from all angles. After years of reading of this place and its inhabitants, I found this extremely exciting. But if ever a house exuded an atmosphere of evil, it was this house.

Why? I asked myself.

By this time it was extremely neglected. The violet paint had faded from the masonry. Weeds and tiny ferns grew in crevices on the parapets. Flowering vines covered the side galleries so that the ornamental ironwork was scarcely visible, and the wild cherry laurels screened the garden from view.

Nevertheless it ought to have been romantic. Yet in the heavy summer heat, with the burnished sun shining drowsily and dustily through the trees, the place looked damp and dark and decidedly unpleasant. During the idle hours that I stood contemplating it, I noted that passersby invariably crossed the street when they approached it. And though its flagstone walk was slick with moss and cracked from the roots of the oak trees, so were other sidewalks in the area which people did not seek to avoid.

Something evil lived in this house, lived and breathed as it were, and waited, and perhaps mourned.

Accusing myself again, and with reason, of being overemotional, I defined my terms. This something was evil, because it was destructive. It "lived and breathed" in the sense that it influenced the environment and its presence could be felt. As for my belief that this "something" was in mourning, I needed only to remind myself that no workman had made any repairs on the place since Stella's death. Since Stella's death the decline had been steady and unbroken. Did not the thing want the house to rot even as Stella's body decayed in the grave?

Ah, so many unanswered questions. I went to the Lafayette Cemetery and visited the Mayfair tomb. A kindly caretaker volunteered the information that there were always fresh flowers in the stone vases before the face of the crypt, though no one ever saw the person who put them there.

"Do you think it is some old lover of Stella Mayfair's?" I asked.

"Oh, no," said the elderly man, with a cracking laugh. "Good heavens, no. It's him, that's who it is, the Mayfair ghost. He's the one that puts those flowers there. And you want to know something? Sometimes he takes them off the altar at the chapel. You know, the chapel, down there on Prytania and Third? Father Morgan came here one afternoon just steaming. Seems he had just put out the gladiolus, and there they were in the vases before the Mayfair grave. He went by and rang the bell over there on First Street. I heard Miss Carl told him to go to hell." The man laughed and laughed at such an idea ... somebody telling a priest to go to hell.

Renting a car, I drove down t

he river road to Riverbend and explored what was left of the plantation, and then I called our undercover society investigator, Juliette Milton, and invited her to lunch.

She was more than happy to provide me with an introduction to Beatrice Mayfair. Beatrice agreed to meet me for lunch, accepting without the slightest question my superficial explanation that I was interested in southern history and the history of the Mayfair family.