"You know that it's true," said the old woman behind her. "You've always known deep inside that an evil lived in you."
"You choose your words badly. You speak of the potential for evil."
"Well, know that you can put it to a finish! That can be the significance of your greater strength, that you can do as I have done and turn it against him. Turn it against all of them!"
She pushed past Rowan, the hem of her dress scraping Rowan's ankle, her cane thudding lightly as before, as she walked out onto the landing, gesturing for Rowan to follow.
Into the only remaining door on the third floor they went, a noxious overpowering smell flooding out over them. Rowan drew back, scarcely able to breathe. Then she did what she knew she had to do. She breathed in the stench, and swallowed it, because there was no other way to tolerate it.
Lifting the lamp high, she saw this was a narrow storage chamber. It was filled with jars and bottles on makeshift shelves and the jars and bottles were filled with blackish, murky fluid. Specimens in these containers. Rotting, putrid things. Stench of alcohol and other chemicals, and most of all of putrefying flesh. Unbearable to think of these glass containers broken open and the horrid smell of their exposed contents.
"They were Marguerite's," said the old woman, "and Marguerite was Julien's mother and the mother of Katherine, who was my grandmother. I don't expect you to remember these names. You can find them in the ledger books in the other room. You can find them in the old records in the downstairs library. But mark what I say. Marguerite filled these jars with horrors. You'll see when you pour out the contents. And mind me, do it yourself if you don't want trouble. Horrible things in those jars .... and she, the healer!" She almost spat the word with contempt. "With the same powerful gift that you have now, to lay hands on the ill, and bring together the cells to patch the rupture, or the cancer. And that's what she did with her gift. Bring your lamp closer."
"I don't want to see this now."
"Oh? You're a doctor, are you not? Haven't you dissected the dead of all ages? You cut them open now, do you not?"
"I'm a surgeon. I operate to preserve and lengthen life. I don't want to see these things now ... "
Yet even as she spoke she was peering at the jars, looking at the largest of them in which the liquid was still clear enough to see the soft, vaguely round thing floating there, half shrouded in shadow. But that was impossible what she saw there. That looked just like a human head. She drew back as if she'd been burnt.
"Tell me what you saw."
"Why do you do this to me?" she said in a low voice, staring at the jar, at the dark rotted eyes swimming in the fluid and the seaweed hair. She turned her back on it and looked at the old woman. "I saw my mother buried today. What do you want of me?"
"I told you."
"No, you punish me for coming back, you punish me for merely wanting to know, you punish me because I violated your schemes."
Was that a grin on the old woman's face?
"Don't you understand that I am alone out there now? I want to know my people. You can't make me bend to your will."
Silence. It was sweltering here. She did not know how long she could stand it. "Is that what you did to my mother?" she said, her voice burning out in her anger. "You made her do your will?"
She stepped backwards, as if her anger was forcing her away from the old woman, her hand tightening uncomfortably on the glass lamp which was now hot from the burning wick, so hot she could scarcely hold it any longer.
"I'm getting sick in this room."
"Poor dear," said the woman. "What you saw in that jar was a man's head. Well, look closely at him when the time comes. And at the others you find there."
"They're rotted, deteriorated; they're so old they're no good for any purpose if they ever were. I want to get out of here."
Yet she looked back at the jar, overcome with horror. Her left hand went to her mouth as if it could somehow protect her, and gazing at the clouded fluid she saw again the dark hole of a mouth where the lips were slowly deteriorating and the white teeth shone bright. She saw the gleaming jelly of the eyes. No, don't look at it. But what was in the jar beside it? There were things moving in the fluid, worms moving. The seal had been broken.
She turned and left the room, leaning against the wall, her eyes shut, the lamp burning her hand. Her heart thudded in her ears, and it seemed for a moment the sickness would get the better of her. She'd vomit on the very floor at the head of these filthy stairs, with this wretched vicious woman beside her. Dully, she heard the old woman passing her again. She heard her progress as she went down the stairs, steps slower than before, gaining only a little speed as the woman reached the landing.
"Come down, Rowan Mayfair," she said. "Put out the lamp, but light the candle before you do, and bring it with you."
Slowly Rowan righted herself. She pushed her left hand back through her hair. Fighting off another wave of nausea, she moved slowly back into the bedroom. She set down the lamp, on the little table by the door from which she'd taken it, just when she thought her fingers couldn't take the heat anymore, and for a moment she held her right hand to her lips, trying to soothe the burn. Then slowly she lifted the candle and plunged it down the glass chimney of the lamp, because she knew the glass of the chimney was too hot to touch now. The wick caught, wax dripping on the wick, and then she blew out the lamp, and stood still for a moment, her eyes falling on that rolled rug and the pair of leather shoes tossed against it.
No, not tossed, she thought. No. Slowly she moved towards the shoes. Slowly, she extended her own left foot until the toe of her shoe touched one of those shoes, and then she kicked the shoe and realized that it was caught on something even as it fell loose and she saw the gleaming white bone of the leg extending from the trouser within the rolled carpet.
Paralyzed, she stared at the bone. At the rolled rug itself. And then walking along it, she saw at the other end what she could not see before, the dark gleam of brown hair. Someone wrapped in the rug. Someone dead, dead a long time, and look, the stain on the floor, the blackish stain on the side of the rug, near the bottom where the fluids long ago flowed out and dried up, and see, even the mashed and tiny insects fatally caught in the sticky fluid so long ago.
Rowan, promise me, you will never go back, promise me.
From somewhere far below, she heard the old woman's voice, so faint it was no more than a thought. "Come down, Rowan Mayfair."
Rowan Mayfair, Rowan Mayfair, Rowan Mayfair ...
Refusing to hurry, she made her way out, glancing back once more at the dead man concealed in the rug, at the slender spoke of white bone protruding from it. And then she shut the door and walked sluggishly down the stairs.
The old woman stood at the open elevator door, merely watching, the ugly gold light from the elevator bulb shining full on her.
"You know what I found," Rowan said. She steadied herself as she reached the newel post. The little candle danced for a moment, throwing pale translucent shadows on the ceiling.
"You found the dead man, wrapped in the rug."
"What in God's name has gone on in this house!" Rowan gasped. "Are you all mad?"
How cold and controlled the old woman seemed, how utterly detached. She pointed to the open elevator. "Come with me," she said. "There is nothing more to see and only a little more to say ... "
"Oh, but there's a lot more to say," Rowan said. "Tell me--did you tell my mother these things? Did you show her those horrible jars and dolls?"
"I didn't drive her mad if that's your meaning."
"I think anyone who grew up in this house might go mad."
"So do I. That's why I sent you away from it. Now come."
"Tell me what happened with my mother."
She stepped after the woman into the small dusty chamber again, closing the door and the gate angrily. As they moved down, she turned and stared at the woman's profile. Old, old, yes, she was. Her skin as yellow all over as parchment, and her neck so th
in and frail, the veins standing out under her fragile skin. Yes, so fragile.
"Tell me what happened to her," Rowan said, staring at the floor, not daring to look closely at the woman again. "Don't tell me how he touched her in her sleep, but tell me what happened, really happened!"
The elevator stopped with a jerk. The woman opened the gate, and pushed back the door, and walked out into the hallway.
As Rowan closed the door, the light died out as if the elevator and its bare bulb had never existed. The darkness swept in close and faintly cool, and smelling of the rain from beyond the open front door. The night gleamed outside, noisy with comforting sounds.