For half a minute, the only movement was that of a hawk gliding high above, glimpsed between laurel branches.
The hawk and I were hunters this morning.
Penny Kallisto must have sensed my fear. She took my right hand in her left.
I was grateful for this kindness. Her grip proved firm, and her hand did not feel cold. I drew courage from her strong spirit.
Because the car was idling in gear, rolling at just a few miles per hour, I didn’t hear anything until it turned the corner. When I recognized the vehicle, I knew a sadness equal to my fear.
This 1968 Pontiac Firebird 400 had been restored with loving care. The two-door, midnight-blue convertible appeared to glide toward us with all tires a fraction of an inch off the pavement, shimmering like a mirage in the morning heat.
Harlo Landerson and I had been in the same high-school class. During his junior and senior years, Harlo rebuilt this car from the axles up, until it looked as cherry as it had in the autumn of ’67, when it had first stood on a showroom floor.
Self-effacing, somewhat shy, Harlo had not labored on the car with the hope either that it would be a babe magnet or that those who had thought of him as tepid would suddenly think he was cool enough to freeze the mercury in a thermometer. He’d had no social ambitions. He had suffered no illusions about his chances of ever rising above the lower ranks of the high-school caste system.
With a 335-horsepower V-8 engine, the Firebird could sprint from zero to sixty miles per hour in under eight seconds. Yet Harlo wasn’t a street racer; he took no special pride in having wheels of fury.
He devoted much time, labor, and money to the Firebird because the beauty of its design and function enchanted him. This was a labor of the heart, a passion almost spiritual in its purity and intensity.
I sometimes thought the Pontiac figured so large in Harlo’s life because he had no one to whom he could give the love that he lavished on the car. His mom died when he was six. His dad was a mean drunk.
A car can’t return the love you give it. But if you’re lonely enough, maybe the sparkle of the chrome, the luster of the paint, and the purr of the engine can be mistaken for affection.
Harlo and I hadn’t been buddies, just friendly. I liked the guy. He was quiet, but quiet was better than the boast and bluster with which many kids jockeyed for social position in high school.
With Penny Kallisto still at my side, I raised my left hand and waved at Harlo.
Since high school, he’d worked hard. Nine to five, he unloaded trucks at Super Food and moved stock from storeroom to shelves.
Before that, beginning at 4:00 A.M., he dropped hundreds of newspapers at homes on the east side of Pico Mundo. Once each week, he also delivered to every house a plastic bag full of advertising flyers and discount-coupon books.
This morning, he distributed only newspapers, tossing them with a snap of the wrist, as though they were boomerangs. Each folded and bagged copy of the Tuesday edition of the Maravilla County Times spun through the air and landed with a soft thwop on a driveway or a front walk, precisely where the subscriber preferred to have it.
Harlo was working the far side of the street. When he reached the house opposite me, he braked the coasting Pontiac to a stop.
Penny and I crossed to the car, and Harlo said, “Good mornin’, Odd. How’re you this fine day?”
“Bleak,” I replied. “Sad. Confused.”
He frowned with concern. “What’s wrong? Anything I can do?”
“Something you’ve already done,” I said.
Letting go of Penny’s hand, I leaned into the Firebird from the passenger’s side, switched off the engine, and plucked the key from the ignition.
Startled, Harlo grabbed for the keys but missed. “Hey, Odd, no foolin’ around, okay? I have a tight schedule.”
I never heard Penny’s voice, but in the rich yet silent language of the soul, she must have spoken to me.
What I said to Harlo Landerson was the essence of what the girl revealed: “You have her blood in your pocket.”
An innocent man would have been baffled by my statement. Harlo stared at me, his eyes suddenly owlish not with wisdom but with fear.
“On that night,” I said, “you took with you three small squares of white felt.”
One hand still on the wheel, Harlo looked away from me, through the windshield, as if willing the Pontiac to move.
“After using the girl, you collected some of her virgin blood with the squares of felt.”
Harlo shivered. His face flushed red, perhaps with shame.
Anguish thickened my voice. “They dried stiff and dark, brittle like crackers.”
His shivers swelled into violent tremors.
“You carry one of them with you at all times.” My voice shook with emotion. “You like to smell it. Oh, God, Harlo. Sometimes you put it between your teeth. And bite on it.”
He threw open the driver’s door and fled.
I’m not the law. I’m not vigilante justice. I’m not vengeance personified. I don’t really know what I am, or why.
In moments like these, however, I can’t restrain myself from action. A kind of madness comes over me, and I can no more turn away from what must be done than I can wish this fallen world back into a state of grace.
As Harlo burst from the Pontiac, I looked down at Penny Kallisto and saw the ligature marks on her throat, which had not been visible when she had first appeared to me. The depth to which the garroting cloth had scored her flesh revealed the singular fury with which he had strangled her to death.
Pity tore at me, and I went after Harlo Landerson, for whom I had no pity whatsoever.
TWO
BLACKTOP TO CONCRETE, CONCRETE TO GRASS, alongside the house that lay across the street from Mrs. Sanchez’s place, through the rear yard, to a wrought-iron fence and over, then across a narrow alleyway, up a slumpstone wall, Harlo Landerson ran and clambered and flung himself.
I wondered where he might be going. He couldn’t outrun either me or justice, and he certainly couldn’t outrun who he was.
Beyond the slumpstone wall lay a backyard, a swimming pool. Dappled with morning light and tree shadows, the water glimmered in shades of blue from sapphire to turquoise, as might a trove of jewels left by long-dead pirates who had sailed a sea since vanished.
On the farther side of the pool, behind a sliding glass door, a young woman stood in pajamas, holding a mug of whatever brew gave her the courage to face the day.
When he spotted this startled observer, Harlo changed directions toward her. Maybe he thought he needed a shield, a hostage. Whatever, he wasn’t looking for coffee.
I closed on him, snared his shirt, hooked him off his feet. The two of us plunged into the deep end of the pool.
Having banked a summer’s worth of desert heat, the water wasn’t cold. Thousands of bubbles like shimmering showers of silver coins flipped across my eyes, rang against my ears.
Thrashing, we touched bottom, and on the way up, he kicked, he flailed. With elbow or knee, or foot, he struck my throat.
Although the impeding water robbed the blow of most of its force, I gasped, swallowed, choked on the taste of chlorine flavored with tanning oil. Losing my grip on Harlo, I tumbled in slow-mo through undulant curtains of green light, blue shadow, and broke the surface into spangles of sunshine.
I was in the middle of the pool, and Harlo was at the edge. He grabbed the coping and jacked himself onto the concrete deck.
Coughing, venting atomized water from both nostrils, I splashed noisily after him. As a swimmer, I have less potential for Olympic competition than for drowning.
On a particularly dispiriting night when I was sixteen, I found myself chained to a pair of dead men and dumped off a boat in Malo Suerte Lake. Ever since then, I’ve had an aversion to aquatic sports.
That man-made lake lies beyond the city limits of Pico Mundo. Malo Suerte means “bad luck.”
Constructed during the Great Depression as a proj
ect of the Works Progress Administration, the lake originally had been named after an obscure politician. Although they have a thousand stories about its treacherous waters, nobody around these parts can quite pin down when or why the place was officially renamed Malo Suerte.
All records relating to the lake burned in the courthouse fire of 1954, when a man named Mel Gibson protested the seizure of his property for nonpayment of taxes. Mr. Gibson’s protest took the form of self-immolation.
He wasn’t related to the Australian actor with the same name who would decades later become a movie star. Indeed, by all reports, he was neither talented nor physically attractive.
Now, because I hadn’t been burdened on this occasion by a pair of men too dead to swim for themselves, I reached the edge of the pool in a few swift strokes. I levered myself out of the water.
Having arrived at the sliding door, Harlo Landerson found it locked.