A Caribbean Mystery (Miss Marple 15)

The inspector paused, and then went on in obedience to an urgent gesture from Anthony.

‘A week ago, Carmen Ferrarez, the young daughter of Don Fernando, arrived in this country from a convent in France. Her first action was to seek out Anna Rosenburg at Hampstead. There she is reported to have had a violent scene with the old woman, and her words at leaving were overheard by one of the servants.

‘“You have it still,” she cried. “All these years you have grown rich on it – but I say to you solemnly that in the end it will bring you bad luck. You have no moral right to it, and the day will come when you will wish you had never seen the Shawl of the Thousand Flowers.”

‘Three days after that, Carmen Ferrarez disappeared mysteriously from the hotel where she was staying. In her room was found a name and address – the name of Conrad Fleckman, and also a note from a man purporting to be an antique dealer asking if she were disposed to part with a certain embroidered shawl which he believed she had in her possession. The address given on the note was a false one.

‘It is clear that the shawl is the centre of the whole mystery. Yesterday morning Conrad Fleckman called upon Anna Rosenburg. She was shut up with him for an hour or more, and when he left she was obliged to go to bed, so white and shaken was she by the interview. But she gave orders that if he came to see her again he was always to be admitted. Last night she got up and went out about nine o’clock, and did not return. She was found this morning in the house occupied by Conrad Fleckman, stabbed through the heart. On the floor beside her was – what do you think?’

‘The shawl?’ breathed Anthony. ‘The Shawl of a Thousand Flowers.’

‘Something far more gruesome than that. Something which explained the whole mysterious business of the shawl and made its hidden value clear . . . Excuse me, I fancy that’s the chief –’

There had indeed been a ring at the bell. Anthony contained his impatience as best he could and waited for the inspector to return. He was pretty well at ease about his own position now. As soon as they took the fingerprints they would realise their mistake.

And then, perhaps, Carmen would ring up . . .

The Shawl of a Thousand Flowers! What a strange story – just the kind of story to make an appropriate setting for the girl’s exquisite dark beauty.

Carmen Ferrarez . . .

He jerked himself back from day dreaming. What a time that inspector fellow was. He rose and pulled the door open. The flat was strangely silent. Could they have gone? Surely not without a word to him.

He strode out into the next room. It was empty – so was the sitting-room. Strangely empty! It had a bare dishevelled appearance. Good heavens! His enamels – the silver!

He rushed wildly through the flat. It was the same tale everywhere. The place had been denuded. Every single thing of value, and Anthony had a very pretty collector’s taste in small things, had been taken.

With a groan Anthony staggered to a chair, his head in his hands. He was aroused by the ringing of the front door bell. He opened it to confront Rogers.

‘You’ll excuse me, sir,’ said Rogers. ‘But the gentlemen fancied you might be wanting something.’

‘The gentlemen?’

‘Those two friends of yours, sir. I helped them with the packing as best I could. Very fortunately I happened to have them two good cases in the basement.’ His eyes dropped to the floor. ‘I’ve swept up the straw as best I could, sir.’

‘You packed the things in here?’ groaned Anthony. ‘Yes, sir. Was that not your wishes, sir? It was the tall gentleman told me to do so, sir, and seeing as you were busy talking to the other gentleman in the little end room, I didn’t like to disturb you.’

‘I wasn’t talking to him,’ said Anthony. ‘He was talking to me – curse him.’

Rogers coughed.

‘I’m sure I’m very sorry for the necessity, sir,’ he murmured. ‘Necessity?’

‘Of parting with your little treasures, sir.’

‘Eh? Oh, yes. Ha, ha!’ He gave a mirthless laugh. ‘They’ve driven off by now, I suppose. Those – those friends of mine, I mean?’

‘Oh, yes, sir, some time ago. I put the cases on the taxi and the tall gentleman went upstairs again, and then they both came running down and drove off at once . . . Excuse me, sir, but is anything wrong, sir?’

Rogers might well ask. The hollow groan which Anthony emitted would have aroused surmise anywhere.

‘Everything is wrong, thank you, Rogers. But I see clearly that you were not to blame. Leave me, I would commune a while with my telephone.’

Five minutes later saw Anthony pouring his tale into the ears of Inspector Driver, who sat opposite to him, note-book in hand. An unsympathetic man, Inspector Driver, and not (Anthony reflected) nearly so like a real inspector! Distinctly stagey, in fact. Another striking example of the superiority of Art over Nature.

Anthony reached the end of his tale. The inspector shut up his notebook.

‘Well?’ said Anthony anxiously.

‘Clear as paint,’ said the inspector. ‘It’s the Patterson gang. They’ve done a lot of smart work lately. Big fair man, small dark man, and the girl.’

‘The girl?’

‘Yes, dark and mighty good looking. Acts as a decoy usually.’

‘A – a Spanish girl?’

‘She might call herself that. She was born in Hampstead.’

‘I said it was a bracing place,’ murmured Anthony.

‘Yes, it’s clear enough,’ said the inspector, rising to depart. ‘She got you on the phone and pitched you a tale – she guessed you’d come along all right. Then she goes along to old Mother Gibson’s who isn’t above accepting a tip for the use of her room for them as finds it awkward to meet in public – lovers, you understand, nothing criminal. You fall for it all right, they get you back here, and while one of them pitches you a tale, the other gets away with the swag. It’s the Pattersons all right – just their touch.’

‘And my things?’ said Anthony anxiously.

‘We’ll do what we can, sir. But the Pattersons are uncommon sharp.’

‘They seem to be,’ said Anthony bitterly.

The inspector departed, and scarcely had he gone before there came a ring at the door. Anthony opened it. A small boy stood there, holding a package.

‘Parcel for you, sir.’

Anthony took it with some surprise. He was not expecting a parcel of any kind. Returning to the sitting-room with it, he cut the string.

It was the liqueur set!

‘Damn!’ said Anthony.

Then he noticed that at the bottom of one of the glasses there was a tiny artificial rose. His mind flew back to the upper room in Kirk Street.

‘I do like you – yes, I do like you. You will remember that whatever happens, won’t you?’

That was what she had said. Whatever happens . . . Did she mean –

Anthony took hold of himself sternly.

‘This won’t do,’ he admonished himself.

His eye fell on the typewriter, and he sat down with a resolute face.

THE MYSTERY OF THE SECOND CUCUMBER

His face grew dreamy again. The Shawl of a Thousand Flowers. What was it that was found on the floor beside the dead body? The gruesome thing that explained the whole mystery?

Nothing, of course, since it was only a trumped-up tale to hold his attention, and the teller had used the old Arabian Nights’ trick of breaking off at the most interesting point. But couldn’t there be a gruesome thing that explained the whole mystery? couldn’t there now? If one gave one’s mind to it?

Anthony tore the sheet of paper from his typewriter and substituted another. He typed a headline:

THE MYSTERY OF THE SPANISH SHAWL

He surveyed it for a moment or two in silence.

Then he began to type rapidly . . .

Chapter 8