World After (Penryn & the End of Days 2)

I could scream. Obi’s men would be out here in a second. But so might the angels if there are any within hearing distance. There’s a reason why we need to be quiet and stay out of sight. I’d be putting everyone at risk by screaming, and the soldiers might shoot all of us with their silencer-enhanced guns to shut me up.

I could run into Obi’s building. But it’s too far away.

I could stop and fight. But my chances are pretty poor against three men with weapons.

I don’t like any of my options.

I run as fast and as far as I can go. My lungs burn and I’m getting a stitch in my side, but the closer I can get to Obi’s building, the better the chance that Obi’s men will see us and stop the attackers.

When my back prickles, telling me they’re getting too close, I turn around and pull out my sword.

Damn, I sure wish I knew how to use it.

The men skid to a stop and fan out around me.

One lifts his bat to striking position. Another pulls out two hammers from his coat pockets. The third pulls out the kitchen knife from his belt.

I am so screwed.

People pause to watch—a few faces through the windows, a mother and child at an open doorway, an older couple under an awning.

“Get Obi’s men,” I whisper-shout to the couple.

They grip each other tightly and hide behind a post.

I hold out my sword like a light saber. It’s about the only sword knowledge I have. I’ve trained with knives, but a sword is a whole other animal. I guess I could bludgeon them with it like a bat. Or maybe if I throw it at them, I might get a chance to run.

But there’s a gleam in their eyes that tells me this isn’t just about getting a pretty weapon off an easy target.

I start shifting to the side to line them up in a row so they’ll get in each other’s way if they rush me all at once. But before I can position myself, one of the guys throws a hammer at me.

I duck.

They pounce.

Then everything happens so fast I can barely absorb what’s going on.

I don’t have room to swing so I ram one of the attackers with the sword’s hilt. I feel the crunch of his ribs as he goes down.

I try to swing the blade at the other men but hands grab me and shove me off balance. I brace for a major hit, hopefully from the bat and not the hammer.

Just my luck, both weapons go up together, one in each man’s hand. The bat and the hammer are black cutouts against the twilight sky in that heartbeat moment before they come down for a smashing blow.

A growling blur crashes into the men, knocking them both to the ground.

One of them gapes down at himself. Blood seeps across his shirt. He looks around bewildered.

All our eyes land on the crouching, growling thing in the shadows that looks like it’s about to pounce again.

When the thing steps out of the dark, I see the familiar flower-print dress, tights, and pink sneakers of my sister.

A zip-up hoodie hangs off her shoulders and her hair streaks down her face, giving glimpses of her angry stitches and razor teeth. Paige stalks around the men like a hyena, bent almost on all fours.

“What the hell,” says one of the attackers from the ground, crab-crawling backwards.

It’s freaking me out to see her like this. With all the slashes on her face and the metal shining on her teeth, she looks like a nightmare come to life, one I should be running from. I can tell the others think so too.

“Shh,” I say hesitantly reaching out toward Paige. “It’s okay. ”

She growls a low guttural sound. She’s about to pounce on one of the guys.

“Easy, kiddo,” I say. “I’m fine. Let’s just get out of here, okay?”

She doesn’t even look at me. Her lip twitches as she eyes her prey.

There are too many people watching.

“Paige, put on your hood,” I whisper. I don’t care what the attackers think, but I worry about the stories the spectators might spread.

To my surprise, Paige pulls up her hood. Some of the tension eases from my muscles. She’s aware and listening to me.

“It’s okay,” I whisper inching toward her, fighting my instincts to run from her. “These bad men are going to go away and leave us alone. ”

The men get up, never taking their eyes off Paige. “Get that freak away from me,” says one. “That thing’s not human. ”

My mother has snuck up on the attackers without any of us noticing. “She’s more human than you could ever be. ”

She shoves her cattle prod into his ribs. He jerks away from her with a muffled yelp.

“She’s more human than any of us. ” Mom has a way of whispering that gives the impression of yelling.

“That thing needs to be put down,” says the guy who was holding the bat.

“You need to be put down,” says my mother, approaching him with her prod.