World After (Penryn & the End of Days 2)

My guard walks up to Tattoo and slams a punch into his belly while the other two guards hold him still. I cringe in sympathy. After that, we all shuffle down the center hall without resistance.

The guards lead us into a brick passageway with peeling paint, and we pass through a metal door. A faded sign says:

AUTHORIZED PERSONNEL ONLY

The door opens to a narrow stairwell that makes a hollow metallic clang as we walk down. The space below feels industrial, almost factory-like. A lattice of giant water droplets hangs from the ceiling almost to the floor.

As we get closer, I get a better look. There are things curled inside the water droplets.

People.

Naked and curled in fetal positions. Unconscious and suspended in the water.

There’s something familiar and horrifying about them.

I keep expecting to see one sucking his thumb or twitching but none of them are actually doing those things.

“What’s this?” asks a man in the middle of the room, glancing our way. He wears a flannel shirt over jeans and holds a clipboard in his hand. With curly brown hair and hazel eyes, he looks like a college student doing research. I’d assume he’d be an okay guy in any other setting except this one.

“Troublemakers,” says my guard.

“Take them to the back,” says the distracted man with the clipboard. “The last row could use a little help. ”

Tattoo, who is now walking on his own without causing trouble, is the first to be led into the field of water droplets. Alpha’s guard pulls him along next. Until now, my guard has let me walk on my own without touching me. Now, he grips my arm as if afraid I’ll make a run for it.

“Which ones, Doc?” asks my guard.

“Any of t

hem will do so long as they’re in the last row,” says Doc as he walks past us toward an office with a window overlooking the droplets.

We enter the water-droplet matrix. The first row contains people.

As we walk to the back of the room, the people inside the droplets begin to change. It’s like seeing a time-lapsed video of fetal development.

By a third of the way into the matrix, they have tails.

By halfway back, they’ve started to grow gossamer wings.

By two-thirds of the way, they look recognizably like scorpion monsters.

The cavernous room is filled with scorpions in various stages of development.

Hundreds of them.

And they all start from humans.

When we reach the last row, the scorpions look fully formed, complete with hair down to their shoulders and teeth that have gone from human’s to lion’s teeth. The ones in this last row are shifting, alert, and watching as we approach.

This lab is several generations ahead of what I saw in the aerie basement. It’s more systematic, with the fetuses looking more robust and dangerous. How many of these scorpion factories are there?

Tattoo begins struggling against his guards again. There are three of them, and for all his muscles and attitude, Tattoo’s fighting skills are sloppy and untrained.

He yanks his guards, the muscles on his neck and arms straining against their hold. The guards are about to shove him into a droplet when he jerks unexpectedly, knocking one of the guard’s elbows into the droplet.

The thing in the water moves so fast I’m not sure what’s happening.

One second, the guard is holding Tattoo’s shoulder as his elbow breaches the water.

The next second, the guard is halfway into the droplet with his legs kicking the air and the water turning bloody.

We all stare in awe as the guard defies gravity—and I don’t know how many other laws of physics—by hanging there, partway in, partway out. Inside the droplet, the monster pumps venom into the guard’s neck while it sucks on his face. Clouds of blood swirl around them in the impossible droplet that somehow maintains its shape and contains the liquid despite being punctured by the guard’s body.

Tattoo’s eyes are huge as he realizes what’s in store for him. He looks at me and Alpha. He probably sees the same expression in our faces.

After him, we’re next.

Alpha nods to Tattoo like they’ve just agreed on something. I guess there’s nothing like a grisly impending death to make people overlook their differences. They grab one of the remaining guards still holding Tattoo. Ganging up, they shove his head into another droplet.

The scorpion in the droplet slithers around in the water to latch onto him. The guard frantically pulls back, instinctively pushing his hands against the droplet for leverage.

His hands slip right into the water.

Then, he can’t get them out either.

His back, neck, and arms strain to pull himself out.