Mortal Heart (His Fair Assassin 3)

Soon, the sound of the waves becomes different, more of a gentle lapping with a hollow ring to it—the sound of water against the wooden hull of a boat. A labored sigh of relief escapes me as I muster one more burst of energy.

When I finally feel the slight crunch of rocks under the hull, I fling the detested oars from me, only too happy to be done with them. If not for my leather gloves, my palms would be blistered and shredded from the bedamned things.

With the boat firmly on the beach, I stand on the seat and leap as far clear of the shallows as I can, then turn back and grab the prow of the boat to pull it up farther onto the beach so the tide will not carry it away. I cannot help but note that my arms are as weak and feeble as newborn lambs.

I could head for the stable, saddle one of the horses myself, and simply ride off, but I fear it would raise doubts as to the legitimacy of my summons to the abbess’s side. It seems more convincing to wake the night rower and demand assistance, just as if I were on a genuine convent assignment. After all, I have saved him the hard work of rowing. The least he can do is saddle my horse. Besides, I don’t wish to be mistaken for a horse thief.

I approach the small cottage and rap sharply at the door. It does not take long for the old caretaker to open it—he is accustomed to being awakened in the middle of the night to row boats across the sea. “Eh?” He peers up at me.

“I need you to saddle a horse.”

He stares at me a long moment, and I force myself not to fidget. “Haven’t seen you out alone before, have I?” he finally says.

Annoyed that he would notice such a thing, I merely arch a brow at him. “Is it part of your duties to question my comings and goings?” The truth is, I would not put it past the abbess to arrange such a thing.

“Eh, don’t bite my head off, missy. Let me get my coat and a lantern.” He disappears back into his cottage, and I turn and look out at the sea, relieved that there is no sign of pursuit, although surely the earliest they would notice my absence would be after the second morning bell.

The old man comes to the door wrapped up in his cloak and carrying a lantern to light the way to the stable. Not sure what I am supposed to do, I follow him. At least until he turns and arches one of his own thick, white eyebrows at me. Pretending I do not see it, I swing my travel bag off my shoulder, set it on the ground, and begin rummaging through it, looking for one of my small leather pouches.

When I find it, I draw out a pinch of salt to leave as an offering to Saint Cissonius. He is the patron saint of both travelers and crossroads, and I feel most assuredly as if I am staring at some sort of unseeable crossroad, unable to discern the true path ahead of me. As I sprinkle the salt onto the earth beneath my feet, I whisper a brief prayer and ask Mortain Himself to guide me on this journey.

The old man returns just then. When I see that he is leading my favorite horse, Fortuna, my impatience with him leaks away, and I smile. “She is my favorite.” I run my hand down her silky black mane.

He shoots me a sideways glance. “Why d’you think I brought her?”

It occurs to me that all of us at the convent should pay closer attention to this man, who sees far more than he lets on. “And I thank you for it.”

He grunts, then helps me secure my bag to the saddle before cupping his hands and holding them out for me. I accept the boost and, stepping lightly, throw my leg over Fortuna’s back, then settle into the saddle and draw up the reins.

My bow is within easy reach and my quiver of arrows is at my back. I do not expect trouble, but neither am I afraid of it. In truth, I am eager for whatever the road may hold, knowing I am more than able to meet the challenge.

Once I am on a horse that can outrun pursuit, the tension across my shoulders eases and I realize I did not believe that I would be able to escape undetected. But I am not a child any longer, and am more than able to pit my wits against any of the older nuns’. Nor are they still able to easily frighten me with their tales of the dreaded hellequin pursuing any who dare to defy Mortain.

The clear sky holds, and the moon is just past its fullness, providing plenty of light for me to see by. Fortuna is well rested and fresh, prancing in the crisply cold night air, her breath coming out in small white clouds.

As we set out, I quickly become aware of how different the world is at night. For one thing, there are infinite shades of gray, from palest silver to nearly black. And while I have ventured onto the mainland before, it has always been with others from the convent. I have never been as utterly alone as I am in this moment. There is no one to order me about or tell me what to think or how to behave. There is no one to say I must turn this way or that. No one to cast me disappointed looks when I fail to do as they wish. Nor do I have to bear the weight of those unspoken wishes.

There is a sensation—a lightness—in my chest, something I have never felt before, and I cannot decide if it is disagreeable or pleasant. Part of me wishes to poke at it, examine and sift through its meaning. Instead, I urge Fortuna to a canter and look to my future rather than my past.

The nearest village is only three leagues from the coast, but traveling in the dark it takes me the rest of the night to reach it. Some jaunty cock crows to greet the morning, and smoke from a dozen chimneys rises up, pale smudges against the dawn. Even though my bones ache with fatigue and my eyes are gritty with the need for sleep, I decide to keep riding. Unreasonable as it is, my fear of being followed is so great that I could not sleep, or even rest, if I allowed myself to stop.

I see almost no one on the road other than a man hauling a wheelbarrow full of firewood. A woman sits with her spindle in a doorway, watching a young child feed the chickens. In the fields to either side of me, tillage has begun. One lucky man has two oxen yoked to his plow, but I pass many more farmers too poor to afford any such beasts. Instead, they simply strap the yokes to their own shoulders. With the recent storms, it is muddy, backbreaking work, and I do not envy them. I think of the widowed farmer the abbess threatened to give me to, and my blood simmers in anger all over again.

My mind keeps going back to the choices before me and how to honor both my own desires and Mortain’s. I have always hoped to live in accordance with His will, but for the first time I begin to fear I will be forced to make a choice between His will and mine. If being seeress is truly His wish and not the abbess’s, if He truly wants from me what I cannot bear to give, then I will have to choose one over the other. The mere thought of that makes my heart feel as if it is being ripped in two.

Besides, it is hard to reconcile that sort of Mortain with the one I have known all my life. The one who comforted me and encouraged me, the one who accepted every gift I offered Him, whether it was the small black moths and beetles I found or my childish attempts to master some new skill in His name. I cannot believe that He would reject the gifts I wish to place in His service and demand of me things that fill me with dread and foreboding.

But if it does turn out to be Mortain’s will, what then?

Will I continue to dedicate my life to Him as I have always imagined—even if that service requires me to spend the rest of my days in a living death?

I do not know the answer to that question, and that frightens me nearly as much as the abbess’s plots.

I make the town of Quimper just as night is falling and am one of the last allowed through the city’s gates before they close. The guard takes one look at the attire that marks me as one of Mortain’s and hastily waves me through. Quimper, while a large town, is close enough to the coast—and the convent—to keep faith with the old ways. Or at the very least to have a healthy respect for them. More importantly, it is easy to lose oneself in a town of this size, and it makes the job of those pursuing me just that much more difficult.

I stop at an inn, where the innkeeper’s wife fusses over me like a mother hen. It is all I can do not to point out to her that I am an assassin trained, but the fire she sits me in front of is warm, the cup of wine she thrusts in my hand is spiced, and her m

inistrations are soothing. I am normally the one doing the fussing, so this is a novelty for me.

The next morning I sleep far later than I intend and do not wake until the sun is high in the pale wintry sky. Cursing myself for the lost time, I slip into the extra gown I brought, the one that does not mark me as Death’s handmaiden. Thus dressed, it will be easy enough for me to blend in with the other townsfolk, and my passing through will be less easily remembered should anyone from the convent ask after me.

Once I leave the town of Quimper behind me, I alternate between galloping and walking Fortuna, wanting to put as much distance as possible between me and the convent without exhausting my horse.

It is bitterly cold this morning, but the dampness has left the air, and the mist rolled back out to sea. There are few birds that have braved this wintry chill and their music is sparse and forlorn. The wind is sharp and biting and causes the nearby trees to rustle and shake.

The doubts I so easily ignored back at the convent begin to swarm in earnest. My plan to hold up the abbess’s half-truths and lies before her and use them to convince her to change her mind suddenly feels lacking. I now wonder if it wouldn’t have been better to wait and confront her when she returned to the convent. At least at the convent, those who truly cared that she followed our rules could add their voices to mine. Or would they? I have begun to wonder if any of them even care, else surely someone would have pushed harder against her when she sent Matelaine out.

But the abbess has already been gone several weeks, with no word of when she plans to return, and in truth, I could not bear to stay on that island any longer for fear I would go mad.

As dusk begins to fall, it becomes increasingly clear that I will not make the next town by dark. I do not know if there are any inns outside the city. There could be a convent or a monastery in which I could find lodging for the night, but I do not know that there is. My hands on Fortuna’s reins tighten in frustration, and I am suddenly beset by all that I do not know.

The only things I have seen on the road are small cottages and farms, but their occupants will no doubt question a maid traveling on her own and will likely already be sleeping six to a bed, with naught but a shriveled turnip from the last harvest to put in their soup pot.

Besides, I cannot help but notice that the farther I am from the coast, the fewer homes have the silver coins or willow twigs marking them as followers of the Nine.

Instead, I decide to camp. Up ahead, just off the side of the road, is a copse of trees that is sheltered from the worst of the cold wind. The sky above is clear, with no storm clouds threatening. Sister Thomine took us out many a night to teach us precisely such skills, so it is something that I know how to do rather than something I must simply guess at.

I pick a spot carefully, one sheltered from the road and the weather and where the ground is covered with more fallen leaves than rocks and twigs. There is even a small patch of tender grass shoots peeking up through the leaf mold—sweet grazing for Fortuna.

Once I have dried her off to be sure she will not catch a chill, I slip a rope halter on her, then tie it to a tree within easy reach of the new grass. I lay down my bedroll, then try to decide whether I should risk a small fire. While I am not afraid of drawing anyone’s attention—I am utterly capable of defending myself—neither do I wish to act foolishly. I decide on caution and pull two strips of dried meat and a chunk of stale bread from my saddlebag. As I withdraw my hand, it bumps up against the smooth black box I found in the abbess’s office.

I place my food in my lap, wipe my hands, then take out the box. As I run my fingers along the dark polished wood, I wonder once more what it might contain. At one point, I wondered if it might hold the missing ledger page, or perhaps other secrets concerning my birth. But upon reflection, I realize that makes no sense. In any case, that cannot be all it contains. I shake it gently, puzzling out the slight shift of its contents. I could break it open now, as I am well away from the convent and no one can hear me, but for some reason, I hesitate. If nothing else, a box such as this deserves to be opened with respect and ceremony, not by being smashed with a rock on the side of the road.

As I shove it back into the saddlebag, I consider taking out the small calfskin-bound journal and reading more of the Dragonette’s entries, but once again, I hesitate. I am not sure I wish to taint the start of my journey with her presence, and so leave it safely tucked in the bottom of the pack.

The thundering of hooves wakes me. Scores of them, I think, my heart thudding nearly as loudly as the approaching riders. I open my eyes and sit up, trying to orient myself.

The riders are drawing closer, close enough for me to hear the blowing and heaving of their horses. Trying not to lose my bearings, I reach behind me for the tree. When my fingers connect with the trunk, I stand up, trying to discern just how many riders there are. A hound brays off to one side of me, followed by a second bray, this one closer to the riders. The unearthly sound raises every hair on my head. Fortuna whinnies, then stomps her foot. Before I can move to quiet her, the sound of the hooves changes, no longer a dull thudding on a dirt road, but muffled, accompanied by snapping twigs and the rustle of trampled leaves. They have left the road.

I glance over to where Fortuna is secured. There is a jingle of harness as she tosses her head, snorting and blowing in fear. Merde. She will give me away, but I dare not go to her and try to quiet her. My only hope of not being trampled in the dark is to cling to this tree like a vine. I pray to Mortain to make Fortuna and me invisible. To let the other horses make so much noise that they will not notice the small ones Fortuna makes.

Keeping my hand on the tree, I slip around to the back of it so I will not be in plain sight if they discover the clearing.

They are louder now, the sound of the hooves accompanied by the constant baying of the hounds. I am assailed with a feeling of hot breath and red eyes bearing down on me. It takes all of my training and every last scrap of my courage to keep from bolting like a rabbit flushed from its lair.

I take a deep breath and imagine that I am as solid and strong as the tree I cling to. Before I can draw a second breath, there is a whisper movement off to one side. I whip my head around, but a large, firm hand clamps down across my mouth, then a heavy body presses along the length of me, so close that I can feel the rough bite of chain mail against my back. “Shhh.” A deep voice slithers across my ear with no more weight or substance than a shadow. “You don’t want to risk drawing their attention.”

Even as my heart lurches against my ribs in shock, I begin to assess his hold, where it will be easiest to break. Before I can make my move, one of the great hounds bays again. The howl sounds as if it comes all the way from the bowels of the earth, wrapping dark ribbons of terror around my heart and causing all the hairs along my arms to stand up. It is so close that I am certain I will feel the dog’s sharp teeth on my flesh any moment. The man presses his hand—hard—against my mouth in a signal to stay quiet. And while I do not intend to suffer his presence a moment longer than I must, I judge him a safer bet than the oncoming riders. Once they have passed, I can easily deal with a single man.

Clasped together like two lovers, we wait, our hearts beating nearly as one as the riders break into the clearing. They stream past, dodging and weaving among the trees, tall, dark shapes on even darker horses, the thudding of their hooves causing the ground to shake, the heat of their lathered bodies like a warm summer wind.

Their passing seems to last forever as rider after rider gallops by, the sound of the dirt churned up by their horses’ hooves pattering like rain.

And then, suddenly, they are past us, growing farther and farther away in the distance.

The tightness in my body lessens somewhat, but the stranger does not loosen his hold. He stays pressed tightly against me until we can no longer hear the riders. Indeed, it is so quiet you would not know they had been here at all.

When I finally feel the muscles of his hand across my mouth begin to re

lax, I ram both elbows behind me where I judge his stomach to be, ignoring the pain as they connect with the chain mail he wears. He grunts in surprise, and I whip my arms up behind my head, grab his arms, and, using my own body as a fulcrum, lever him up and over my shoulder. I feel him leave the ground, feel him become airborne as he flies over my shoulder, then hear a thud as he hits the forest floor.

Chapter Fourteen

TO HIS CREDIT, BUT FOR a faint oomph as the air is forced from his lungs, he gives no cry of surprise or any other sound that might give us away. For one, two, three long heartbeats, I stare down at him.

The darkness does not allow me to see him clearly, so I am left mostly with impressions, and they are not overly comforting. A strong arched nose, a square jaw, and dark eyes beneath dark brows studying me just as intently as I study him.

After a long moment of silence, there comes a creak of leather and a faint jingle of well-oiled chain mail as he rises to his feet. “A simple ‘Thank you for the rescue’ would have sufficed.”

I step back to give him room to rise but also to put additional distance between us. “Except I had no need of rescuing.” I keep my voice pitched low like his, so as not to risk its carrying on the wind. “Indeed, your attempt to help nearly gave me away.”

“It was not I who nearly gave you away, but that hair of yours. It fair shines like a beacon in the moonlight.”