Dark Triumph (His Fair Assassin 2)

Author: Robin LaFevers

Malina looks from the flames and meets my eyes. “So of course, we honor Her still, She who provided in our hour of need and gave us hope when it was all but lost. ”

In the silence that follows her tale, all that can be heard is the crackle and snap of the burning logs in the fire pit. I cannot say why, but I am moved by this idea that hope—that life—can spring from darkness and decay. It is not something I’ve considered before. “What if this is another chance She is holding before you?” I ask.

Malina blinks in surprise.

“You have given up hope of gaining respect or fellowship, and yet here we are, offering you just such a chance. ”

Beast leans forward. “We can do little to sway the Church, but the people can be swayed, and they often embrace things the Church wishes they would not. And so I ask you: Will you join us?”

Their gazes hold across the fire—Beast’s challenging, yet inviting. Erwan’s doubting and full of questions. Before either of them speaks, Malina says, “Let us consult with Brother Oak. ”

There is a murmur of consensus among the charbonnerie, then an ancient man creaks to his feet and draws near the fire. His gnarled, trembling hands untie a pouch at his waist and he extracts a big, misshapen brown lump. At first I think it is an enormous dark mushroom, but when he draws closer to the fire, I can see it is an oak gall.

The old man places it carefully on one of the rocks that circle the fire, then removes a small ax that hangs from his waist. He closes his eyes and holds the ax over the fire, his lips murmuring in some old language I do not understand. The rest of the charbonnerie murmur with him. When they stop their murmuring, the old man takes the ax and, with surprising strength, brings it down to break open the oak gall. Because I am close, I can see a small white grub wiggling in the wreckage. After a moment, the grub spreads its wings—no grub, then—and flies.

The old man looks up to the waiting charbonnerie. “The Dark Mother says we fight. ”

And so it is settled.

We ride out at dawn’s light, accompanied by a full cadre of charbonnerie. As luck would have it, they have a load of charcoal to bring to a blacksmith in Rennes. I have disguised myself as one of their women, and Beast sits in the back of one of the carts and plays the simpleton. Yannic fits right in.

Not even d’Albret, with all his suspicion and distrust, would think to look for us here.

Chapter Twenty-Three

FOR ALL HIS EARLIER PROTESTS that he would be pummeled to pulp if he rode in a wagon, Beast sleeps the entire way to Rennes laid out in the back of one of the charbonnerie’s three carts. Twice d’Albret’s scouts pass us on the road, and both times they scarcely glance at the charbonnerie, let alone think to look for us among them. And best of all, by the time we come in sight of the city walls, Beast is better, whether due to all the rest or to the herbs Malina provided, I am not sure.

The cathedral bells are ringing out the call to late-afternoon prayers as we approach the city gate. Although I do not know all of d’Albret’s men by sight, I study the sentries and everyone in the crowd at the city gates. I ignore the slouching of the peasant and the confident stride of the city guard; I stare past the clothes they wear and study their faces, for if I can don a disguise, so can they.

I cannot believe we have done the impossible. Not only have we escaped d’Albret, but we have evaded recapture as well, and that is hard to wrap my mind around.

Beast point-blank refuses to be hauled into the city with a load of charcoal, so we pause long enough to get him up on a horse. A hum of urgency buzzes in my head like a swarm of gnats, and there is an itching between my shoulder blades that is nearly unbearable. Four men and much grunting later, the great lummox is astride his mount. Soon, I promise myself. Soon he will no longer be my responsibility but someone else’s—someone far more capable than I. The thought does not cheer me as much as it once did.

As our small group makes ready to approach the gates, I try not to fidget. We are heavily covered in black dust from the charcoal-burners and their wares, which aids our disguise somewhat, but nothing can disguise Beast’s size or bearing. “Slouch a bit,” I tell him.

He looks at me quizzically, but honors my request, bringing his shoulders forward and bowing his spine so that he slumps in his saddle. “Why?” he asks.

“You are difficult to hide, and the longer we keep your arrival secret, the better. It would be wise to prevent d’Albret and his forces from knowing we are in Rennes for as long as possible. ”

And then we are at the gatehouse. Erwan informs the soldiers of his charcoal deliveries and is waved through. One of the soldiers eyes Beast warily, but the truth is, between the knight’s time on the road and his stay in the dungeon, not to mention the grievous injuries he still bears, it is not difficult for him to look like a giant simpleton.

I breathe a hearty sigh of relief once we are inside the city. Indeed, every one of my muscles seems to unclench now that there are twelve-foot-thick walls, twenty leagues, and an entire city garrison between us and d’Albret.

Much like my own mood, the city’s borders on jubilant, drunk on its own importance of being the duchess’s place of refuge, just as I am nearly drunk with the thrill of completing my mission. But there is caution here as well, in the way the people going about their business glance at newcomers, assessing.

We stay with the charcoal-burners as long as possible, passing by the tannery conducting its foul-smelling business down by the river, then turning up the street that leads to the section of town where the smiths can be found. They consume enough coal in their furnaces to keep the charbonnerie in pottage for the entire winter. We bid the charbonnerie goodbye, and Beast promises to send word when he has spoken to the duchess and her advisors of his plan to use the charcoal-burners against the French.

As he and I begin making our way toward the nicer part of town, I unwind the distinctive charbonnerie coif from my head and comb my fingers through my hair, then take the shawl from my shoulders. I use a clean corner of it to wipe the charcoal dust from my face so I am no longer one of the despised charbonnerie but merely a comely—if grubby—serving maid.

By the time we reach the palace, dusk is falling, and the sentries are just lighting the torches. It is not like Guérande, where people came and went as they pleased. The guards at the door speak with everyone who wishes to enter. “That’s new,” Beast says.

“At least someone has an eye toward the duchess’s safety. ” It is one more barrier between d’Albret’s spies and the duchess, and it will give them pause if they must stop and present themselves. “However, the guards will likely not grant us an audience with the duchess when we look like this, at least not without a full explanation of who we are, and I do not wish to announce your arrival to these men. ”

Beast pauses in wiping the charcoal dust from his face. “You don’t trust them?”

“It is more accurate to say that I don’t trust anyone. I wonder if Ismae is still assigned to the duchess. Perhaps I can get a message to her. ”

Beast glances at the sentries. “I am not sure they would grant you an audience with Ismae even if she is here. ”

I grimace, for he is most likely correct.

Beast thinks a moment, then reaches into some hidden pouch tucked on his person and removes something. “Here. ” He hands me a small brooch—the silver oak leaves of Saint Camulos. “Ismae should recognize this, and if she does not, Captain Dunois will. As will the guards. They will honor any who carries this symbol. ”

Holding the brooch tightly in my hand, I dismount, leaving him and Yannic to stay with the horses. I approach the palace and wait for the guard to finish questioning a burgher who is there to meet with the chancellor and complain about the most recent round of taxes. After the burgher has been told the chancellor has much more important business at hand—such as keeping the city from being attacked by the French—he

is sent on his way, and then I am facing the sentry. He scowls at my poor clothing and the grime I am covered in. Even so, I tilt my head and give him my most fetching smile. He blinks, and his scowl softens. “What do you want?” he asks. “If you’re looking for scullery work, you must go around to the kitchens. ”

I glance at the handful of pages lingering just inside the door. “I wish to get a message to one of the duchess’s attendants. ”

The second sentry saunters over. “What business could you have with one of the duchess’s ladies in waiting?” he asks, as if the mere idea is some great jest.

I decide that a little mystery will aid my cause. “Ismae Rienne is no mere lady in waiting,” I tell him. “Give her this and bid her come as quickly as she can. ”

I do not know if it is the mention of Ismae or the sight of Beast’s silver oak leaves that catches the guard’s attention. Whichever it is, he takes the brooch, hands it to a page, and murmurs some instructions. When the boy scampers off, I saunter over to wait by the wall, trying to look important but harmless—a surprisingly difficult combination. After a few moments, the sentry decides I won’t dash in on my own, so relaxes his guard somewhat.

I rest my head against the stone and allow the sense of jubilation to flow through me. Beast is still alive and we are as safe here as anywhere in the entire kingdom. With the abbess tucked away at the convent on the other side of the country, she will not know that I have arrived in Rennes until she receives a message. She cannot send me on a new assignment. At least not for a while. That gives me some time to work out what I would like to do next. Suddenly, the world looms large, full of possibilities and freedom.

And no one—no one—here in Rennes knows my true identity, so my secrets will be safe.

At the faint murmur of approaching voices, I carefully tuck my moment of triumph away and inch toward the causeway.

“No, you cannot kill him. He is the duchess’s own cousin,” a man’s voice points out wryly.

“All the more reason not to trust him,” a woman says.

It is Ismae, and the joy and relief I feel at hearing her voice is nearly overwhelming.

“If something should happen to the duchess,” she continues, “he stands to inherit the kingdom. Besides, he has been a guest of the French regent for the last year. How do we know where his true allegiance lies?”

“He was a prisoner!” The man’s exasperation is nearly palpable.

When Ismae speaks again, she sounds aggrieved. “Why did you not stay with the council? The message was for me, not you. ” Unable to stop myself, I smile. For it is such a very Ismae-like thing to say.

“Because the message was the sigil of Saint Camulos, whom I serve, not you. ”

Then she and the gentleman emerge from the entryway and hurry toward the sentry. “Where did you get this?” the nobleman demands. He is tall, with dark hair and the well-muscled grace of a soldier.

The guard points to me. The man’s head snaps around and I am speared by a gray gaze that is as cold and hard as the stone at my back.

He takes a step in my direction. “Who are you?” he asks in a low, angry voice.

Before I can answer, Ismae shoves him aside. “The message was for me, Duval. Oh! Sybella!” Then she throws herself at me and I am encased in a fierce hug. I hug her back, surprised at how very much I want to weep into her shoulder. She is alive. And she is here. For a long moment, that is enough, and I simply savor the feel of her familiar arms about me.

She pulls away to eye me carefully. “Is it really you?”

I smile, although I can tell it is a lopsided effort. “In the flesh. ”

“The oak leaves?” The nobleman’s impatience rolls off him in waves as he clenches the silver brooch in his hand. Duval, Ismae called him, which means he is the bastard brother of the duchess.

“I have brought you something,” I tell them. “There. ” I nod to where Beast and Yannic wait on their horses.

Duval’s face lights up just as Ismae’s did when she saw me, but before he can hurry to him, I grab his arm. “He is gravely injured. Once you get him off that horse, you will need men and a litter to move him. And you must do it quietly. I bring much news and none of it good. ”

Duval frowns his understanding and gives the guards an order to send for help—and to keep quiet about it—then rushes off to greet his friend.

“You did it!” Ismae whispers fiercely. “You got him free. I knew you could. ”

I stare at her. “You knew of my orders?”

She grabs my hands. “It was my idea! The only way I could think of to get you out of there. Every time I saw you in Guérande, I feared for your safety and your sanity. Now here you are, and that haunted, mad glint is gone from your eyes. ”

I do not know whether to kiss her for getting me out of d’Albret’s household or slap her for all the trouble her idea has caused me. In any case, her words ring true. I no longer feel as if I dance along the edge of madness.

Ismae puts her arm though mine, and we begin walking toward the others. “I will never forgive the reverend mother for assigning you to d’Albret. She might as well have sent you into the Underworld itself. ”

A faint wave of panic threatens, then recedes. Ismae does not know—has never known—my true identity, for all that we are like sisters. I am saved from further conversation when I hear Beast bellow, “Saint’s teeth! You’re alive? How is that possible?”

It is Duval who answers. “By the same batch of miracles that has you astride that horse, you great ox. ”

Then Ismae and I must jump aside as a half a dozen men come trotting by bearing an empty litter. Ismae points them toward Duval and Beast. “Come,” I say. I let go of her arm and hurry after the litter. “I must give them instructions as to Beast’s care. ”