He chuckled. "Some women like an audience."
"Oh." I considered what he'd said earlier about me being innocent. Maybe he wasn't so far off the mark. "I'm alone."
"What are you wearing?"
"Jeans. A T-shirt."
"Take off the jeans. Leave on your panties."
"I--"
"No," he said. "You don't argue. You simply do or hang up."
I felt my mouth curve up in pleasure as I kicked off my sandals, then shimmied out of my jeans. "All right," I said.
"In your house," he said, his tone musing, "there's a row of windows overlooking the front porch, and it's a gorgeous day. The sun should be streaming in."
My gaze flicked to the checkerboard pattern that the sunlight made on the battered wooden floor, blocks of light intersected by the dark shadows made by the frames that held each small pane of glass in place. "How did you know that? You've only been here once."
"I paid attention," he said.
"Because that's what you do? Or because this house was going to be mine?"
"Move to the light," he said, and though it wasn't an answer I heard the truth in his voice. Maybe he did pay attention out of habit, but he'd noticed this house because it was my house. Because he noticed me.
How could I have been unsure before? How could I have feared that whatever attraction I saw on his face was only a reflection, especially now that it was becoming so obvious that he had seen me--wanted me--long enough to make me mourn the lost opportunity of all the months that had passed in silent longing?
"Kat," he said, his voice firm. "Now."
"Oh." I shuffled into the stream of sun, then sighed as I felt the intensity of the warmth across my body. There was no air-conditioning in the house--not with the tenants having moved out--and so my body was already close to melting. But now, with the sun tickling my bare legs, I felt logy and sensual, soft and sleepy.
At the same time, I felt turned on.
It was an interesting mix, and I couldn't deny that I liked it.
"I want to paint the patterns of light as they hit your abdomen," he said. "Trace them for me. Drag your fingers over your skin. Are you doing it? Can you feel the way the warmth is seeping into you?"
"Yes."
"That's the sunlight, Kat. And it's my brush. My eyes. I'm studying you. The way your muscles quiver as I touch you. The way your belly tightens when you're aroused."
I swallowed. He was right. My body was doing exactly what he said, and between my thighs, my sex was clenching, too, wanting his touch even though he wasn't even in the room.
"Tell me about your panties."
"Cotton. Bikini. Boring."
"Not boring. I can picture you in them. You naked and aroused in your boring cotton panties--innocent, and yet not," he added before I could protest. "Tell me something, Kat. Are they damp?"
"Yes. Oh, yes."
"Are you sure?"
"I--"
"Slide your hand down and let me see. Let me paint that picture in my mind. You, arched back, your T-shirt pulled taut across your breasts, and your fingers inside your panties as you touch yourself. As I touch you."
"Cole . . ."
"She protests?" he asked, his voice light with amusement. "You're the one who offered this, Kat."
"The hell I did," I countered, but there was laughter in my voice, too.
"Anything I want," he said, and this time when he spoke there was no amusement. There was just heat and need and demand. "Touch yourself, baby. Touch yourself, and think of me."
"I--" But I didn't finish the thought. Primarily because I had no thoughts. My mind was in a haze, filled only with the promise of pleasure and the sweet temptation of Cole's hands upon me, even if only in fantasy.
Slowly, because I wanted to draw out the pleasure, I placed my palm over my lower belly. I eased my hand down, slipping my fingertips under the cotton waistband, then gasping a little as I did. Because that wasn't my hand I felt, but Cole's. Not my desire I was breathing in, but his.
"That's right," he murmured. "Don't stop. I want to feel how wet you are. I want to watch you open for me in the sunlight, all hot and wet and wild. Lower, Kat. Slide your hand lower, then tell me what you feel."
"I'm wet," I said, which was the understatement to end all understatements. I was soaked. I was desperate. I was nothing but carnal desire and wild, wicked heat. "I'm so wet, and I want this to be your hand. Your fingers."
"But it is. Well, not yet. Do you feel that? The slight tickle up your inner thigh? Do you know what that is?"
I couldn't speak, so I just shook my head. He must have understood, though, because he continued. "That's my brush, the bristles stroking and teasing all the way to your cunt, then dancing over your clit, so soft, so sensual."
I gasped, realizing suddenly that I'd forgotten to breathe.
"Light touches, baby. Tease yourself like my brush. A light finger over your clit. Then slide a finger inside yourself. Imagine it's my finger, then the tip of my brush, because I will claim you that way, baby. I'm going to claim you every way possible."
I was whimpering now, wanting what he described, naughty and wild and so unexpected, and yet so personal to him--to us--that it turned me on more than I would have ever thought possible.
"It's time to come for me, baby. Is your clit hard? Sensitive?"
"God, yes."
"Then softly at first, harder if you need to. It's my mouth on you now. My tongue tasting you. My tongue flicking over that sweet nub. Do you know how good you taste? I could eat you all day, all night."
"Please," I murmured as my hand teased my clit, faster then slower, as the world seemed to spin and I seemed to float, carried away on the swell of Cole's deep, caramel voice. The sensation was wonderful--passion and pleasure that had such incredible potential.
I didn't expect to fulfill that potential, though. But that was okay. Just the journey with Cole was amazing. Just the knowledge that he was the one who made me feel this way, like my skin was sparking with electricity. Like I could fly if just given the chance.
"That's it, baby. You're so wet. You're so hot. Just a little more. Just a little bit higher and then I want you to come for me. Come on, baby. Explode with me right now."
I cried out, then arched up in surprise and amazement and pure, golden pleasure. The orgasm rocked through me, hard and fast and all the more violent because I wasn't expecting it and had no defense against it. I tried to breathe, tried to bring my body back down to earth, but all I could do was ride it out until, finally, I found myself curled into a ball on the wooden floor, my arms around my knees, and my body still trembling with the aftershocks of ultimate satisfaction.
"Katrina," he murmured.
"Cole." I rolled to my side so that I could see the phone and tried to imagine that it was Cole beside me, touching me, stroking me. That he'd brought me to orgasm--a feat that amazed me--then held me tight. And that he was holding on to me still.
"Hear me, baby," he said. His tone, more serious than the moment called for, brought me to full attention. "I don't see what isn't there, and I don't paint what I don't see."
I frowned, not understanding what we were talking about.
"You say that's not you on my canvases and sketches, but you're wrong. You've filled
my days and occupied my nights. I know you, Katrina Laron, and you're more innocent than you think. I've claimed you, baby, and that makes you mine. But maybe not in the way you think."
"I don't understand."
"I know. But you will. Right now, I just want you to know that I will do whatever it takes to protect you. Even if that means protecting you from me."
seven
"To husbands and houses," Sloane said, lifting her Manhattan so that Angie and I could clink glasses with her. "Just a few more weeks, and you'll each have one."
Angie shot me a wry glance. "I'm claiming the husband," she said, making both Sloane and me laugh.
"Not a problem," I said. "I'm content with the house." At the moment, I was very content with the house. And with the man. But I didn't feel the need to share with my friends the fact that I'd just had phone sex in my soon-to-be living room. Especially not since I was still enjoying the glow.
"For now you're content with a house," Sloane said. "But soon you'll want a man for changing lightbulbs and mowing the front yard. That's just the way the world works."
"Is that why you're so keen on Tyler?" Angie teased. "His excellent lightbulb-changing skill?"
"That's one of the benefits of living in a suite at The Drake," Sloane said archly. "We don't have a front yard, and maintenance takes care of the bulbs. Which frees up our schedule nicely for sex."
And since neither Angie nor I could argue with an answer like that, we all clinked glasses and took yet another sip.
We'd been in Coq d'Or, the historic bar inside The Drake hotel, for over two hours now. I was on my third Manhattan, and was enjoying the kind of pleasant buzz that comes from a mixture of good alcohol and great friends.
Angie propped her elbow on the bar, then rested her chin on her fist as she looked past Sloane to me. "It occurs to me that your house is going to need more than a few fresh lightbulbs and a neatly trimmed yard. I imagine Cole's pretty handy with a toolkit." She caught Sloane's eye, and they both snorted with laughter.
I just shook my head in mock reproach.
"Aren't you going to tell us what happened?" Sloane asked. "You were both at the gala, and then you both disappeared."
"A woman doesn't kiss and tell," I said archly.
"At least there was kissing," Angie said.
I held up my hand. "Stop the madness." I wasn't inclined to discuss the strange development of my relationship with Cole, but I grinned and let some laughter into my voice, just so that my friends wouldn't pick up on my hesitancy. "We're running out of time and we need to talk about the wedding. Just a few more weeks," I said to Angie. "Are you nervous?"