Maybe Someday (Maybe 1)

You don’t know me like you think you do

I pour me one, when I really want two

Oh, you’re living a lie

Living a lie

You think we’re good, but we’re really not

You coulda fixed things, but you missed your shot

You’re living a lie

Living a lie

When I’m certain she’s had time to read them, I pick up the pen and write: These words came from somewhere inside you, Sydney. You can tell yourself you were better off with him, but read the lyrics you wrote. Go back to what you were feeling when you wrote them. I circle several lines, then read her words along with her.

With a right turn, the tires start to burn

I see your smile, it’s been hiding for a while

For a while

Your foot pushes down against the ground

The world starts to blur, can’t remember who you were

Who you were

I look at her, and she’s still staring at the paper. A single tear trickles down her cheek, and she quickly wipes it away.

She picks up the pen and begins writing. They’re just words, Ridge.

I reply, They’re your words, Sydney. Words that came from you. You say you feel lost without him, but you felt lost even when you were with him. Read the rest.

She inhales a deep breath, then looks down at the paper again.

I yell, slow down, we’re almost out of town

The road gets rough, have you had enough

Enough

You look at me, start heading for a tree

I open up the door, can’t take any more

Any more

Then I say,

You don’t know me like you think you do

I pour me one, when I really want two

Oh, you’re living a lie

Living a lie

You think we’re good, but we’re really not

You coulda fixed things, but you missed your shot

You’re living a lie

Living a lie

Chapter Six

Sydney

I continue to stare at the words in the notebook.

Is he right? Did I write them because that’s how I really feel?

I never give it much thought when I write lyrics, because I’ve always felt no one would read them, so it doesn’t matter what the meaning is behind the words. But now that I think about it, maybe the fact that I don’t give them much thought proves that they really are a reflection of how I feel. To me, lyrics are harder to write when you have to invent the feelings behind them. That’s when lyrics take a lot of thought, when they aren’t genuine.

Oh, wow. Ridge is absolutely right. I wrote these lyrics weeks ago, long before I knew about Hunter and Tori.

I lean back against the headboard and open my laptop again.

Me: Okay, you win.

Ridge: It’s not a competition. Just trying to help you see that maybe this breakup is exactly what you needed. I don’t know you very well, but based on the lyrics you wrote, I’m guessing you’ve been craving the chance to be on your own for a while now.

Me: Well you claim not to know me very well, but you seem to know me better than I know myself.

Ridge: I only know what you told me in those lyrics. Speaking of which, you feel like running through them? I was about to compile them with the music to send to Brennan and could use your ears. Pun intended.

I laugh and elbow him.

Me: Sure. What do I do?

He stands and picks up his guitar, then nods his head toward the balcony. I don’t want to go out on that balcony. I don’t care if I was ready to leave Hunter, I sure wasn’t ready to leave Tori. And being out there will be too much of a distraction.

I crinkle my nose and shake my head. He glances across the courtyard at my apartment, then pulls his lips into a tight, thin line and slowly nods his head in understanding. He walks over to the bed and sits on the mattress next to me.

Ridge: I want you to sing the lyrics while I play. I’ll watch you so I can make sure we’re on the same page with where they need to be placed on the sheet music.

Me: No. I’m not singing in front of you.

He huffs and rolls his eyes.

Ridge: Are you afraid I’ll laugh at how awful you sound? I can’t HEAR YOU, SYDNEY!

He’s smiling his irritating smile at me.

Me: Shut up. Fine.

He sets the phone down and begins playing the song. When the lyrics are supposed to come in, he looks up, and I freeze. Not because I’m nervous, though. I freeze because I’m doing that thing again where I’m holding my breath because seeing him play is just . . . he’s incredible.

He doesn’t miss a beat when I skip my intro. He just starts over from the beginning and plays the opening again. I shake myself out of my pathetic awe and begin singing the words. I would probably never be singing lyrics in front of anyone one-on-one like this, but it helps that he can’t hear me. He does stare pretty hard, though, which is a little unnerving.

He pauses after every stanza and makes notes on a page. I lean over and look at what he’s writing. He’s putting musical notes on blank sheet-music paper, along with the lyrics.

He points to one of the lines, then grabs his phone.

Ridge: What key do you sing this line in?

Me: B.

Ridge: Do you think it would sound better if you took it a little higher?

Me: I don’t know. I guess we could try.

He plays the second part of the song again, and I take his advice and sing in a higher key. Surprisingly, he’s right. It does sound better.

“How did you know that?” I ask.

He shrugs.

Ridge: I just do.