Miss Wonderful (The Dressmakers 1) - Page 33

“Miss Oldridge oughtn’t have so much to worry about!” Alistair snapped. “I like Mr. Oldridge, but it is wrong for him to leave everything to her. If he must indulge his botanical passions, he should hire a proper steward to look after estate business. It is unreasonable to expect her to be both mistress of the house and lord of the manor. Have you seen her desk? Great heaps of letters in that beastly law hand—and judging by the expression on her face when I entered, it was about as plain to her as Chinese is to me.”

Alistair wished he could forget what he’d seen during the moment he’d stood unnoticed in the study doorway, watching her. She was dragging one hand through her hair, covering the legal correspondence with hairpins. In the other she had a pen whose ink she’d spattered on her sleeve.

But it was her face that troubled him most. She looked so weary and despairing. He wanted to scoop her up in his arms and carry her away—on his white charger, no doubt.

“She’s clever and capable,” he said tightly, “but it is too much for one person. Even my father, who reads every confounded tradesman’s bill and can tell me to the farthing how much I have outspent each quarter’s allowance—even he leaves the better part of managing his properties to his agents. He has a secretary as well. Miss Oldridge does it all herself and receives no thanks or even acknowledgment. It is a wonder she hasn’t had every feminine feeling ground out of her by now. That only her wardrobe and hair suffer is a testament to what I consider a miraculous resilience.”

“You don’t know the half of it,” said Captain Hughes. “Maybe there’s no reason for you to know. But I can tell you that you don’t improve matters by running away to Wilkerson’s.”

Eleven

ALISTAIR might have withstood the other arguments, though they sent his conscience into spasms.

What demolished his resistance was the You don’t know the half of it, and the captain’s tone, hinting at revelations to come.

Alistair wished he could pretend his motive was practical: The more he knew about Miss Oldridge, the better equipped he would be to either win her support for the canal or weaken her influence over others.

But that was a monstrous lie. The truth was, he wanted to know more about her in the same way he wanted more of her on every other count—because he was thoroughly, fatally, besotted.

His case being fatal, he yielded to the captain and moved next door.

Though not built on the grand scale of Oldridge Hall, Bramblehurst was not the country cottage one might envision as the residence of a half-pay captain. It was not, furthermore, a typically untidy bachelor abode. The place was scrubbed and polished to within an inch of its life. Captain Hughes obviously believed naval discipline applied as well on land as at sea.

He adhered as strictly to Dr. Woodfrey’s rules as if they came direct from the Admiralty.

He rigorously enforced the “no visitors” and “no mental exertion” rules, and made certain Alistair had the proper amount of exercise. He shared his guest’s restricted diet, much as he would have shared his officers’ privations during extended periods between ports. He was a congenial and thoughtful host, who neither intruded too much upon his guest’s solitude nor left Alistair too much on his own.

Nonetheless, the nightmares worsened, night by night, revealing more of what had previously remained hidden in a dark corner of Alistair’s mind. Now he wasn’t sure which was worse: the gaping hole in his memory and the nagging anxiety that something was irreparably wrong there, or the moments of painfully vivid recollection that revealed a man he hardly recognized, one who was antithesis of all he’d supposed himself to be.

He didn’t know how much to believe. Were these true memories, as they seemed? Or were they distortions, as dreams so often were?

He kept these worries to himself, however, as he’d kept the missing piece of memory secret—with one exception—along with the uncertainty it produced about the health and wholeness of his mind.

Every morning at breakfast, when the captain asked if he’d slept well, Alistair claimed he’d slept like a top.

But on Friday when he gave the usual answer, Hughes shook his head. “I wonder how you can sleep so soundly with such dismal results,” he said. “Your eyes are sunk halfway into your skull, and it appears someone has blacked both your eyes. You’re not lying awake fretting about your canal, I hope.”

“Certainly not,” Alistair said. “That accomplishes nothing.”

“You shouldn’t weary your mind with trying to guess what Miss Oldridge will do, either,” said the captain. “You’ll imagine she’ll act according to rational rules of engagement, when in fact she’ll do nothing of the kind.”

“Ah, well, women’s and men’s minds are different,” Alistair said.

“The most desperate engagement I ever undertook at sea was child’s play compared to the smallest dispute with a woman,” the captain said. “They invent their own weapons, their own rules—and change ’em when the whim takes ’em. You’d think that a fellow who’s seen the world a dozen times over—a fellow a very few years short of the half-century mark—” Black eyebrows knit and an angry glitter in his eye, he plunged his fork into a slab of bacon. “You’d think that an old sailor would have learnt their ways by now, or at least learnt to steer clear.”

“But if we steered clear, life would lose so much of its sweetness—and more than a little of its excitement,” Alistair said. As he looked back on the years since Waterloo, the womanless years, the time seemed dreary beyond describing. How had he lived through it? He was amazed he hadn’t hanged himself.

They ate in silence for a time.

Then the captain muttered, “But he must take some of the blame. Stuffy, preachy little pig’s rump. What possessed her to marry him, I’ll never know. She said he was settled. Settled.”

Alistair’s jaw dropped. Hastily, he reassembled his composure. “Miss Oldridge has been married?” The union had been annulled, of course, else she wouldn’t be “Miss Oldridge.”

She might not be a virgin, then, after all, which meant the rules had changed.

As soon as he thought it, he was furious with himself. He could not believe he’d grown so deranged as to look for loopholes that would permit him to bed her.

He found the captain regarding him gravely. “Not Miss O,” he said. “I was speaking—grumbling—about the other lady. Mrs. E. Talking to myself. We old bachelors do that sometimes.” He went on eating.

“I see,” Alistair said. “The other lady.” The captain’s woman troubles were located in the person of Mrs. Entwhistle, not Miss Oldridge…who had never been married.

Of course she hadn’t been. Hadn’t she told him she was inexperienced? She was untouched. And she had not been saving herself for him.

“Miss Oldridge likes ’em lively,” Captain Hughes said after a moment. “Or at least she did. The fellow she was to be shackled to was a man of spirit. I was sure he’d carry all before him. Not the sort to take no for an answer. When she broke it off, he followed her here and insisted on staying until she got matters sorted out.”

In response to Alistair’s questioning look, the captain explained. Following his wife’s death, Mr. Oldrid

ge had neglected his affairs sadly, and his estate began a swift descent downhill. Matters had reached a crisis shortly after Miss Oldridge became engaged in London. She broke it off and returned home. This was eleven years ago.

“Mr. Oldridge’s affairs were in a wretched tangle,” the captain went on. “Anyone could see it would take years to sort out. I believe one or two matters are still in dispute, in the lawyers’ hands.”

That would explain, Alistair thought, why she supervised her bailiff so closely.

“But how was William Poynton to wait years in Derbyshire?” Captain Hughes said.

“Poynton?” Alistair said. “William Poynton, the artist?”

The captain nodded. “He was only starting out then. He’d been commissioned to paint a mural in some Venetian nobleman’s palazzo. A great opportunity. He couldn’t tell the signore to wait two or three or five years. Today he could. Not then.”

Poynton was a highly regarded artist who traveled extensively abroad. Alistair remembered the marvelous Egyptian scenes hanging in the drawing room of Oldridge Hall. Poynton’s work, of course.

“She had to save the estate, and he had to make his name,” the captain said. “Mrs. E claims he should have waited. After a year or two, she says, the girl would have been less fearful about leaving the place in charge of a new bailiff. That’s absurd, and so I’ve told her. Poynton could no more turn down the commission or bid his patron wait than I could decline a ship or tell the Admiralty Board it wasn’t convenient at the moment. When you’re at the bottom, and your superiors offer a step up the ladder, you don’t make conditions.”

“But to give a woman up for the sake of professional advancement?” Alistair said. “He couldn’t have truly loved her.”

The captain shook his head. “Poynton was mad in love with her. It was the talk of London. He came here after she’d broken off with him. All the world knew of it. But he cared nothing for what a pitiful spectacle he must appear to his sophisticated friends.”

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