Red Sister (Book of the Ancestor 1)

Prologue

It is important, when killing a nun, to ensure that you bring an army of sufficient size. For Sister Thorn of the Sweet Mercy Convent Lano Tacsis brought two hundred men.

From the front of the convent you can see both the northern ice and the southern, but the finer view is out across the plateau and over the narrow lands. On a clear day the coast may be glimpsed, the Sea of Marn a suggestion in blue.

At some point in an achingly long history a people, now lost to knowledge, had built one thousand and twenty-four pillars out on the plateau: Corinthian giants thicker than a thousand-year oak, taller than a long-pine. A forest of stone without order or pattern, covering the level ground from flank to flank so that no spot upon it lay more than twenty yards from a pillar. Sister Thorn waited amid this forest, alone and seeking her centre.

Lano’s men began to spread out between the columns. Thorn could neither see nor hear her foe approach, but she knew their disposition. She had watched earlier as they snaked up the west trail from Styx Valley, three and four abreast: Pelarthi mercenaries from the ice-margins, furs of the white bear and the snow-wolf over their leathers, some with scraps of chainmail about them, ancient and dark or bright as new, depending on their luck. Many carried spears, some swords; one man in five carried a short-bow of recurved horn. Tall men in the main, fair-haired, their beards short or plaited, the women with lines of blue paint across their cheeks and foreheads like the rays of a cold sun.

Here’s a moment.

All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause – to make it notice.

Thorn stood without motion, for only when you are truly still can you be the centre. She stood without sound, for only silent can you listen. She stood without fear, for only the fearless can understand their peril.

Hers the stillness of the forest, rooted restlessness, oak-slow, pine-quick, a seething patience. Hers the stillness of ice walls that face the sea, clear and deep, blue secrets held cold against the truth of the world, a patience of aeons stacked against a sudden fall. Hers the stillness of a sorrow-born babe unmoving in its crib. And of the mother, frozen in her discovery, fleeting and forever.

Thorn held a silence that had grown old before first she saw the world’s light. A quietude passed down generations, the peace that bids us watch the dawn, an unspoken alliance with wave and flame that lets both take all speech from tongues and sets us standing before the water’s surge and swell, or waiting to bear witness to fire’s consuming dance of joy. Hers the silence of rejection, of a child’s hurt: mute, unknowing, a scar upon the years to come. Hers the unvoiced everything of first love, tongue-tied, ineloquent, the refusal to sully so sharp and golden a feeling with anything as blunt as words.

Thorn waited. Fearless as flowers, bright, fragile, open to the sky. Brave as only those who’ve already lost can be.

Voices reached her, the Pelarthi calling out to each other as they lost sight of their numbers in the broken spaces of the plateau. Cries rang across the level ground, echoing from the pillars, flashes of torchlight, a multitude of footfalls, growing closer. Thorn rolled her shoulders beneath black skin armour. She tightened the fingers of each hand around the sharp weight of a throwing star, her breathing calm, heart racing.

‘In this place the dead watch me,’ she breathed. A shout broke out close at hand, figures glimpsed between two pillars, flitting across the gap. Many figures. ‘I am a weapon in service to the Ark. Those who come against me will know despair.’ Her voice rose along with the tension that always presaged a fight, a buzzing tingle across her cheekbones, a tightness in her throat, a sense of being both deep within her own body, and above and around it at the same time.

The first of the Pelarthi jogged into view, and seeing her, stumbled to a halt. A young man, beardless though hard-eyed beneath the iron of his helm. More crowded in behind him, spilling out into the killing ground.

The Red Sister tilted her head to acknowledge them.

Then it began.

1

No child truly believes they will be hanged. Even on the gallows platform with the rope scratching at their wrists and the shadow of the noose upon their face they know that someone will step forward, a mother, a father returned from some long absence, a king dispensing justice … someone. Few children have lived long enough to understand the world into which they were born. Perhaps few adults have either, but they at least have learned some bitter lessons.

Saida climbed the scaffold steps as she had climbed the wooden rungs to the Caltess attic so many times. They all slept there together, the youngest workers, bedding down among the sacks and dust and spiders. They would all climb those rungs tonight and whisper about her in the darkness. Tomorrow night the whispers would be spent and a new boy or girl would fill the empty space she left beneath the eaves.

‘I didn’t do anything.’ Saida said it without hope, her tears dry now. The wind sliced cold from the west, a Corridor wind, and the sun burned red, filling half the sky yet offering little heat. Her last day?

The guard prodded her on, indifferent rather than unkind. She looked back at him, tall, old, flesh tight as if the wind had worn it down to the bone. Another step, the noose dangling, dark against the sun. The prison yard lay near-deserted, a handful watching from the black shadows where the outer wall offered shelter, old women, grey hair trailing. Saida wondered what drew them. Perhaps being so old they worried about dying and wanted to see how it was done.

‘I didn’t do it. It was Nona. She even said so.’ She had spoken the words so many times that meaning had leached away leaving them just pale noise. But it was true. All of it. Even Nona said so.

The hangman offered Saida the thinnest of smiles and bent to check the rope confining her wrists. It itched and it was too tight, her arm hurt where Raymel had cracked it, but Saida said nothing, only scanned the yard, the doors to the cell blocks, the outer buildings, even the great gates to the world outside. Someone would come.

A door clanged open from the Pivot, a squat tower where the warden was said to live in luxury to rival any lord’s. A guardsman emerged, squinting against the sun. Just a guardsman: the hope, that had leapt so easily in Saida’s breast, crashed once more.

Stepping from behind the guardsman a smaller, wider figure. Saida looked again, hoping again. A woman in the long habit of a nun came walking into the yard. Only the staff in her hand, its end curled and golden, marked her office.

The hangman glanced across, his narrow smile replaced by a broad frown. ‘The abbess …’

‘I ain’t seen her down here before.’ The old guardsman tightened his fingers on Saida’s shoulder.

Saida opened her mouth but found it too dry for her thoughts. The abbess had come for her. Come to take her to the Ancestor’s convent. Come to give her a new name and a new place. Saida wasn’t even surprised. She had never truly thought she would be hanged.

2

The stench of a prison is an honest one. The guards’ euphemisms, the public smile of the chief warden, even the building’s façade, may lie and lie again, but the stink is the unvarnished truth: sewage and rot, infection and despair. Even so, Harriton prison smelled sweeter than many. A hanging prison like Harriton doesn’t give its inmates the chance to rot. A brief stay, a long drop on a short rope, and they could feed the worms at their leisure in a convict ditch-grave up at the paupers’ cemetery in Winscon.