The bird cage shook with laughter, and the Baudelaire orphans looked first at the apple core and then at one another. "Feet of clay" is an expression which refers to a person who appears to be honest and true, but who turns out to have a hidden weakness or a treacherous secret. If someone turns out to have feet of clay, your opinion of them may topple, just as a statue will topple if its base turns out to be badly constructed. The Baudelaires had thought Ishmael was wrong to abandon them on the coastal shelf, of course, but they believed he had done it to keep the other islanders out of harm's way, just as Mrs. Caliban had not wanted Friday to upset herself by learning to read, and although they did not agree with much of the facilitator's philosophy, they at least respected the fact that he was trying to do the same thing the Baudelaires had been trying to do since that terrible day on the beach when they had first become orphans: to find or build a safe place to call home. But now, looking at the apple core, they realized what Count Olaf said was true. Ishmael had feet of clay. He was lying about his injuries, and he was selfish about the apples in the arboretum, and he was treacherous in pressuring everyone else on the island to do all the work. Gazing at the treacherous teeth marks the facilitator had left behind, they remembered his claim that he predicted the weather by magic, and the strange look in his eye when he insisted that the island had no library, and the Baudelaires wondered what other secrets the bearded facilitator was hiding. Violet, Klaus, and Sunny sank to a mound of damp sand, as if they had feet of clay themselves, and leaned against the cube of books, wondering how they could have traveled so far from the world only to find the same dishonesty and treachery they always had.
"What is your plan?" Violet asked Count Olaf, after a long silence.
"Let me out of this cage," Olaf said, "and I'll tell you."
"Tell us first," Klaus said, "and perhaps we'll let you out."
"Let me out first," Olaf insisted.
"Tell us first," Sunny insisted, just as firmly.
"I can argue with you all day," the villain growled. "Let me out, I tell you, or I'll take my plan to my grave!"
"We can think of a plan without you," Violet said, hoping she sounded more confident than she felt. "We've managed to escape plenty of difficult situations without your help."
"I have the only weapon that can threaten Ishmael and his supporters," Count Olaf said.
"The harpoon gun?" Klaus said. " Omeros took that away."
"Not the harpoon gun, you scholarly moron," Count Olaf said contemptuously, a word which here means "while trying to scratch his nose within the confines of the bird cage." "I'm talking about the Medusoid Mycelium!"
"Fungus!" Sunny cried. Her siblings gasped, and even the Incredibly Deadly Viper looked astonished in its reptilian way as the villain told them what you may have already guessed.
"I'm not really pregnant," he confessed with a caged grin. "The diving helmet containing the spores of the Medusoid Mycelium is hidden in this dress I'm wearing. If you let me out, I can threaten the entire colony with these deadly mushrooms. All those robed fools will be my slaves!"
"What if they refuse?" Violet asked.
"Then I'll smash the helmet open," Olaf crowed, "and this whole island will be destroyed."
"But we'll be destroyed, too," Klaus said. "The spores will infect us, the same as everyone else."
" Yomhashoah," Sunny said, which meant "Never again." The youngest Baudelaire had already been infected by the Medusoid Mycelium not long ago, and the children did not like to think about what would have happened if they hadn't found some wasabi to dilute the poison.
"We'll escape on the outrigger, you fool," Olaf said. "The island imbeciles have been building it all year. It's perfect for leaving this place behind and heading back to where the action is."
"Maybe they'll just let us leave," Violet said. "Friday said that anyone who wishes to leave the colony can climb aboard the outrigger on Decision Day."
"That little girl hasn't been here long," sneered Count Olaf, "so she still believes Ishmael lets people do whatever they want. Don't be as dumb as she is, orphans."
Klaus wished desperately that his commonplace book was open in his lap, so he could take notes, instead of on the far side of the island, with all of the other forbidden items. "How do you know so much about this place, Olaf?" he demanded. "You've only been here a few days, just like us!"
"Just like you," the villain repeated mockingly, and the cage shook with laughter again. "Do you think your pathetic history is the only story in the world? Do you think this island has just sat here in the sea, waiting for you to wash up on its shores? Do you think that I just sat in my home in the city, waiting for you miserable orphans to stumble into my path?"
"Boswell," Sunny said. She meant something along the lines of, "Your life doesn't interest me," and the Incredibly Deadly Viper seemed to hiss in agreement.
"I could tell you stories, Baudelaires," Count Olaf said in a muffled wheeze. "I could tell you secrets about people and places that you'd never dream of. I could tell you about arguments and schisms that started before you were born. I could even tell you things about yourselves that you could never imagine. Just open the door of my cage, orphans, and I'll tell you things you could never discover on your own."
The Baudelaires looked at one another and shuddered. Even in broad daylight, trapped in a cage, Count Olaf was still frightening. It was as if there was something villainous that could threaten them even if it were locked up tight, far away from the rest of the world. The three siblings had always been curious children. Violet had been eager to unlock the mysteries of the mechanical world with her inventing mind since the first pair of pliers had been placed in her crib. Klaus had been keen to read everything he got his hands on since the alphabet was first printed on the wall of his bedroom by a visitor to the Baudelaire home. And Sunny was always exploring the universe through her mouth, first by biting anything that interested her, and later by tasting food carefully in order to improve her cooking skills. Curiosity was one of the Baudelaires' most important customs, and one might think that they would be very curious indeed to hear more about the mysteries the villain had mentioned. But there was something very, very sinister about Count Olaf's words. Listening to him talk felt like standing on the edge of a deep well, or walking on a high cliff in the dead of night, or listening to a strange rustling sound outside your bedroom window, knowing that at any moment something dangerous and enormous could happen. It made the Baudelaires think of that terrible question mark on the radar screen of the Queequeg — a secret so gigantic and important that it could not fit in their hearts or minds, something that had been hidden their entire lives and might destroy their entire lives once it was revealed. It was not a secret the Baudelaire orphans wanted to hear, from Count Olaf or from anyone else, and although it felt like a secret that could not be avoided, the children wanted to avoid it anyway, and without another word to the man in the cage the three siblings stood up and walked around the cube of books until they were at the far end, where Olaf and his bird cage could not be seen. Then, in silence, the three siblings sat back down, leaned against the strange raft, and stared out at the flat horizon of the sea, trying not to think about what Olaf had said. Occasionally they took sips of coconut cordial from the seashells that hung from their waists, hoping that the strong, strange drink would distract them from the strong, strange thoughts in their heads. All afternoon, until the sun set on the rippling horizon of the sea, the Baudelaire orphans sat and sipped, and wondered if they dared learn what lay at the heart of their sad lives, when every secret, every mystery, and every unfortunate event had been peeled away.
Chapter Eight
Thinking about something is like picking up a stone when taking a walk, either while skipping rocks on the beach, for example, or looking for a way to shatter the glass doors of a museum. When you think about something, it adds a bit of weight to your walk, and as you think about more and more things you are liable to feel heavier and heavier, until yo
u are so burdened you cannot take any further steps, and can only sit and stare at the gentle movements of the ocean waves or security guards, thinking too hard about too many things to do anything else. As the sun set, casting long shadows on the coastal shelf, the Baudelaire orphans felt so heavy from their thoughts they could scarcely move. They thought about the island, and the terrible storm that had brought them there, and the boat that had taken them through the storm, and their own treachery at the Hotel Denouement that had led them to escape in the boat with Count Olaf, who had stopped calling out to the Baudelaires and was now snoring loudly in the bird cage. They thought about the colony, and the cloud the islanders had put them under, and the peer pressure that had led the islanders to decide to abandon them, and the facilitator who started the peer pressure, and the secret apple core of the facilitator that seemed no different than the secret items that had gotten the Baudelaires in trouble in the first place. They thought about Kit Snicket, and the storm that had left her unconscious on top of the strange library raft, and their friends the Quagmire triplets, who may also have been caught in the same stormy sea, and Captain Widdershins's submarine that lay under the sea, and the mysterious schism that lay under everything like an enormous question mark. And the Baudelaires thought, as they did every time they saw the sky grow dark, of their parents. If you've ever lost someone, then you know that sometimes when you think of them you try to imagine where they might be, and the Baudelaires thought of how far away their mother and father seemed, while all the wickedness in the world felt so close, locked in a cage just a few feet from where the children sat. Violet thought, and Klaus thought, and Sunny thought, and as the afternoon drew to evening they felt so burdened by their thoughts that they felt they could scarcely hold another thought, and yet as the last rays of the sun disappeared on the horizon they found something else to think about, for in the darkness they heard a familiar voice, and they had to think of what to do.
"Where am I?" asked Kit Snicket, and the children heard her body rustle on the top layer of books over the snoring.
"Kit!" Violet said, standing up quickly. "You're awake!"
"It's the Baudelaires," Klaus said.
"Baudelaires?" Kit repeated faintly. "Is it really you?"
" Anais," Sunny said, which meant "In the flesh."
"Where are we?" Kit said. The Baudelaires were silent for a moment, and realized for the first time that they did not even know the name of the place where they were. "We're on a coastal shelf," Violet said finally, although she decided not to add that they had been abandoned there.
"There's an island nearby," Klaus said. The middle Baudelaire did not explain that they were not welcome to set foot on it.
"Safe," Sunny said, but she did not mention that Decision Day was approaching, and that soon the entire area would be flooded with seawater. Without discussing the matter, the Baudelaires decided not to tell Kit the whole story, not yet.
"Of course," Kit murmured. "I should have known I'd be here. Eventually, everything washes up on these shores."
"Have you been here before?" Violet asked.