The Prey (The Hunt 2)

After a long moment, Sissy says gently, “There was nothing you could do, Gene.”

“I know.”

“I’m truly sorry.”

We’re quiet for a long time after that. The rope creaks, stills.

“Sissy.”

“Yeah?”

“I’m going to tell you something now. Okay?”

A pause. “What is it?” she says.

“It’s about the Scientist.”

“Go on.”

“I’ve been keeping something from you.”

“I think I know what it is,” she says after a moment.

“No, I don’t think so. Not this.”

“He’s your father, right?”

My jaw goes slack, dropping down to the bottom of the well. “How did you … what?!”

“Shh … you’ll wake the others,” she says.

“Did he tell you about me?”

“No. He never did.”

“Then how did you—”

“It’s the way you move. So much like him. How you sit on the ground, one leg stretched out, the other bent, your chin resting on your kneecap. The color and shape of your eyes. The expression on your face when you’re deep in thought. Even the way you speak.”

“Do the others suspect?”

“Ha. They guessed it the second we first saw you.”

“No way.”

She laughs a little. “We might have led sheltered lives, but we’re not blind to the obvious.” The rope sways a little as she shifts position. “Do you think … he’s above us?”

“You mean in heaven?”

“No. Above, as in wherever this well opens up to.”

“He better be. Nothing means more to me than finding him.” I pause, surprised myself by this unexpected disclosure. But it’s true. Ever since finding the tablet, since seeing my name engraved in stone, I can think of little else. I glance up, then softly say, “I’d walk to the ends of this world to find him, Sissy.”

She’s quiet, as if waiting for me to continue.

“Can you tell me something?” she asks.

“What’s that?”

She hesitates. “Tell me what it was like. Your life together. Did you have any siblings? Was your mother alive? Were you a happy family? Tell me about your life in the midst of all those monsters.”

A minute passes in silence.

“My sister and mother died when I was young. They went out one morning with my father and, hours later, only my father returned. They were eaten. People talked about it for years, about the extraordinary, miraculous discovery of a heper girl and mother right there on the city streets at the crack of dusk. They spoke of how the girl’s legs were broken when she was hit by a carriage, how her mother stupidly stayed by her side, refusing to leave her. And of how, when the mob reached them, the mother covered the girl with her own body. It was over in seconds. The eating, anyway.”

The rope creaks. “I’m sorry, Gene. We don’t have to talk about this anymore.”

I think that’s the end of the conversation. But I surprise myself when I start speaking again. At first, the words come out halting and uncertain, one word, two words, a sentence. Then something catches, a momentum builds, and thoughts and memories flow out of me. Until it no longer feels like I’m pushing words out, but like an outpouring, a catharsis, a confession. And when I finish, my voice fading, she doesn’t say anything. I fear she has fallen asleep.

Then she whispers: “I wish I could hold your hand.”

Snowflakes descend softly past my face, blinking out of view as they drift downward into the darkness beneath my feet.

10

SISSY IS RIGHT. We surface the next day, the opening to the vertical tunnel surprisingly close.

Minutes after the chamber fills with sunlight, jolting us awake, we start climbing. Our arms and legs are cold and stiff, but the light gushing down butters us warm, lubricating our joints. Soon we forget about our blistered hands and bleeding fingers and concentrate on grabbing the next rung. And the next. Until, like newborn babies, we pour through the opening and into a clearing, gasping in the fresh mountain air, our eyes squinting against the sunlight.

We’re in the palm of a verdant valley, sheer granite cliffs rising on all sides like craggy fingers. A light haze hovers low inside the valley, filtering in and out of the dark woods that encircle us. Trees emerge from the fog like individual minions of the hinterland coming out to greet us. Or warn us away.

Towering over everything is the mountain peak. It lofts up high and arrogant, its face craggy and gnarled, as if squinting angrily at the brightness of the sun. Or at us, walking on its broad shoulders. Halfway up, a distant waterfall spouts out of a sheer wall, ribboning down thousands of meters, fraying into a mist at the bottom. A faint rainbow arches within the sprays.

Exposed in the open as we now are, the cold temperature slices into our bones. The breeze, though slight, slips through our clothing and porous skin, frosts our rib cages. Another coughing fit seizes me, and I double over, phlegm ripping up my pipes like thumbtacks in acid. I touch my forehead. Hot as a branding iron shooting off blasts and flares. The ground slants, shifts, the mountain and sky spinning around me, my own private avalanche.

“To the woods,” I say, “away from this wind.”

“Hold on,” Sissy says. She kneels down at the opening of the tunnel and starts studying the circumference.

“What are you doing?” Ben asks.

“Over here, look,” she says, pointing to the only portion of the lip where the grass is matted down. “Whoever’s been using this tunnel has been coming and going in this direction. We head off in the same direction through the woods, I say.”

* * *

The woods are a nest of warmth. The wind dies almost as soon as we set foot among the trees. A delicious aroma of vanilla butterscotch causes our stomachs to rumble. We stumble around before finding, amidst a bed of pine needles on the ground, the faintest trimmings of a path. We follow it, our excitement building.

But after only fifteen minutes, we stop to catch our breaths, leaning against a lichen-dabbled tree. We’re unaccustomed to the thin mountain air. A jay lights upon the branches high above us, its black head jerking snappily from side to side. It calls out with a grating, scolding skareek, skareek as if chiding us for our lack of vigor. Chilled quickly, we move on but at a more deliberate pace. Twenty minutes later, we stop.

“The trail just died on us,” Sissy says, looking around with worried eyes.

“We should find a place for tonight, yes? Get a fire going?” Epap says, teeth chattering.

“We have to hurry,” Sissy says. “Because this col

d means business.”

“You and me forage for wood, Ben and Gene stay here—”

“No,” Sissy says, cutting Epap off. “We do everything together now. We don’t separate, not for a second, you hear? This forest wants to tear us apart, I sense it.”

We all do. We walk clustered together, arm sometimes brushing against arm, shoulders bumping. We don’t mind.

And then, just as the forest is threatening to condense into the blackness of thick tar, we break into a clearing. The curtain of trees and darkness falls away. On the far side of the clearing, the land completely drops off, plummeting down a sheer cliff. From where we stand, I can see glacial lakes and meadows in the valley far below. But my eyes are quickly distracted by something else.

In the middle of the clearing, bathed in sunlight, is a log cabin.

11

THE CABIN WINDOWS are shuttered, black lids tamped against the window frames. The front door is painted black and shut so tightly it looks to be hermetically sealed.

Sissy steps forward into the clearing, her shoes stepping into the plush snow.

“Sissy!” Epap whispers.

She turns around, signals for us to stay. As the boys retreat into the woods, I catch up with her.

“You’re going about this the wrong way,” I whisper.

She stops. “How’s that?”

“Don’t walk up to the front door—”

“Oh please. It’s not like I was going to knock.”

“Don’t even go up to the front porch. It’s likely to creak.” She doesn’t respond but I know she’s listening. “I’ll take the right side, you take the left. After five minutes, if we hear nothing, we’ll meet around the back. Only if the back’s clear, we try the front door.”

She nods and splits off.

The snow is encrusted hard on the ground and I’m careful to step slowly into it. Once at the side of the house, I slide cautiously toward the shuttered windows. I wait for a long time before placing my ear against the shutters. Not a sound.