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Start Me Up (Man of the Month 4)

Page 52

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"You're Carl's new assistant, right?" she asks, referring to my boss

of three days.

"Nikki Fairchild."

"I remember now. Nikki from Texas." She looks me up and down, and I wonder if she's disappointed that I don't have big hair and cowboy boots. "So who does he want you to charm?"

"Charm?" I repeat, as if I don't know exactly what she means.

She cocks a single brow. "Honey, the man would rather walk on burning coals than come to an art show. He's fishing for investors and you're the bait." She makes a rough noise in the back of her throat. "Don't worry. I won't press you to tell me who. And I don't blame you for hiding out. Carl's brilliant, but he's a bit of a prick."

"It's the brilliant part I signed on for," I say, and she barks out a laugh.

The truth is that she's right about me being the bait. "Wear a cocktail dress," Carl had said. "Something flirty."

Seriously? I mean, Seriously?

I should have told him to wear his own damn cocktail dress. But I didn't. Because I want this job. I fought to get this job. Carl's company, C-Squared Technologies, successfully launched three web-based products in the last eighteen months. That track record had caught the industry's eye, and Carl had been hailed as a man to watch.

More important from my perspective, that meant he was a man to learn from, and I'd prepared for the job interview with an intensity bordering on obsession. Landing the position had been a huge coup for me. So what if he wanted me to wear something flirty? It was a small price to pay.

Shit.

"I need to get back to being the bait," I say.

"Oh, hell. Now I've gone and made you feel either guilty or self-conscious. Don't be. Let them get liquored up in there first. You catch more flies with alcohol anyway. Trust me. I know."

She's holding a pack of cigarettes, and now she taps one out, then extends the pack to me. I shake my head. I love the smell of tobacco--it reminds me of my grandfather--but actually inhaling the smoke does nothing for me.

"I'm too old and set in my ways to quit," she says. "But God forbid I smoke in my own damn house. I swear, the mob would burn me in effigy. You're not going to start lecturing me on the dangers of secondhand smoke, are you?"

"No," I promise.

"Then how about a light?"

I hold up the itty-bitty purse. "One lipstick, a credit card, my driver's license, and my phone."

"No condom?"

"I didn't think it was that kind of party," I say dryly.

"I knew I liked you." She glances around the balcony. "What the hell kind of party am I throwing if I don't even have one goddamn candle on one goddamn table? Well, fuck it." She puts the unlit cigarette to her mouth and inhales, her eyes closed and her expression rapturous. I can't help but like her. She wears hardly any makeup, in stark contrast to all the other women here tonight, myself included, and her dress is more of a caftan, the batik pattern as interesting as the woman herself.

She's what my mother would call a brassy broad--loud, large, opinionated, and self-confident. My mother would hate her. I think she's awesome.

She drops the unlit cigarette onto the tile and grinds it with the toe of her shoe. Then she signals to one of the catering staff, a girl dressed all in black and carrying a tray of champagne glasses.

The girl fumbles for a minute with the sliding door that opens onto the balcony, and I imagine those flutes tumbling off, breaking against the hard tile, the scattered shards glittering like a wash of diamonds.

I picture myself bending to snatch up a broken stem. I see the raw edge cutting into the soft flesh at the base of my thumb as I squeeze. I watch myself clutching it tighter, drawing strength from the pain, the way some people might try to extract luck from a rabbit's foot.

The fantasy blurs with memory, jarring me with its potency. It's fast and powerful, and a little disturbing because I haven't needed the pain in a long time, and I don't understand why I'm thinking about it now, when I feel steady and in control.

I am fine, I think. I am fine, I am fine, I am fine.

"Take one, honey," Evelyn says easily, holding a flute out to me.

I hesitate, searching her face for signs that my mask has slipped and she's caught a glimpse of my rawness. But her face is clear and genial.



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