The People vs. Alex Cross (Alex Cross 25)

At the blast, the spotlights flickered and died. The shooting stopped too.

Then I heard a noise I’ll never forget—shrill, primitive, and terrified—coming from the carriage house.

I pulled out my weapon and flashlight and hobbled fast in that direction as something large and boxy tore out of the third bay. I got my flashlight beam on it as it was leaving the courtyard for the woods: a red-and-black side-by-side Honda Pioneer 1000 utility vehicle.

I caught only a glimpse of the driver and the front-seat passenger before it disappeared, but the blond teen in the bed, blindfolded, gagged, and hog-tied, was plain as day. Gretchen Lindel was writhing and trying to scream, and then she was gone.

“Batra!” I yelled, flashing the light around and seeing a Kawasaki ATV in the third bay. “Batra!”

The shooting started again inside, drowning my second cry.

Ignoring the pain shrieking in my ankle, I hobbled to the ATV, yanking the radio from my pocket and tearing free the headset cord, figuring to stop the feedback. But it was worse, and I had to turn the squelch almost off.

My flashlight found the ATV ignition but with no key in it. I lifted the seat, revealing a storage for helmets, and located the key. I straddled the seat, looked at the controls, turned on the headlights, and started the engine.

I roared out of the garage, praying Batra could see me, turned onto the two-track lane that went from the compound to the woods, and accelerated.

CHAPTER

105

BREE, SAMPSON, AND Mahoney had gone into a large, open, and vaulted space on the main level of the mansion to wait while the upper floors were cleared. The room contained Edgars’s state-of-the-art kitchen, a rustic dining area, and several leather couches set before a massive stone fireplace that was flanked by built-in wooden cabinets and shelves crammed with books.

Sampson said, “Place looks spick-and-span.”

Mahoney nodded. “Ready for that Architectural Digest photographer.”

Their radios crackled: “Second-floor landing and hallway clear.” “All bedrooms cleared. Place is empty, Cap.”

Empty? That felt wrong to Bree. She’d been on edge since hearing the bomb explode in the distance. Why booby-trap the outer building and not—

A piercing whine went off in her earbud, the worst feedback ever, and she tore it out. Sampson did the same.

Across the room, Mahoney threw his down too. “What the hell is—”

Automatic weapons began to bark and rattle upstairs. Bree instinctively dived behind the kitchen counter with Sampson right beside her.

The shooting stopped, leaving them shaken and going for their guns.

“Agents down!” someone shouted upstairs. “Arthur and Boggs. Bedroom five. Far east end of upper hallway.”

The search commander at the bottom of the stairs bellowed back over the shooting, “How many? I thought the place was cleared!”

“It was, Cap! Shooters must have been—”

An explosion outside shook the house. The lights died.

“It’s an ambush!” Mahoney yelled from over by the couches. “They’re jamming our radios and cells. Bree, take Sampson and get out of here, establish communication with—”

Bree was about to turn on her flashlight when sound-suppressed automatic weapons lit up. She covered her head as slug

s ripped into granite countertops, splintered cabinets, and shattered dishes.

The bullets moved left to right and then right to left, punching holes in the stainless-steel appliances, ten, maybe fifteen shots in all, raining debris down on Bree and Sampson before stopping.

Bree shook from fear and adrenaline. Smelling the burned gunpowder, she felt nauseated, but her mind whirled. Where was the shooter? Where had he hidden? Those cabinets weren’t big enough to hide a grown man, were they?

She felt a tug on her leg.