“Oh, my God!” Binx screamed behind me. “What have you done?”
“Soneji’s gone,” I said, feeling intense, irrational pleasure course through me. “He’s finally gone.”
Binx was crying. I started to turn toward her. She saw the gun in my hand, turned terrified, and leaped out of sight.
Binx had led me into a trap, I thought. Binx had led me here to die.
I ran after her into the main room, saw her running crazily back the way we’d come in, and heard her making these petrified whining sounds.
“Stop, Ms. Binx!” I yelled after her.
As I did, I caught a shift in the shadows of an alcove at the far end of the room. I looked toward it, shocked to see that beyond two fifty-five-gallon drums, Gary Soneji stood there in the mouth of the alcove, same clothes, same hair, same face, same nickel-plated pistol in hand.
How was that…?
Before I could shake off the shock of there being two Sonejis, he fired at me. His bullet pinged off the post of one of those spotlights trained on the paintings. On instinct, I threw myself toward him, gun up and firing.
My first shot was wide, but my next one spun the second Soneji around just before I landed hard on the cement floor. Doubled over, he went down too, gasping, groaning, and trying to crawl back into the alcove.
I scrambled to my feet, and charged his position. A spotlight went on above the alcove, trying to strike me in the eyes again. But I got my free hand up before it could blind me.
From high and to my right, a gun went off. The bullet blew a chunk of cement out of the floor at my feet.
I dove behind the fifty-five-gallon drums, glanced at the second Soneji, who was still crawling, and leaving a trail of dark blood behind him.
The voice in my head screamed at me to use my phone and call it in. I needed sirens coming now.
Then I heard the sirens, distant but distinct, before another gunshot sounded from up high and to my right again. It smacked the near barrel, the slug making a clanging noise as it ricocheted inside.
I winced, rolled over, and peered up through the narrow gap between the barrels, seeing a third Gary Soneji standing on the roof of the alcove above the exhumation painting. He was trying to aim at me with a nickel-plated pistol.
Before he could fire, I did.
The third Soneji screamed, dropped his gun, and grabbed at his thigh before toppling off the roof. He fell a solid ten feet, hit the cement floor hard enough to make cracking sounds. He screamed feebly, then lay there moaning.
I stood up then, shaking with adrenaline, and feeling that beautiful rage explode through me all over again, searing-hot and vengeful.
“Who’s next?” I roared, feeling almost giddy. “C’mon, you bastards! I’ll kill every single Soneji before I’m done!”
I swung all around, my pistol aiming high and low, finger twitching on the trigger, anticipating another Soneji to appear on the roof of the alcove or from the darkness of the three remaining anterooms.
But nothing moved, and there was no sound except for the moans of the wounded and of Kimiko Binx, who sat in the far corner of the main room, curled up in a fetal position, and sobbing.
Chapter 30
Kimiko Binx was still crying and refusing to talk to me or to the patrol officers who arrived first on the scene, or to the detectives who came soon after.
Not even Bree could get Binx to make any kind of statement, other than to say sullenly, “Cross didn’t have to shoot. He didn’t have to kill them all.”
The fact was, I had not killed them all. Two of the Sonejis were alive, and there were EMTs working feverishly on them.
“Three Sonejis?” Bree said. “Makes it easy for them to cover ground.”
I nodded, seeing how one of them could have shot Sampson, while another staked out Soneji’s grave, and the third could have driven by Bree and me outside GW Medical Center.
“You okay, Alex?” Bree asked.
“No,” I said, feeling incredibly tired all of a sudden. “Not really.”