Jack & Jill (Alex Cross 3)

For that night’s special occasion, he’d carefully selected a soft black cashmere turtleneck, charcoal gray trousers, which were pleated and cuffed, and light-brown walking boots. He wasn’t really such a dapper, self-absorbed dresser. His thick hair was cut short, vaguely reminiscent of the actor Kevin Costner in The Bodyguard, one of his least-favorite movies. He carried a small black duffel bag, swinging it like a baton as he now walked briskly toward 211. A camcorder was tucked inside the bag.

He planned to capture as much of this as possible on film. This was history in the making. It really was history: America at the end of its century, America at the end of an era, America at the end.

At quarter to twelve, he entered 211 through a darkened ser-vice entryway that smelled strongly of ammonia and of dust and decay. He walked up to the fourth floor, where the senator had his flat, his study, his love nest in the capital.

He reached Daniel Fitzpatrick’s door, 4J, at ten minutes to twelve. He was still pretty much on time. So far, so good. Everything was going exactly as planned.

The highly polished mahogany door opened right in his face.

He stared at an ash-blond woman who was slender and trim and well kept. She was actually somewhat plainer looking than she had appeared from a distance. It was the same woman who had gotten out of the blue Jag with Fitzpatrick. The woman with the limp.

Except for a gold barrette in her hair, a lioness from a trip to the Museum of Modern Art in New York, and a gold choker, she was gloriously naked.

“Jack,” she whispered.

“Jill,” he said, and smiled.

II

IN A DIFFERENT PART of Washington, in a different world, another would-be killer was playing an equally terrifying game. He had found an absolutely terrific hiding place among the thick pines and a few towering, elderly oaks at the center of Garfield Park. He made himself comfortable inside a kind of tent formed by the overhanging tree limbs and a few sturdy, overgrown shrubs.

“Let’s get busy,” he whispered, though no one was in the hiding place with him. This was going to be a wonderful adventure, a great fantasy. He believed it with his whole heart, body, and what remained of his soul.

He sat cross-legged on the damp grass and began to work on his face and hair. A tune from the rock band Hole was blasting from the speakers inside his head. This was really good stuff. He loved it to death. Disguises and costumes were a rush. They were about the only thing that let you truly escape, and goddamn, did he ever need to escape.

When he eventually finished with the costume, he emerged from the shadows of the trees. He had to laugh. He was cracking himself up today. This was the best yet. It was so goofy that it was great. Reminded him of a good joke: Roses are red/violets are blue/I’m schizophrenic/and so am I.

Hardy-har!

He definitely looked like an old, homeless fuck-bum now. He really did look like a hopeless old fart. Like the mangy character in the rock song “Aqualung.” He had put on a white fright wig and a salt-and-pepper beard from an actor’s costume kit. Any slight failure of his imagination, or skill as a makeup artist, was covered by the floppy hood of his sweatshirt.

The sweatshirt had HAPPY, HAPPY. JOY, JOY printed on it.

What an incredible, mindblowing adventure this was going to be, he kept thinking. Happy, happy. Joy, joy. That was the ticket. That said it all. The irony just killed him.

The killer-to-be crossed the park, walking quickly now, almost breaking into a run. He was headed in the general direction of the Anacostia River.

He began to see people. Strollers, muggers, lovers, whatever the hell they were. Most of them were black, but that was okay. That was good, actually. Nobody gave a damn about the blacks in D.C. That was a fact of life.

“Aqualung, oh-oh-oh, Aqualung,” he sang the old rock-and-roll tune as he walked. It was from a really great old band called Jethro Tull. He listened to rock music incessantly, even in his sleep. Earphones on all the time. He had just about memorized the entire history of rock and roll. If he could just force himself to listen to Hootie and the Blowfish, he’d have it all down cold.

Hardy-har, he laughed at his Hootie joke. He was in a really fine mood today. This was such a cool, fucked-up, freaky blast of a head trip. It was t

he best of times, it was the worst of times. Best and worst, worst and best, worst and worse?

He had already selected the spot for the murder. The thicket of spruce trees and evergreens up close to the Southeast Freeway. It was wild and overgrown and nearly perfect.

The spot was at a ninety-degree angle to a grouping of delapo, yellow-brick row houses and a popular bodega on Sixth Street in Southeast. He had already scouted there, scoped the area out, fallen in love with his spot. He could already see kids from the Sojourner Truth Elementary School traipsing in and out of the corner candy store. The little buggers were so cute at that age.

Man, I hate cute with a passion you wouldn’t believe. Little fucking robots was what they really were. Mean little parasites, too. Kidz! Everything about them was so kute.

He scrunched down and climbed under the thick, scratchy bushes and got down to serious business. He began to blow up several latex balloons—red, orange, blue, yellow ones.

These were big, really colorful suckers that no kids in their wrong mind could resist. Personally, he had always hated balloons intensely. Hated the forced, phony gaiety they seemed to symbolize. But most kids were ya-ya about balloons. Figured, right?

He tied about a ten-foot length of twine around one balloon. Then he secured the string to a thick tree branch.

The balloon floated lazily above the old tree. It looked like a pretty, decapitated head.