I turned back to the street and hefted Tyler’s ZERO Halliburton case in my right hand. I was afraid, of course. Once I handed “sir” the briefcase, he wouldn’t want a witness. Odds were good that he’d shoot me. If I didn’t shoot him first.
I said into the microphone, “I’m on the corner of Fifth and Mission. What now?”
“Drop your handbag into the trash can. And show me.”
“My handbag?”
“Do it, princess.”
Because I was in my role as Tyler’s secretary, I’d secreted my gun and my cell phone inside my shoulder bag. I dropped it into the trash can, then tilted the camera so the killer could see that I’d done it. That son of a bitch.
“Good girl,” the Lipstick Killer said. “Now let’s head out to the BART on Powell.”
The Powell Street BART was a block and a half away. As I crossed Market, I saw Conklin coming up behind me outside of camera range and felt a rush of relief. I had no gun, but my partner was with me.
I made my way down the stairs and reached the platform for trains going out to the airport. BART trains are sleek bullets that sound a warning whistle when they come into the station—which was happening now.
Brakes screeched. Doors opened. I got into the train marked SFO and saw Conklin get into the same car at the far end. The train started up, and the killer’s voice piped into my ears, breaking up slightly. “Pan the car,” he said.
I swung my shoulders slowly, giving Conklin enough time to turn away. The train was slowing for the next stop when a canned voice came over the PA system. It announced the station—Civic Center.
The killer said, “Judy. Get out now.”
“You said the airport.”
“Get out now.”
Conklin was wedged into a corner, dozens of people between the two of us. I knew he didn’t see me leave until I was off the train and the doors were closing. I saw the worried look on my partner’s face as the train pulled out of the station.
“Take off your jacket and put it in the trash can,” the killer said.
“My house keys are in the pocket.”
“Throw your jacket into the trash. Don’t question me, sweetmeat. Just do what I say. Now, go to the stairs. On the first landing, pan around so I can see if anyone is following you.”
I did it, and the killer was satisfied.
“Let’s go, princess. We’ve got a date at the Whitcomb.”
Chapter 61
I CAME OUT of the underground into Civic Center Plaza, a clipped, tree-lined park flanked by gilded government buildings, banks, and cultural institutions—a fine public place encroached upon by the hopelessly addicted.
I searched parked cars with my eyes, hoping to see backup as I walked from the BART station to the Hotel Whitcomb. I heard a car take a fast left onto Market and saw a plain gray Ford pull up on its brakes. I couldn’t turn without showing the camera who was driving, so all I could do was hope that Jacobi or someone was on my tail.
I crossed Market to the Whitcomb, an elegant four-hundred-room Victorian hotel, and entered the opulent lobby, glittering with crystal chandeliers, marble floors underfoot, wood paneling everywhere, and humongous floral bouquets scenting the cool air.
My personal tour guide sent me with instructions to the Market Street Grill, a beautiful restaurant that was nearly empty. The trim young woman behind the restaurant’s reception desk wore her dark hair pulled back and a name tag on her blue suit jacket reading SHARRON.
Sharron asked if I’d be dining alone, and I said, “Actually, I’m here to pick up a letter for my boss. Mr. Tyler. He thinks he left it here at breakfast.”
“Oh yes,” Sharron said. “I saw that envelope. I put it away. Hang on a minute.”
The hostess dug inside the stand and, with a little cry of “I’ve got it,” handed me a white envelope with “H. Tyler” written in marker pen.
I wanted to ask if she’d seen the man who’d left the envelope, but the killer’s warning was loud in my head. “Screw with me in any way, and I’ll hang up. After that, I’ll kill a few more people, and their deaths will be on you.”
I thanked the hostess and walked down the hallway from the restaurant toward the lobby.