The 8th Confession (Women's Murder Club 8)
Page 82
“I’m very impressed, Norma. So please, help me out here. You know San Francisco like nobody else. Upstairs, downstairs, every way, and I’m on the outside. I wasn’t even born here.”
“You want
to know who killed all those people? I already told you. I have no idea.”
Conklin smiled, showed his dimples. “Actually, I was going to ask you who you think might be the snake killer’s next victim.”
Johnson sat back in her chair, then cocked her head and smiled at Conklin. “The next to die? You know, my circle is getting kind of small. I’m thinking the next victim could be me.”
“Holy crap,” I said to Jacobi. “I don’t like the sound of that. What’s she planning to do?”
“Pin a tail on that donkey,” Jacobi said. “Don’t let her out of your sight.”
Chapter 96
WE LOST PET GIRL literally right out of the box. Whether she’d gotten swept up in the foot traffic on Bryant or jumped into a cab, I didn’t know, but Conklin and I stood stupidly out on the street, blinking in the sunlight, looking for a honey-blonde in black — and seeing everything but.
“Try her phone,” I said to Conklin. “Tell her you have another question. Make a date to meet her.”
“I get it,” Conklin said. “Find out where she is.”
I grunted, “Sorry,” for my Jacobi-like behavior and watched Conklin dial and listen to Johnson’s outgoing message.
“Hi, Norma. It’s Inspector Conklin. Give me a call, okay? Got a quick question for you.”
He left his number and hung up.
“Let’s —”
“Check out her house,” he said.
I muttered, “Wiseass,” and he laughed, and we made for the car. Thirty minutes of traffic later, we parked close to the Twenty-fifth Avenue gate to the Presidio.
The Presidio has a long history, first as a Spanish fort right on San Francisco Bay, then as army housing when it was seized by the U.S. military in 1846. Nearly a hundred fifty years later, it went private, becoming a mixed-use assortment of business and residential buildings.
The renovation produced some beautiful Mission Revival–style redbrick buildings with white porches. Other housing was condemned and was gradually crumbling into the bay.
Pet Girl’s address indicated that her apartment was in the picturesque and cheapest part of the former barracks, a long walk from where we stood. And what got to me instantly was that Norma Johnson’s home was within viewing distance of Sea Cliff, where she’d gone to the Burke School — and where she’d been disgraced.
I’d thought status was important to her. So why had she put herself on that particular burner and turned up the jets?
Conklin and I walked quickly through the parklike Presidio surrounds, crowded on that workday with windsurfers changing in the parking lot, enjoying the breeze coming off Baker Beach.
And then Norma’s apartment was in sight, one of two attached units with a small yard in front. The trim needed a paint job, and there was a bike lying on the long grass in front of Norma’s door as though it had been dropped there in a hurry.
I knocked, called Norma’s name, knocked again, harder — and still no answer. I thought of Pet Girl saying to Conklin, “The next victim could be me.”
“Exigent circumstances, Rich. She could have hurt herself. She could be dying.”
I told him to kick the door in, but Conklin put his hand on the knob and turned it, and the door swung open. My gun was in my hand when we stepped inside Pet Girl’s apartment. It was clean and small, with what looked like cast-off furnishings, except for a picture of Christopher Ross in an elaborate frame over the console table in the hallway.
I heard muffled footsteps and a rumbling sound but couldn’t identify the noise or the direction it was coming from.
Conklin was behind me as I moved toward the back of the small duplex apartment, calling out, “Norma, it’s Sergeant Boxer. Your door was open. Could you please come out? We have to talk.”
All was silent.
I indicated to Conklin that he should stay on the ground floor, and I took the stairs. The upstairs rooms were so small, I could see into every corner, but still I turned over beds, tossed closets, looked for loose wall panels, the works.