Lost in a Good Book (Thursday Next 2)

Snell, who genuinely seemed to enjoy the DeepDrop, walked with me until Passport Control, looked at his watch and announced:

'Well, that's me. Thanks for the chat. I've got to go and defend Tess for the umpteenth time. As Hardy originally wrote it she gets

off. Listen, try and figure some extenuating circumstances as to your actions. If you can't, then try and think up some stonking great lies. The bigger the better.'

'That's your best advice? Perjure myself?'

Snell coughed politely.

'The astute lawyer has many strings to his bow, Miss Next. They've got Mrs Fairfax and Grace Poole to testify against you. It doesn't look great, but no case is lost until it's lost. They said I couldn't get Henry V off the war crimes rap when he ordered the French POWs murdered, but I managed it – the same as Max DeWinter's murder charge; no one figured he'd get off that in a million years. By the by, can you give this letter to that gorgeous Flakky girl? I'd be eternally grateful.'

He handed me a crumpled letter from his pocket and made to move off.

'Wait!' I said. 'Where and when is the hearing?'

'Didn't I say? Sorry. The prosecution has chosen the examining magistrate from Kafka's The Trial. Not my choice, believe me. Tomorrow at nine twenty-five. Do you speak German?'

'No.'

'Then we'll make sure it's an English translation – drop in at the end of Chapter Two; we're on after Herr K. Remember what I said. So long!'

And before I could ask him how I might even begin to enter Kafka's masterpiece of frustrating circuitous bureaucracy, he was gone.

I caught the Overmantle to Tokyo a half-hour later. It was almost deserted, and I hopped on board a Skyrail to Osaka and alighted in the business district at one in the morning, four hours after leaving Saknussum. I took a hotel room and sat up all night, staring out at the blinking lights and thinking about Landen.

15

Curiouser & Curiouser in Osaka

* * *

'I first learned of my strange book-jumping skills as a little girl in the English school where my father taught in Osaka. I had been instructed to stand up and read to the class a passage from Winnie-the-Pooh. I began with Chapter 9: "It rained and it rained and it rained …" but then had to stop abruptly as I felt the Hundred Acre Wood move rapidly in all around me. I snapped the book shut and returned, damp and bewildered, to my classroom. Later on I visited the Hundred Acre Wood from the safety of my own bedroom and enjoyed wonderful adventures there. But I was always careful, even at that tender age, never to alter the visible storylines. Except, that is, to teach Christopher Robin how to read and write.'

O. NAKAJIMA – Adventures in the Book Trade

Osaka was less flashy than Tokyo but no less industrious. In the morning I took breakfast at the hotel, bought a copy of the Far Eastern Toad and read the home news, but from a Far Eastern viewpoint – which made for a good take on the whole Russian thing. During breakfast I pondered just how I might find one woman in a city of a million. Apart from her surname and perfect English, there was little to go on. As a first step I asked the concierge to photocopy all the Nakajima entries from the telephone directory. I was dismayed to discover that Nakajima was quite a common name – there were 2,729 of them. I called one at random and a very pleasant Mrs Nakajima spoke to me for about ten minutes. I thanked her profusely and put the phone down, having not understood a single word. I sighed, ordered a large jug of coffee from room service, and began.

It was 351 non-book-jumper Nakajimas later, and in the doldrums of the depression that brings forth an abundance of negatives, that I started telling myself that what I was doing was useless – if Mrs Nakajima had retired to the distant back-story of Jane Eyre, was she really going to be anywhere near a telephone?

I stretched one of those groany-clicky stretches, drank the rest of my cold coffee and decided to go for a brief walk to loosen up. I was staring at the photocopied pages as I strolled along, trying to think of something to narrow the search, when a young man's jacket caught my eye.

In the Far East many T-shirts and jackets have English writing on them – some of them making sense, but others just collections of words that must appear as fashionable to the Japanese youth as Kanji appears elegant to us. I had seen jackets with the strange legend '100% Chevrolet OK Fly-boy' and later one with 'Pratt & Whitney squadron movie', so I should have been ready for anything. But this one was different. It was a smart leather jacket with the following message embroidered on the back. 'Follow me, Next Girl!'

So I did. I followed the young man for two blocks before I noticed a second jacket much like the first. By the time I had crossed the canal I had seen another jacket with 'SpecOps this way' emblazoned on the back, then 'Jane Eyre for ever!' followed quickly by 'Bad Boy Goliath'. But that wasn't all – as if following some bizarre homing call, all the people wearing these jackets, hats and T-shirts seemed to be heading in the same direction. Thoughts of falling Hispano-Suizas and ambushed Skyrails suddenly filled my head, so I dug the entroposcope from my bag, shook it and noticed a slight separation between the rice and lentils. Entropy was decreasing. I rapidly turned and started walking in the opposite direction. I took three paces and stopped as a daring notion filled my head. Of course – why not make the entropic failure do the work for me? I followed the logos to a nearby market square where the rice and lentils in the entroposcope now formed into curved bands – coincidence had increased to the point where everyone I saw was wearing something with a relevant logo. 'MycroTech developments', 'Charlotte Brontë', 'Toad News Network', 'Hispano-Suiza', 'Goliath' or 'Skyrail' were all sewn or stuck to hats, jackets, umbrellas, shirts, bags. I looked around, desperately trying to find the coincidental epicentre. Then I saw him. In an inexplicably vacant gap within the busy market, an old man was seated in front of a small table. He was as brown as a nut and quite bald, and opposite him the other chair had just been vacated by a young woman. A piece of battered card leaning against his small valise declared, in eight languages, the fortune-teller's trade and pledge. The English part of the sign read: 'I have the answer you seek!' and I was in no doubt that whatever he said would be so – and probably, yet very improbably in its undertaking, almost certainly result in my death. I took two paces towards the fortune-teller and shook the entroposcope again. The patterns were more defined but not the clean half-and-half separation I needed. The little man had seen me dither and beckoned me closer.

'Please!' he said. 'Please come. Tell you everything!'

I paused and looked around for any sign of jeopardy. There was nothing. I was in a perfectly peaceful square in a prosperous area of a small provincial town in Japan. Whatever my anonymous foe had in store for me, it was something that I would least expect.

I stayed back, unsure of the wisdom of what I was doing. It was the appearance of a T-shirt that had nothing to do with me which clinched it. If I let this opportunity slide I would never find Mrs Nakajima this side of next month. I took out my ballpoint, clicked it open and marched purposefully towards the small man, who grinned wildly at me.

'You come!' he said in poor English. 'You learn everything. Good buy, from me!'

But I didn't stop. As I walked towards the fortune-teller I thrust my hand in my bag and pulled out a sheet of the Nakajima pages at random, then, just as I passed the little nut-brown man, I stabbed randomly on the page with my pen and broke into a run. I didn't stop to look when I heard the lightning strike, nor the horrified gasps of onlookers. I didn't stop until I was away from that place, back to plain polo shirts and ordinary designer labels and my entroposcope had returned to random clumping. I didn't investigate what had happened; I didn't need to. The fortune-teller was dead – and I would have been too if I had stopped to talk to him. I sat on a bench to get my breath back, felt nauseous again and almost threw up in a nearby trash can, much to the consternation of a little old lady who was sitting next to me. I recovered slightly and looked at the Nakajima that the fall of my ballpoint had decreed. If coincidences were running as high as I hoped, then this Nakajima had to be the one I sought. I asked the woman sitting on the bench next to me for directions. It seemed that a small amount of negative entropy still lingered – I was barely two minutes' walk from my quarry.

The apartment block I was directed to was not in a very good state of repair. The plaster that was covering the cracks had cracks, and the grime on the peeling paint was itself starting to peel. Inside there was a small lobby where an elderly doorman was watching a dubbed version of 65 Walrus Street. He directed me to the fourth floor, where I found Mrs Nakajima's apartment at the end of the corridor. The varnish on the door had lost its shine and the brass doorknob was tarnished, dusty and dull, no one had been in here for some time. I knocked despite this and, when silence was all that answered me, grasped the knob and turned it slowly. To my surprise it moved easily and the door creaked open I paused to look about me and, seeing no one, stepped inside.

Mrs Nakajima's apartment was ordinary in the extreme. Three bedrooms, bathroom and kitchen. The walls and ceiling were plainly painted, the flooring a light-coloured wood. It seemed as though she had moved out a few months ago and taken almost everything with her. The only notable exception to this was a small table near the window of the living room, upon which I found four slim hide-bound volumes lying next to a brass reading lamp. I picked up the uppermost book. It had 'Jurisfiction' embossed on the cover, above a name I didn't recognise. I tried to open the book but the covers were stuck fast. I tried the second book with no better luck, but paused for a moment when I saw the third book. I gently touched the slim volume and ran my fingertips across the thin layer of dust that had accumulated on the spine. The hair bristled on my neck and I shivered. But it wasn't a fearful feeling. It was the light tingle of apprehension; this book, I knew, would open. The name on the cover was my own. I had been expected. I opened the book. On the title page was a handwritten note from Mrs Nakajima that was short and to the point: