Hannibal (Hannibal Lecter 3)

Look into the honest iron and tell me. Have you failed your dead family? Would they want you to suck up? What was their view on fortitude? You can be as strong as you wish to be.

You are a warrior, Clarice. The enemy is dead, the baby safe. You are a warrior.

The most stable elements, Clarice, appear in the middle of the periodic table, roughly between iron and silver.

Between iron and silver. I think that is appropriate for you.

Hannibal Lecter

P.S. You still owe me some information, you know. Tell me if you still wake up hearing the lambs. On any Sunday place an ad in the agony column of the national edition of the Times, the International Herald-Tribune, and the China Mail. Address it to A. A. Aaron so it will be first, and sign it Hannah.

Reading, Starling heard the words in the same voice that had mocked her and pierced her, probed her life and enlightened her in the maximum security ward of the insane asylum, when she had to trade the quick of her life to Hannibal Lecter in exchange for his vital knowledge of Buffalo Bill. The metallic rasp of that seldom-used voice still sounded in her dreams.

There was a new spiderweb in the corner of the kitchen ceiling. Starling stared at it while her thoughts tumbled. Glad and sorry, sorry and glad. Glad of the help, glad she saw a way to heal. Glad and sorry that Dr. Lecter’s remailing service in Los Angeles must be hiring cheap help—they had used a postal meter this time. Jack Crawford would be delighted with the letter, and so would the postal authorities and the lab.

CHAPTER

6

THE CHAMBER where Mason spends his life is quiet, but it has its own soft pulse, the hiss and sigh of the respirator that finds him breath. It is dark except for the glow of the big aquarium where an exotic eel turns and turns in an endless figure eight, its cast shadow moving like a ribbon over the room.

Mason’s plaited hair lies in a thick coil on the respirator shell covering his chest on the elevated bed. A device of tubes, like panpipes, is suspended before him.

Mason’s long tongue slides out from between his teeth. He scrolls his tongue around the end pipe and puffs with the next pulse of the respirator.

Instantly a voice responds from a speaker on the wall. “Yes, sir.”

“The Tattler.” The initial t’s are lost, but the voice is deep and resonant, a radio voice.

“Page one has—”

“Don’t read to me. Put it up on the elmo.” The d and m and the p are lost from Mason’s speech.

The large screen of an elevated monitor crackles. Its blue-green glow goes pink as the red masthead of the Tattler appears.

“DEATH ANGEL: CLARICE STARLING, THE FBI’S KILLING MACHINE,” Mason reads, through three slow breaths of his respirator. He can zoom on the pictures.

Only one of his arms is out from under the covers of his bed. He has some movement in the hand. Like a pale spider crab the hand moves, more by the motion of the fingers than the power of his wasted arm. Since Mason cannot turn his head much to see, the index and middle fingers feel ahead like antennae as the thumb, ring and little fingers scuttle the hand along. It finds the remote, where he can zoom and turn the pages.

Mason reads slowly. The goggle over his single eye makes a tiny hiss twice a minute as it sprays moisture on his lidless eyeball, and often fogs the lens. It takes him twenty minutes to get through the main article and the sidebar.

“Put up the X ray,” he said when he had finished.

It took a moment. The large sheet of X ray film required a light table to show up well on the monitor. Here was a human hand, apparently damaged. Here was another exposure, showing the hand and the entire arm. A pointer pasted on the X ray showed an old fracture in the humerus about halfway between the elbow and the shoulder.

Mason looked at it through many breaths. “Put up the letter,” he said at last.

Fine copperplate appeared on the screen, the handwriting absurdly large in magnification.

Dear Clarice, Mason read, I have followed with enthusiasm the course of your disgrace and public shaming…. The very rhythm of the voice excited in him old thoughts that spun him, spun his bed, spun his room, tore the scabs off his unspeakable dreams, raced his heart ahead of his breath. The machine sensed his excitement and filled his lungs ever faster.

He read it all, at his painful rate, reading over the moving machine, like reading on horseback. Mason could not close his eye, but when he had finished reading, his mind went away from behind his eye for a while to think. The breathing machine slowed down. Then he puffed on his pipe.

“Yes, sir.”

“Punch up Congressman Vellmore. Bring me the headphone. Turn off the speakerphone.

“Clarice Starling,” he said to himself with the next breath the machine permitted him. The name has no plosive sounds and he managed it very well. None of the sounds was lost. While he waited for the telephone, he dozed a moment, the shadow of the eel crawling over his sheet and his face and his coiled hair.