Hannibal Rising (Hannibal Lecter 4)

“Go back to your police station, pull out my file and mark it No Known Family,” Dortlich’s father said.

Dortlich took a piece of paper from his pocket. “If you want me to send you home when you die, sign this and leave it for me. Bergid will help you and witness your signature.”

In the car, Dortlich rode in silence until they were moving with the traffic on the Radvilaites.

Sergeant Svenka at the wheel offered Dortlich a cigarette and said, “Hard to see him?”

“Glad it’s not me,” Dortlich said. “His fucking maid—I should go there when Bergid’s at church. Church—she’s risking jail to go. She thinks I don’t know. My father will be dead in a month. I will ship him to his birth town in Sweden. We should have maybe three cubic meters of space underneath the body good space three meters long.”

Lieutenant Dortlich did not have a private office yet, but he had a desk in the common room of the police station, where prestige meant proximity to the stove. Now, in spring, the stove was cold and papers were piled on it. The paperwork that covered Dortlich’s desk was fifty percent bureaucratic nonsense, and half of that could be safely thrown away.

There was very little communication laterally with police departments and MVD in neighboring Latvia and Poland. Police in the Soviet satellite countries were organized around the Central Soviet in Moscow like a wheel with spokes and no rim.

Here was the stuff he had to look at: by official telegraph the list of foreigners holding a visa for Lithuania. Dortlich compared it to the lengthy wanted list and list of the politically suspect. The eighth visa holder from the top was Hannibal Lecter, brand-new member of the youth league of the French Communist Party.

Dortlich drove his own two-cycle Wartburg to the State Telephone Office, where he did business about once a month. He waited outside until he saw Svenka enter to begin his shift. Soon, with Svenka in control of the switchboard, Dortlich was alone in a telephone cabin with a crackling and spitting trunk line to France. He put a signal-strength meter on the telephone and watched the needle in case of an eavesdropper.

In the basement of a restaurant near Fontainebleau, France, a telephone rang in the dark. It rang for five minutes before it was answered.

“Speak.”

“Somebody needs to answer faster, me sitting here with my ass hanging out. We need an arrangement in Sweden, for friends to receive a body,” Dortlich said. “And the Lecter child is coming back. On a student visa through the Youth for the Rebirth of Communism.”

“Who?”

“Think about it. We discussed it the last time we had dinner together,” Dortlich said. He glanced at his list. “Purpose of his visit: to catalog for the people the library at Lecter Castle. That’s a joke—the Russians wiped their ass with the books. We may need to do something on your end. You know who to tell.”

41

NORTHWEST OF VILNIUS near the Neris River are the ruins of an old power plant, the first in the region. In happier times it supplied a modest amount of electricity to the city, and to several lumber mills and a machine shop along the river. It ran in all weathers, as it could be supplied with Polish coal by a narrow-gauge rail spur or by river barge.

The Luftwaffe bombed it flat in the first five days of the German invasion. With the advent of the new Soviet transmission lines, it had never been rebuilt.

The road to the power plant was blocked by a chain padlocked to concrete posts. The lock was rusty on the outside, but well-greased within. A sign in Russian, Lithuanian and Polish said: UNEXPLODED ORDNANCE, ENTRY FORBIDDEN.

Dortlich got out of the truck and dropped the chain to the ground. Sergeant Svenka drove across it. The gravel was covered in patches by spreading weeds that brushed beneath the truck with a gasping sound.

Svenka said, “This is where all the crew—”

“Yes,” Dortlich said, cutting him off.

“Do you think there are really mines?”

“No. And if I’m wrong keep it to yourself,” Dortlich said. It was not his nature to confide, and his need for Svenka’s help made him irritable.

A Lend-Lease Nissen hut, scorched on one side, stood near the cracked and blackened foundation of the power plant.

“Pull up over there by the mound of brush. Get the chain out of the back,” Dortlich said.

Dortlich tied the chain to the tow bar on the truck, shaking the knot to settle the links. He rooted in the brush to find the end of a timber pallet and fastening the chain to it, he waved the truck forward until the pallet piled with brush moved enough to reveal the metal doors of a bomb shelter.

“After the last air raid, the Germans dropped paratroopers to control the crossings of the Neris,” Dortlich said. “The power-station crew had taken shelter in here. A paratrooper knocked on the door and when they opened it he threw in a phosphorus grenade. It was difficult to clean. Takes a minute to get used to it.” As Dortlich talked he took off three padlocks securing the door.

He swung it open and the puff of stale air that hit Svenka’s face had a scorched smell. Dortlich turned on his electric lantern and went down the steep metal steps. Svenka took a deep breath and followed him. The inside was whitewashed and there were rows of rough wooden shelves. On them were art. Icons wrapped in rags, and row after row of numbered aluminum-tube map cases, their threaded caps sealed with wax. In the back of the shelter were stacked empty picture frames, some with the tacks pulled out, some with the frayed edges of paintings that had been cut hastily out of the frames.

“Bring everything on that shelf, and the ones standing on end there,” Dortlich said. He gathered several bundles in oilcloth and led Svenka to the Nissen hut. Inside on sawhorses was a fine oak coffin carved with the symbol of the Klaipeda Ocean and River Workers Association. The coffin had a decorative rub rail around it and the bottom half was a darker color like the waterline and hull of a boat, a handsome piece of design.

“My father’s soul ship,” Dortlich said. “Bring me that box of cotton waste. The important thing is for it not to rattle.”