The Cruel Prince (The Folk of the Air 1)

He raises both brows. “You’re good at this. Nice marksmanship and a stomach for violence.”

I am surprised. The Ghost is not given to compliments.

I have vowed to become worse than my rivals. Two murders completed in a single night mark a descent I should be proud of. Madoc could not have been more wrong about me.

“Most of the children of the Gentry don’t have the patience,” he says. “And they’re not used to getting their hands dirty.”

I do not know what to say to that, with Valerian’s curse fresh in my mind. Maybe there’s something broken in me from watching my parents being murdered. Maybe my messed-up life turned me into someone capable of doing messed-up things. But another part of me wonders if I was raised by Madoc in the family business of bloodshed. Am I like this because of what he did to my parents or because he was my parent?

May your hands always be stained with blood.

The Ghost reaches out to grab my wrist, and before I can snatch it back, he points to the pale half moons at the base of my nails. “Speaking of hands, I can see what you’ve been doing in the discoloration of your fingers. The blue cast. I can smell it in your sweat, too. You’ve been poisoning yourself.”

I swallow, and then, because there’s no reason to deny it, I nod.

“Why?” The thing I like about the Ghost is that I can tell he’s not asking to set me up for a lecture. He just seems curious.

I am not sure how to explain it. “Being mortal means I have to try harder.”

The Ghost studies my face. “Someone’s really sold you a bill of goods. Plenty of mortals are better at plenty of stuff than the Folk. Why do you think we steal them away?”

It takes me a moment to realize he’s serious. “So I could be…?” I can’t finish the sentence.

He snorts. “Better than me? Don’t press your luck.”

“That’s not what I was going to say,” I protest, but he only grins. I look down. The body is still lying there. A few knights have gathered around it. As soon as they move the body, we will move, too. “I just need to be able to vanquish my enemies. That’s all.”

He looks surprised. “Do you have a lot of enemies, then?” I am sure he imagines me among the children of the Gentry, with their soft hands and velvet skirts. He thinks of little cruelties, small slights, minor snubs.

“Not many,” I say, thinking of the lazy, hateful look Cardan gave me by torchlight in the hedge maze. “But they’re quality.”

When the knights finally bear the body away and no one is searching for us anymore, the Ghost leads me across the roots again. We slip through corridors until he can get close enough to the messenger bag to light-finger the papers inside. Up close, though, I realize something that chills my blood. The messenger was disguised. The creature is female, and while her tail is fake, her long parsnip nose is entirely real. She’s one of Madoc’s spies.

The Ghost tucks the note into his jacket and doesn’t unroll it until we’re out in the woods, with only moonlight to see by. When he looks, though, his expression turns stony. He’s gripping the paper so hard it’s crinkling in his fingers.

“What does it say?” I ask.

He turns the page toward me. There, six words are scrawled: KILL THE BEARER OF THIS MESSAGE.

“What does that mean?” I ask, feeling sick.

The Ghost shakes his head. “It means that Balekin set us up. Come on. We need to go.”

He pulls me along into the shadows, and together we slink away. I do not tell the Ghost that I thought she worked for Madoc. Instead, I try to puzzle through things myself. But I have too few pieces.

What does the murder of Liriope have to do with the coronation? What does Madoc have to do with any of this? Could his spy have been a double agent, working for Balekin as well as Madoc? If so, does that mean she was stealing information from my household?

“Someone is trying to distract us,” the Ghost says. “While they set their trap. Be alert tomorrow.”

The Ghost doesn’t give me any more specific orders, doesn’t even tell me to stop taking my tiny doses of poison. He doesn’t direct me to do anything differently; he leads me home to catch scraps of sleep just after dawn. As we’re about to part, I want to stop and throw myself on his mercy. I’ve done a terrible thing, I want to say. Help me with the body. Help me.

But we all want stupid things. That doesn’t mean we should have them.

I bury Valerian near the stables, but outside the paddock, so that even the most carnivorous of Madoc’s sharp-toothed horses are unlikely to dig him up and gnaw on his bones.

It’s not easy to bury a body. It’s especially not easy to bury a body without your whole household finding out. I must roll Valerian onto my balcony and hurl him into the brush below. Then, one-handed, I must drag him away from the house. I am straining and sweating by the time I get to a likely plot of dew-covered grass. Newly woken birds call to one another beneath the brightening sky.

For a moment, all I want to do is lie down myself.

But I still have to dig.

The next afternoon is a sleep-deprived blur of being painted and braided, corseted and cinched. Three fat gold earrings run up the side of one of Madoc’s green ears, and he wears long gold claws over his fingers. Oriana looks like a rose in bloom beside him, wearing a massive necklace of rough- cut green emeralds at her throat, large enough to nearly count as armor.

In my room, I unwrap my hand. It looks worse than I had hoped—wet and sticking instead of scabbed over. Swollen. I finally take Dain’s advice and get some moss from the kitchens, wash the wound, and rewrap it with my makeshift button brace. I wasn’t planning to wear gloves to the coronation, but I don’t have much choice. Hunting around in my drawers, I find a set in a dark blue silk and draw them on.

I imagine Locke taking my hands tonight, imagine him sweeping me around the hill. I hope I can avoid flinching if he presses on my palm. I can never let him guess what happened to Valerian. No matter how much he likes me, he wouldn’t like kissing the person who put his friend in the ground.

My sisters and I pass one another in the hall as we dart around, grabbing stray things we need. Vivienne goes through my jewelry cabinet, finding nothing adequately matching her ghostly dress in her own.

“You’re actually coming with us,” I say. “Madoc will be stunned.”

I am wearing a choker to cover the bruises blooming on my throat where Valerian’s fingers sank into my skin. When Vivi gets down on her knees to sort through a tangle of earrings, I have a terror that she will glance beneath my bed and see some smear of blood I have missed cleaning. I am so worried that I barely register her smile.

“I like to keep everyone on their toes,” she says. “Besides, I want to gossip with Princess Rhyia and see the spectacle of so many rulers of faerie Courts in one place. But most of all, I want to meet Taryn’s mysterious suitor and see what Madoc makes of his proposal.”

“Do you have any idea who he is?” I ask. With everything that’s happened, I had nearly forgotten about him.

“Not even a guess. Do you?” She finds what she is looking for—iridescent gray labradorite drops given to me by Taryn for my sixteenth birthday, forged by a goblin tinker with whom she traded three kisses.

In idle moments, I have turned over and over who might ask for her hand. I think of the way Cardan pulled her aside and made her cry. I think of Valerian’s leer. Of the way she shoved me too hard when I teased her about Balekin, although I am almost certain it isn’t him. My head swims, and I want to lie back down on the bed and close my eyes. Please, please let it be none of them. Let it be someone nice we don’t know.

I remind myself of what she said: I think you would like him.

Turning to Vivi, I am about to start making a list of safer possibilities when Madoc comes into the room. He’s holding a slim silver-sheathed blade in one hand.

“Vivienne,” he says with a little dip of his head. “Could you give me a moment with Jude here?”

“Sure, Daddy,” she says with small, poisonous emphasis as she slips out with my earrings.

He clears his throat a little awkwardly and holds the silver sword out to me. The guard and pommel are unadorned, elegantly shaped. The blade is etched along the fuller with a barely visible pattern of vines. “I have something I’d like you to wear tonight. It’s a gift.”

I think I make a little gasp. It’s a really, really, really pretty sword.

“You’ve been training so diligently that I knew it should be yours. Its maker called it Nightfell, but of course you are welcome to call it anything you like or nothing at all. It’s said to bring the wielder luck, but everyone says that about swords, don’t they? It’s something of a family heirloom.”

Oriana’s words come back to me: He’s besotted with you girls. He must have loved your mother very much. “But what about Oak?” I blurt out. “What if he wants it?”

Madoc gives me a small smile. “Do you want it?”

“Yes,” I say, unable to help myself. When I pull it from its sheath, it comes as though made for my hand. The balance is perfect. “Yes, of course I do.”

“That’s good, because this is your sword by right, forged for me by your father, Justin Duarte. He’s the one who crafted it, the one who named it. It’s your family heirloom.”

I am momentarily robbed of breath. I have never heard my father’s name spoken aloud by Madoc before. We do not talk about the fact that he murdered my parents; we talk around it.

We certainly don’t talk about when they were alive.

“My father made this,” I say carefully, to be sure. “My father was here, in Faerie?”

“Yes, for several years. I only have a few pieces of his. I found two, one for you and one for Taryn.” He grimaces. “This is where your mother met him. Then they ran away together, back to the mortal world.”

I take a shuddering breath, finding the courage to ask a question I have often wondered but never dared voice aloud. “What were they like?” I flinch as the words leave my mouth. I don’t even know if I want him to tell me. Sometimes I just want to hate her; if I can hate her, then it won’t be so bad that I love him.