The Wicked King (The Folk of the Air 2)

“I can’t lie, mortal. If I say I will give you the antidote, I will do it. My word is enough.”

I give him my best scowl. “Everyone knows to beware when bargaining with the Folk. You deceive with your every breath. If you truly have the antidote, what does it harm you to let me poison myself? I would think it would be a pleasure.”

He gives me a searching look. I imagine he’s angry that I am not glamoured. He must have had to scramble when I hustled Cardan out of the throne room. Was he always ready with the antidote? Did he think he could persuade Cardan to crown him that way? Was he arrogant enough to believe that the Council wouldn’t have stood in his way?

“Very well,” he says. “One dose for you, and the rest for Cardan.”

I unstopper the bottle he gave me and toss it back, drinking all the contents with a pronounced wince. I am angry all over again, thinking of how sick I made myself taking tiny doses of poison. All for nothing.

“Do you feel the wraithberry working on your blood? It will work far faster on you than on one of us. And you took such a large dose.” He watches me with such a fierce expression that I can tell he wishes he could leave me to die. If he could justify walking away right now, he would. For a moment, I think he might.

Then he crosses toward me and unstoppers the bottle in his own hand. “Please do not believe that I will put it into your hand,” he says. “Open your mouth like a little bird, and I will drop in your dose. Then you will give me the crown.”

I open my mouth obediently and let him pour the thick, bitter, honey-like stuff onto my tongue. I duck away from him, returning the distance between us, making sure I am closer to the entrance of the palace.

“Satisfied?” he asks.

I spit the antidote into the glass bottle, the one he gave me, the one that once contained wraithberry, but until a few moments before, was filled only with water.

“What are you doing?” he asks.

I stopper it again and toss it through the air to the Bomb, who catches it handily. Then she is gone, leaving him to gape at me.

“What have you done?” he demands.

“I tricked you,” I tell him. “A bit of misdirection. I dumped out your poison and washed out the vial. As you keep forgetting, I grew up here and so am also dangerous to bargain with—and, as you see, I can lie. And, like you reminded me so long ago, I am short on time.”

He draws the sword at his side. It’s a thin, long blade. I don’t think it’s the one he used to fight Cardan in his tower room, but it might be.

“We’re in public,” I remind him. “And I am still the High King’s senseschal.”

He looks around, taking in the sight of the other courtiers nearby. “Leave us,” he shouts at them. A thing it did not occur to me that anyone could do, but he is used to being a prince. He is used to being obeyed.

And indeed, the courtiers seem to melt into the shadows, clearing the room for the sort of duel we definitely ought not to have. I slip my hand into my pocket, touching the hilt of a knife. The range on it is nothing like a sword. As Madoc explained more than once: A sword is a weapon of war, a dagger is a weapon of murder. I’d rather have the knife than be unarmed, but more than anything, I wish I had Nightfell.

“Are you suggesting a duel?” I ask. “I am sure you wouldn’t want to bring dishonor to your name with me so outmatched in weaponry.”

“You expect me to believe you have any honor?” he asks, which is, unfortunately, a fair point. “You are a coward. A coward like the man who raised you.”

He takes a step toward me, ready to cut me down whether I have a weapon or not.

“Madoc?” I draw my knife. It’s not small, but it’s still less than half the length of the blade he is leveling at me.

“It was Madoc’s plan that we should strike during the coronation. It was his plan that once Dain was out of the way, Eldred would see clear to put the crown on my head. It was all his plan, but he stayed Grand General and I went to the Tower of Forgetting. And did he lift a finger to help me? He did not. He bent his head to my brother, whom he despises. And you’re just like him, willing to beg and grovel and lower yourself for anyone if it gets you power.”

I doubt putting Balekin on the throne was ever part of Madoc’s true plan, whatever he allowed Balekin to believe, but that doesn’t make his words sting any less. I have spent a lifetime making myself small in the hopes I could find an acceptable place in Elfhame, and then, when I pulled off the biggest, grandest coup imaginable, I had to hide my abilities more than ever.

“No,” I say. “That’s not true.”

He looks surprised. Even in the Tower of Forgetting, when he was a prisoner, I still let Vulciber strike me. In the Undersea, I pretended to having no dignity at all. Why should he think I see myself any differently than he sees me?

“You are the one who bent your head to Orlagh instead of to your own brother,” I say. “You’re the coward and a traitor. A murderer of your own kin. But worse than all that, you’re a fool.”

He bares his teeth as he advances on me, and I, who have been pretending to subservience, remember my most troublesome talent: pissing off the Folk.

“Go ahead,” he says. “Run like the coward you are.”

I take a step back.

Kill Prince Balekin. I think of Dulcamara’s words, but I don’t hear her voice. I hear my own, rough with sea water, terrified and cold and alone.

Madoc’s words of long ago come back to me. What is sparring but a game of strategy, played at speed?

The point of a fight is not to have a good fight, it’s to win.

I am at a disadvantage against a sword, a bad disadvantage. And I am still weak from my time in the Undersea. Balekin can hang back and take his time while I can’t get past the blade. He will take me apart slowly, cut by cut. My best bet is closing the distance fast. I need to get inside his guard, and I don’t have the luxury of taking his measure before I do it. I am going to have to rush him.

I have one shot to get this right.

My heart thunders in my ears.

He lunges toward me, and I slam my knife against the base of his sword with my right hand then grab his forearm with my left, twisting as though to disarm him. He pulls against my grip. I drive the knife toward his neck.

“Hold,” Balekin shouts. “I surr—”

Arterial blood sprays my arm, sprays the grass. It glistens on my knife. Balekin slumps over, sprawling on the ground.

It all happens so fast.

It happens too fast.

I want to have some reaction. I want to tremble or feel nauseated. I want to be the person who begins to weep. I want to be anyone but the person I am, who looks around to be sure no one saw, who wipes off my knife in the dirt, wipes off my hand on his clothes and gets out of there before the guards come.

You’re a good little murderer, Dulcamara said.

When I look back, Balekin’s eyes are still open, staring at nothing.

When I return, Cardan is sitting on the couch. The bucket is gone and so is the Bomb.

He looks at me with a lazy smile. “Your dress. You put it back on.”

I look at him in confusion, the consequences of what I’ve just done—including having to tell Cardan—are hard to think past. But the dress I am wearing is the one I wore before, the one I got from Mother Marrow’s walnut. There’s blood on one sleeve of it now, but it is otherwise the same.

“Did something happen?” I ask again.

“I don’t know?” he asks, puzzled. “Did it? I granted the boon you wanted. Is your father safe?”

Boon?

My father?

Madoc. Of course. Madoc threatened me, Madoc was disgusted by Cardan. But what has he done and what has it to do with dresses?

“Cardan,” I say, trying to be as calm as I can. I go over to the sofa and sit down. It’s not a small couch, but his long legs are on it, blanketed and propped up on pillows. No matter how far from him I sit, it feels too close. “You’ve got to tell me what happened. I haven’t been here for the last hour.”

His expression grows troubled.

“The Bomb came back with the antidote,” he says. “She said you’d be right behind her. I was still so dizzy, and then a guard came, saying that there was an emergency. She went to see. And then you came in, just like she said you would. You said you had a plan.…”

He looks at me, as though waiting for me to jump in and tell the rest of the story, the part I remember. But, of course, I don’t.

After a moment, he closes his eyes and shakes his head. “Taryn.”

“I don’t understand,” I say, because I don’t want to understand.

“Your plan was that your father was going to take half the army, but for him to function independently, he needed to be freed of his vows to the crown. You had on one of your doublets—the ones you always wear. And these odd earrings. Moons and stars.” He shakes his head.

A cold chill goes through me.

As children in the mortal world, Taryn and I would switch places to play tricks on our mother. Even in Faerie, we would sometimes pretend to be each other to see what we could get away with. Would a lecturer be able to tell the difference? Could Oriana? Madoc? Oak? What about the great and mighty Prince Cardan?

“But how did she make you agree?” I demand. “She has no power. She could pretend to be me, but she couldn’t force you—”

He puts his head in his long-fingered hands. “She didn’t have to command me, Jude. She didn’t have to use any magic. I trust you. I trusted you.”

And I trusted Taryn.

While I was murdering Balekin, while Cardan was poisoned and disoriented, Madoc made his move against the crown. Against me. And he did it with his daughter Taryn by his side.

The High King is restored to his own chamber so he may rest. I feed my bloodstained dress to the fire, put on a robe, and plan. If none of the courtiers saw my face before Balekin sent them away, then wrapped in my cloak, I might not have been identified. And, of course, I can lie. But the question of how to avoid blame for the murder of the Undersea’s ambassador pales beside the question of what to do about Madoc.