‘All except you, you creature!’ she accused. ‘I seed you, oh yes, I seed you! Everyone was sobbing and crying and wailing, but not you! Oh no! You were just strutting around, giving orders to your elders and betters! Just like your granny! Everybody knows! You was sweet on the young Baron, and when he chucked you over, you killed the old Baron, just to spite him! You was seen! Oh yes, and now the poor lad is beside himself with grief and his bride is in tears and won’t come out of her room! Oh, how you must be laughing inside! People is saying that the marriage should be put off! I’d bet you’d like that, wouldn’t you? That would be a feather in your black hat, and no mistake! I remember when you were small, and then off you went up to the mountains, where the folks are so strange and wild, as everybody knows, and what comes back? Yes, what comes back? What comes back, knowing everything, acting so hoity-toity, treating us like dirt, tearing a young man’s life apart? And that ain’t the worst of it! You just talk to Mrs Petty! Don’t tell me about frogs! I know frogs when I sees them, and that’s what I saw! Frogs! They must—’
Tiffany stepped out of her body. She was good at this now, oh yes. Sometimes she practised the trick on animals, who were generally very hard to fool: even if only a mind seemed to be there, they got nervous and eventually ran away. But human
s? Humans were easy to fool. Provided your body stayed where you left it, blinking its eyes, and breathing, and keeping its balance, and all the other little things bodies are good at doing even when you are not there, other humans thought you were.
And now she let herself drift towards the drunken cook, while she muttered and shouted and repeated herself, spitting out hurtful idiocies and bile and hatred, and also little flecks of spittle that stayed on her chins.
And now Tiffany could smell the stench. It was faint but it was there. She wondered: If I turn round, will I see two holes in a face? No, things weren’t that bad, surely. Perhaps he was just thinking about her. Should she run? No. She might be running to rather than from. He could be anywhere! But at least she could try to stop this mischief.
Tiffany was careful not to walk through people; it was possible, but even though she was in theory as insubstantial as a thought, walking through a person was like walking through a swamp – sticky and unpleasant and dark.
She had got past the kitchen girls, who seemed hypnotised; time always seemed to pass more slowly when she was out of her body.
Yes, the bottle of sherry was almost empty, and there was another empty one just visible behind a sack of potatoes. Mrs Coble herself reeked of it. She had always been partial to a drop of sherry, and possibly another drop as well; it could be a work-related illness among cooks, along with three wobbly chins. But all that foul stuff? Where had that come from? Was it something she’d always wanted to say, or had he put it into her mouth?
I have done nothing wrong, she thought again. It might be useful to keep that firmly in mind. But I have been stupid too, and I shall have to remember that as well.
The woman, still hypnotising the girls with her ranting, looked very ugly in the slow-motion world: her face was a vicious red, and every time she opened her mouth her breath stank, and there was a piece of food stuck in her uncleaned teeth. Tiffany shifted sideways a little. Would it be possible to reach an invisible hand into her stupid body and see if she could stop the beating of the heart?
Nothing like that had ever occurred to her before, and it was a fact that you could not, of course, pick up anything when you were outside your body, but perhaps it would be possible to interrupt some little flow, some tiny spark? Even a big fat wretched creature like the cook could be brought down by the tiniest of upsets, and that stupid red face would shudder, and that stinking breath would gasp, and that foul mouth would shut—
First Thoughts, Second Thoughts, Third Thoughts, and the very rare Fourth Thoughts lined up in her head like planets to scream in chorus: That’s not us! Watch what you are thinking!
Tiffany slammed back into her body, nearly losing her balance, and was caught by Preston, who was standing right behind her.
Quick! Remember that Mrs Coble had lost her husband only seven months ago, she told herself, and remember that she used to give you biscuits when you were small, and remember that she had a row with her daughter-in-law and doesn’t get to see her grand- children any more. Remember this, and see a poor old lady who has drunk too much and has listened to too much gossip – from that nasty Miss Spruce, for one. Remember this, because if you hit back at her, you will become what he wants you to be! Don’t give him space in your head again!
Behind her, Preston grunted, and said, ‘I know it’s not the right thing to say to a lady, miss, but you are sweating like a pig!’
Tiffany, trying to get her shattered thoughts together, muttered, ‘My mother always said that horses sweat, men perspire, and ladies merely glow …’
‘Is that so?’ said Preston cheerfully. ‘Well, miss, you are glowing like a pig!’
This caused a lot of giggling from the girls, already shaken up by the cook’s ranting, but any laughter would be better than that and, it occurred to Tiffany, maybe Preston had worked that out.
But Mrs Coble had managed to get to her feet and waved a threatening finger at Tiffany – although she was swaying so much that for some of the time, depending on which way she was leaning, she was also threatening Preston, one of the girls and a rack of cheeses.
‘You don’t fool me, you evil-looking minx,’ she said. ‘Everyone knows you killed the old Baron! The nurse saw you! How dare you show your face in here? You’ll take us all sooner or later, and I won’t have that! I hope the ground opens up and swallows you!’ the cook snarled. She tottered backwards. There was a heavy thud, a creak and, just for a moment until it was cut off, the beginning of a scream as the cook fell into the cellar.
23 There is a lot of folklore about equestrian statues, especially the ones with riders on. There is said to be a code in the number and placement of the horse’s hooves: if one of the horse’s hooves is in the air, the rider was wounded in battle; two legs in the air means that the rider was killed in battle; three legs in the air indicates that the rider got lost on the way to the battle; and four legs in the air means that the sculptor was very, very clever. Five legs in the air means that there’s probably at least one other horse standing behind the horse you’re looking at; and the rider lying on the ground with his horse lying on top of him with all four legs in the air means that the rider was either a very incompetent horseman or owned a very bad-tempered horse.
24 See Glossary, page 344.
25 In fact, chain-mail trousers are always full of holes, but they shouldn’t be full of holes seven inches wide.
Chapter 10
THE MELTING GIRL
‘MISS ACHING, I must ask you to leave the Chalk,’ said the Baron, his face wooden.
‘I will not!’
The Baron’s expression did not change. Roland could be like that, she remembered, and it was worse now, of course. The Duchess had insisted on being in his office for this interview, and had further insisted on having two of her own guards there, as well as two from the castle. That pretty much filled all the space in the study, and the two pairs of guards glared at each other in all-out professional rivalry.
‘It is my land, Miss Aching.’
‘I know I have some rights!’ said Tiffany.