'Yes.'
'So where was everywhere else?'
'That was all in one place, too.'
'The same place?'
'Yes.'
'Crunched up very small?' Ridcully was beginning to show certain signs. If he had been a volcano, natives living nearby would be looking for a handy virgin. 'Haha, in fact you could say it was crunched up very big,' said Ponder, who always walked into it. 'The reason being, space didn't exist until there was a universe, so anything there was, was everywhere.'
'The same everywhere we had just now?'
'Yes.'
'All right. Go on.'
'Riktor said he thought that the sound came first. One great big complicated chord. The biggest, most complicated sound there ever was. A sound so complex that you couldn't play it within a universe, any more than you can open a box with the crowbar that's inside it. One great chord which . . . as it were . . . played everything into being. Started the music, if you like.'
'A sort of ta-dahhh?' said Ridcully. 'I suppose so.'
'I thought the universe came into being because some god cut off some other god's wedding tackle and made the universe out of it,' said Ridcully. 'Always seemed straightforward to me. I mean, it's the kind of thing you can imagine happenin'.'
'Well-'
'Now you're telling me someone blew a big hooter and here we are?'
'I don't know about someone,' said Ponder. 'Noises don't just make themselves, that I do know,' said Ridcully. . He relaxed a bit, certain in his own mind that reason had prevailed, and patted Ponder on the back. 'It needs some work, lad,' he said. 'Old Riktor was a bit . . . unsound, y'know. He thought everything came down to numbers.'
'Mind you,' said Ponder, 'the universe does have a rhythm. Day and night, light and dark, life and death-'
'Chicken soup and croutons,' said Ridcully. 'Well, not every metaphor bears close examination.' There was a knock on the door. Tez the Terrible entered, carrying a tray. He was followed by
Mrs Whitlow, the housekeeper. Ridcully's jaw dropped. Mrs Whitlow curtsied. 'Good morning, hyour grace,' she said. Her ponytail bobbed. There was a rustle of starched petticoats. Ridcully's jaw rose again, but only so that he could say: 'What have you done to your-'
'Excuse me, Mrs Whitlow,' said Ponder quickly, 'but have you served breakfast to any of the faculty this morning?'
'That's right, Mr Stibbons,' said Mrs Whitlow. Her ample and mysterious bosom shifted under its sweater. 'None of the gentlemen came down, so I got trays taken up to them all. Daddio.' Ridcully's gaze continued downwards. He'd never thought of Mrs Whitlow as having legs before. Of course, in theory the woman needed something to move around on, but . . . well . . . But there were two pudgy knees protruding from the huge mushroom of skirts. Further down there were white socks. 'Your hair-'he began, hoarsely. 'Is there something wrong?' said Mrs Whitlow. 'Nothing, nothing,' said Ponder. 'Thank you very much.' The door closed behind her. 'She was snapping her fingers as she went out, just like you said,' said Ponder. 'Wasn't the only thing that's snapped,' said Ridcully, still shuddering. 'Did you look at her shoes?'
'I think my eyes shut themselves protectively about there.'
'If it's really alive,' said Ponder, 'then it's very contagious.' This scene took place in Crash's father's coach-house, but it was an echo of a scene evolving all around the city. Crash hadn't been christened Crash. He was the son of a rich dealer in hay and feedstuffs, but he despised his father for being dead from the neck up, totally concerned with material things, unimaginative and also for paying him a ridiculous three dollars a week allowance. Crash's father had left his horses in the coach-house. At the moment they were both trying to squeeze into one corner, having tried fruitlessly to kick a hole in the walls. 'I reckon I nearly had it that time,' said Crash, as hay dust poured down from the roof and woodworm hurried off to find a better home. 'It isn't- I mean, it ain't like the sound we heard in the Drum,' said Jimbo critically. 'It's a bit like it, but it isn- it ain't it.' Jimbo was Crash's best friend and wished he was one of the people. 'It's good enough to start with,' said Crash. 'So you and Noddy, you two get guitars. And Scum, you . . . you can play the drums.'
'Dunno how,' said Scum. It was actually his name. 'No-one knows how to play the drums,' said Crash patiently. 'There's nothing to know. You just hit them with the sticks.'
'Yeah, but what if I sort of miss?'
'Sit closer. Right,' said Crash, sitting back. 'Now . . . the important thing, the really important thing is . . . what're we going to call ourselves?' Cliff looked around. 'Well, I reckon we look at every house and I'm damned if I see der name Dibbler anywhere,' he growled. Buddy nodded. Most of Sator Square was the frontage of the University, but there was room for a few other buildings. They were the sort that have a dozen brass plates by the door. The sort that hinted that even wiping your feet on the doormat was going to cost you dear.
'Hello, boys.' They turned. Dibbler beamed at them over a tray of possible sausages and buns. There were a couple of sacks beside him. 'Sorry we're late,' said Glod, 'but we couldn't find your office anywhere.' Dibbler spread his arms wide. 'This is my office,' he said, equally expansively. 'Sator Square! Thousands of square feet of space! Excellent communications! Passing trade! Try these on,' he added, picking up one of the sacks and opening it. ' I had to guess at sizes.' They were black, and made of cheap cotton. One of them was XXXXL. 'A vest with words on?' said Buddy. '“The Band With Rocks In”,' Cliff read, slowly. 'Hey, dat's us, isn't it?'
'What do we want these for?' said Glod. 'We know who we are.'
'Advertising,' said Dibbler. 'Trust me.' He put a brown cylinder in his mouth and lit the end. 'Wear them tonight. Have I got a gig for you!'
'Have you?' said Buddy. 'That's what I said!'
'No, you asked us,' said Glod. 'How should we know?'