“Best come now. The drunker men get, the less likely they are to hear you say no.”
I gathered my ghost sword, and Bee took up the knit bag, and with our coats and cloaks over our arms and the eyes of half the men in the room on us, we meekly followed the woman into the back, past the ale room where a lad was pumping out ale from barrels into pitchers and setting them on a table for the servers, and on into the steaming clatter of a kitchen at full boil.
Two kitchen girls were chopping and grinding at a big wooden table, while the cook was managing the fireplace and its joints and kettles. All were too busy to do more than nod at us with the glancingly curious expressions of people who would find you a seven nights’ wonder if they were not so tired. I was chastened by their industry, and they still had more than half the night ahead of them. A lad hurried in lugging a bucket of coal and set it down by the fireplace.
“Is there anything we can help with?” I asked.
“Och, no,” the innkeeper said, not unkindly. “You’d just get in the way. Go on through into the scullery.”
The scullery had a cheery fire blazing in the fireplace and a fair amount of heat radiating from the copper where water was heated in a huge tub. The stone sink with its big wooden bowl for washing sat unattended. Most of the sideboard was taken up by stacks of dishes, but at the far end rested six painted masks almost ready for the solstice festival. Bee went to look at them as I crossed to the curtained alcove to the right of the fireplace and peeked in to the bed behind. It looked amazingly inviting, with sheets recently laundered and ironed, an unexpected nicety.
“All ready for solstice night except for the blessings,” said Bee.
I went over to examine the masks. One was a fox, and one was a cat with whiskers sticking out from the wood, and the other four were round, humanlike faces with two painted black and two painted gold and decorated with snake-trail patterns in white and red. The shapes were decently done by a craftsman, bought in the market, but the decoration showed more enthusiasm than artisan’s skill.
“We can paint in the charms,” she went on. “It would be a small gesture of thanks, for the offer of a bed on this cold night.”
“Would that be right? Usually people go to a temple scribe to have it done.”
“Why would it not be right? Usually they go because they cannot write. Maester Lewis once told me that anyone who knows the proper act can make the offering.”
She fished out a little pot of ink and the quill pen we had purchased earlier with a blank journal book and other necessities. She had a neat hand, and I watched in fascination as she tucked the blessing symbols in among the cat’s whiskers and almond eyes, and the fox’s big triangular ears and whitened muzzle, and flowed the charms like ribbons through the more crudely painted patterns on the faces.
“There,” she said. “Now I feel I have not taken without leaving something in return. It binds you, you know, to take without giving.”
“Unless they plan to turn us in to the constabulary for a handsome reward.”
“Have you heard any criers on the street announcing our escape? Now that I see these crowds, I wonder if they can even risk it. The crowds are already agitated at the prospect of the Northgate Poet going on a hunger strike, so how do you think the mob will react to news that the militia and cold mages have allied to hunt down two young women? If I were the prince, I would send out spies and seekers to hunt very quietly.”
“You would hire Barahals, you mean.”
She grimaced as she cleaned the tip of the quill pen. “Yes, exactly. Barahals to hunt Barahals. Then they would close in and take us without anyone being the wiser that we were being hunted.”
“Maybe. But I admit, I’m very tired. I’m willing to take the chance to rest tonight. We’ll take turns on watch.”
But after we took off our boots and crawled into the alcove bed and decided on a turn of watch each, the clangor and bustle from the kitchen lulled us. Or maybe it was the sound of ink drying. We must both have fallen hard asleep, for I woke to silence and no idea how much time had passed. I heard not even the pop and rustle of fire. With the curtain drawn, we lay in darkness except for a line of light where the curtain’s edge did not quite meet the wall. Day had therefore come, but the inn, it seemed, now slept.
No. Someone waited in the scullery, a presence notable for its measured but not precisely calm breathing. A chair scraped softly as it was moved. Bee lay between me and the wall; I hooked a finger at the curtain’s corner and twitched it back just enough to see out.
Andevai Diarisso Haranwy sat in a chair with his back straight, his feet flat on the slate floor, and his hands in loose fists on each thigh. He looked like the kind of academy student who pays close attention in class not necessarily because he is actually interested but because he is determined to do well. There was no fire; I heard no sounds of life, nothing. Just him, sitting there with his greatcoat slung over the chair’s back, and Bee’s steady breathing behind me, and a cat’s questing meow from out of doors.
o;Best come now. The drunker men get, the less likely they are to hear you say no.”
I gathered my ghost sword, and Bee took up the knit bag, and with our coats and cloaks over our arms and the eyes of half the men in the room on us, we meekly followed the woman into the back, past the ale room where a lad was pumping out ale from barrels into pitchers and setting them on a table for the servers, and on into the steaming clatter of a kitchen at full boil.
Two kitchen girls were chopping and grinding at a big wooden table, while the cook was managing the fireplace and its joints and kettles. All were too busy to do more than nod at us with the glancingly curious expressions of people who would find you a seven nights’ wonder if they were not so tired. I was chastened by their industry, and they still had more than half the night ahead of them. A lad hurried in lugging a bucket of coal and set it down by the fireplace.
“Is there anything we can help with?” I asked.
“Och, no,” the innkeeper said, not unkindly. “You’d just get in the way. Go on through into the scullery.”
The scullery had a cheery fire blazing in the fireplace and a fair amount of heat radiating from the copper where water was heated in a huge tub. The stone sink with its big wooden bowl for washing sat unattended. Most of the sideboard was taken up by stacks of dishes, but at the far end rested six painted masks almost ready for the solstice festival. Bee went to look at them as I crossed to the curtained alcove to the right of the fireplace and peeked in to the bed behind. It looked amazingly inviting, with sheets recently laundered and ironed, an unexpected nicety.
“All ready for solstice night except for the blessings,” said Bee.
I went over to examine the masks. One was a fox, and one was a cat with whiskers sticking out from the wood, and the other four were round, humanlike faces with two painted black and two painted gold and decorated with snake-trail patterns in white and red. The shapes were decently done by a craftsman, bought in the market, but the decoration showed more enthusiasm than artisan’s skill.
“We can paint in the charms,” she went on. “It would be a small gesture of thanks, for the offer of a bed on this cold night.”