She caught up to Matthias and leaned on the cool, stippled stone. He touched her briefly, then darted forward to the next pillar.
The refuse heap by the altar stirred and came to life.
Not rags but dogs, starting out of sleep, scrambling up, alerted.
“Run,” moaned Matthias. He shoved her back, toward the door, but it was too late, the door was too far away. They could never run as fast as the dogs, only hide from them. And there was no place to hide here.
The dogs bolted toward them. Anna ran, stumbled, jerked herself up.
“No!” she screamed, for Matthias had run out into the nave, out into the path of the dogs to try to distract them so that she could run free.
“Go! Go!” he shouted.
But she ran to him. It was better to die with him, torn to pieces by the dogs, than live if he were dead. Ai, Lady. What did it matter? There was no way to live in this city except as a slave of the Eika, if that could be called life.
She reached him just before the dogs did, the hideous dogs. She flung her arms around her brother and braced herself for the impact, for death. Please, Lady, let it be quick.
A hoarse cry—not human words, not any words she recognized—came from the direction of the altar, punctuated by noises that sounded like growls and yips. The dogs clattered to a halt, nails slipping and sliding on the stone paving, and they stopped a body’s length from the children, growling, glaring with sparking yellow eyes. Then, when more of those hoarse words came, they slunk away, tails down, still growling but now submissive to the creature that rose out of the heap of rags by the altar, a heap which was not rags after all but the daimone itself.
Not human, certainly not that. This much Anna saw easily in the fading light that penetrated the cathedral nave. It was tall and human-shaped, but the Eika were human-shaped and they were no kin to humans. It had covered itself modestly with clothing, though cloth and tunic were shredded by teeth marks and as ragged as if strips had been torn off at random. Gold cloth bound its forearms, this also torn and ripped in many places as though the dogs had gnawed and worried at it, seeking flesh underneath. It wore an iron collar around its neck; to the collar was fastened a thick iron chain, and that chain was fastened to the heavy block of stone that was the altarstone, the Hearth of Our Lady.
It stared at them with eyes as inhumanly green as the emeralds that studded Matthias’ fancy dagger, and as if that stare reminded him of the chosen gift, Matthias slipped the dagger out from his boot and held it forward, hilt first, in offering.
“Come,” said the daimone in its hoarse voice.
They dared not disobey, for it spoke in the tone of a creature used to obedience and, in any case, it controlled the dogs by some daimonic magic. And why not? It was not human, it was an aetherical creature, something that flew bodiless through the vast impenetrable heavens far above the mortal earth, far above the changing moon; it would not fear human children nor hesitate to command them.
They crept closer, and this time Anna held tight to Matthias’ belt with one hand and her Circle with the other, chewing at her lower lip. She sniffed back tears, but she did not flinch as the dogs circled them, smelling their feet and nipping forward only to be brought to heel by the harsh words of the daimone.
reat doors stood open, but because the sun set behind the cathedral, little light penetrated the interior by this, the eastern entrance. They ducked inside, and at once Matthias threw himself against a wall and tugged Anna down beside him. He put a finger to his lips. They stood there in shadow and listened.
And heard … the music of chains, shifting, whispering, as some creature tested its bonds and found them as unyielding as ever.
Matthias crept forward to hide behind one of the great pillars of stone that supported the great roof. Here, in the side aisle, they remained in shadow. The nave itself, the vast central aisle of the cathedral, was brighter, lit by windows built high into the towering walls that faced north and south. Brightest of all was the altar, lying in a wash of light from seven tall windows set in a semicircle at the far end of the church, encircling the Hearth.
A heap of refuse lay next to the altar.
Matthias slipped forward to the next pillar, using it as cover to get close to the altar. Anna followed him. She wanted to grab hold of his belt, to cling, but she did not. This she had learned: They must both be free to move quickly.
It was silent. The stone muffled sound, and the outside world seemed far away in this place—once a haven but now the camp of savages. She felt their musty scent against her the way dry things dragged against the skin cause a tingling in fingertips and neck; she smelled it the way a storm announces itself by a certain feeling in the air long before the first rolling peal of thunder is heard and the first slash of lightning seen in the dark sky. They ruled this space now, which had once been sacred to God.
She caught up to Matthias and leaned on the cool, stippled stone. He touched her briefly, then darted forward to the next pillar.
The refuse heap by the altar stirred and came to life.
Not rags but dogs, starting out of sleep, scrambling up, alerted.
“Run,” moaned Matthias. He shoved her back, toward the door, but it was too late, the door was too far away. They could never run as fast as the dogs, only hide from them. And there was no place to hide here.
The dogs bolted toward them. Anna ran, stumbled, jerked herself up.
“No!” she screamed, for Matthias had run out into the nave, out into the path of the dogs to try to distract them so that she could run free.
“Go! Go!” he shouted.
But she ran to him. It was better to die with him, torn to pieces by the dogs, than live if he were dead. Ai, Lady. What did it matter? There was no way to live in this city except as a slave of the Eika, if that could be called life.
She reached him just before the dogs did, the hideous dogs. She flung her arms around her brother and braced herself for the impact, for death. Please, Lady, let it be quick.