Prince of Dogs (Crown of Stars 2)

eels before her, brings her in offering nothing durable or hard, only those things made precious by their fragility and transience: a tiny flower once sheltered in the lee of a rock; a lock of downy hair from one of the Soft Ones’ infants which just died last night; the remains of an eggshell from Hakonin fjord; the delicate bone of a small bird such as a priest would carve marks into and with its fellows scatter onto stone to read the footprints of the future.

“WiseMother,” he says. “Hear my words. Give me an answer to my question.” Having spoken, he waits. One must have patience to converse with the WiseMothers and not just because of the ice-wyrms.

Her progress up the path is so slow he cannot actually see her forward movement, but were he to come in another week, the lichen-striped boulder that lies beside the tread of her great hooves would be a finger’s span behind. In that same way they hear and they speak to a measure of years far longer than his own. Perhaps, indeed, once they are no longer bound to the world of the tribe by the knife, it is actually hard for them to understand the words of their grandsons who speak and move so swiftly and live so short a time, not more than forty circuits of the sun.

Her voice rumbles so low, like the lowest pitch in the distant fall of an avalanche, that he must strain to hear her. “Speak. Child.”

“OldMother heard from the southlands. Bloodheart calls an army together, all the RockChildren who will come to him, to campaign against the Soft Ones. If I take such ships as I have gathered and sail south when the wind turns, will I still be in disgrace? Is it better to remain here, risking little, or sail there, risking much?”

The wind blusters along the rocky plateau. Rocks adorn the land, the only ornament needed to make of it a fitting chamber for the wisdom of the eldest Mothers—all but the FirstMothers, who vanished long ago. Below, trees shush and murmur, a host of voices in the constant wind. It begins, gently, to snow. With the thaw will come spring rains, and then the way will lie open to sail south.

Her voice resonates even through the earth beneath his knees, though it is faint to his ears. “Let. Be. Your. Guide. That. Which. Appears. First. To. Your. Eyes.”

His copper-skinned hand still lies over her rough one. He feels a sharp tingling, like lightning striking nearby, and withdraws his hand at once. The offerings he has laid upon her upturned hand melt and soak into her skin as honey seeps into sodden earth, slowly but inexorably. The audience is over.

He rises obediently. She has answered, so there is no need to walk the rest of the way up the fjall, into the teeth of the wind, to kneel before the others by the hollow where all come to rest in the fullness of time.

He turns his back on the wind and walks down through the sullen green and white of the winter forest. Below the trees he walks through pastureland, the steadings of his brothers and oldest uncles, the pens of their slaves. All this is familiar to his eyes; he has seen it many times before: the sheep and goats huddling in the winter cold, scraping beneath the snow to find fodder; cows crowded into the byres, fenced away from the dogs; the pigs scurrying away to the shelter of trees; the slaves in their miserable pens.

But as he comes up behind his own steading, newly built from sod and timber, he sees a strange procession wind away into the trees. Silent, he follows. It is a small group of slaves, six of them; one carries a tiny bundle wrapped in precious cloth. They are hard to tell apart, but two he can recognize even from a distance: the male named Otto and the female-priest named Ursuline. These two have become like chieftain and OldMother to the other Soft Ones he keeps as slaves; over the winter he has observed their actions among the others, forming them into a tribe, and it interests him. As this interests him.

A clearing lies in the trees. Certain markers of stone, crudely carved, are set upright into the soil. It is a slave place, and he leaves it alone as do all the RockChildren. Slaves have their customs, however useless they may be. Now, he sees what they are about. They have dug a hole in the ground and into the earth they place the body of the infant that died in the night. The female-priest sings in her thin voice while the others weep. He has tasted the tears of the Soft Ones: They are salt, like the ocean waters. Is it possible that their Circle god has taught them something of the true life of the universe? Why else would they cover their dead ones in earth even as they leak water onto the dirt? Is this what they give in offering? He does not know.

But he watches. Is this event the one he must use as his guide? What does the funeral presage? His own death if he returns to his father’s army? Or the death of the Soft Ones whom Bloodheart will attack?

Risk much or risk little.

In the end, staring through the branches at the small mourning party, he knows he always knew the answer to his question. He is too restless to stay. Death is only a change in existence; it is neither ending nor beginning, no matter what these Soft Ones may think. He will return to Hundse, to Gent.

The mourners file past him on the narrow track. One of them, a young female with hollow eyes and a body frailer than most, still cries her salt tears though the others attempt to soothe her. Did the infant come from her body? And if so, how was it planted there? Are they the same as the beasts, who also plant their young in and feed them out of the mother’s body? But though the Soft Ones resemble brute animals, he thinks it cannot be completely true. They speak, as people do. They gaze above themselves into the fjall of the heavens and wonder what has brought them to walk on the earth. This, also, true people do. And they do something he has seen no other creature, not RockChildren, not animal, not the small cousins of the earth nor the fell beasts of the ocean water, do.

They weep.

Alain woke to the profound silence of Lavas stronghold asleep in the dark and cold of a late winter’s night. But a tickle nagged at him, like a hound scratching at the door. Rage slumbered on. As he rose, Sorrow whuffed softly and clattered to his feet, following him. The other hounds lay curled here and there on the carpet or near the bed. Terror lay atop Lavastine’s feet, the two of them snoring softly together, in concert. Alain slipped on a tunic. He had heard something, or perhaps it was only the residue of his dream.

He latched the door carefully behind him and placed a hand on Sorrow’s muzzle. It was cold in the hall and cold on the stairs. A draft leaked up the stone stairwell, a breath of warmth from the hall. He followed its scent and at last, beneath the breathing silence of hall and stone, heard what he was listening for: the sound of weeping.

It was so soft that he only found its source when he was halfway into the hall, attracted by the red glow of hearth fire. In the alcoves, servants and men-at-arms slept; others would have returned to their own huts outside the palisade or down in the village. But a single heaped shape more like a forgotten bundle of laundry lay by the fire, shuddering.

The Eagle wept alone on her rough pallet by the fire.

Sorrow whined nervously.

“Sit!” Alain whispered, leaving the hound sitting in the middle of the floor with his tail thumping in the rushes. He approached the Eagle.

She did not notice him until he was almost upon her. Then, gasping aloud, she choked on a sob, started up, and reached for a stick in the fire.

“Hush,” he said. “Don’t be scared. It’s only me. Alain. Don’t burn yourself.”

“Oh, God,” she murmured, but she drew her hand away from the fire and used it to wipe her nose instead. He could not make out much of her face, but he could smell the salt of her tears in the smoky air.

“Why are you crying?” he asked.

“Ai, Lady,” she whispered. “It wasn’t so bad, riding away. But now I must go back.”

“Go back where?”

She shook her head, trying now to dry her tears, but they still came despite her wish. “It doesn’t matter.”