The Archer

A bow has no conscience: it is a prolongation of the hand and desire of the archer. It can serve to kill or to meditate. Therefore, always be clear about your intentions.

A bow is flexible, but it has its limits. Stretching it beyond its capacity will break it or exhaust the hand holding it. Therefore, try to be in harmony with your instrument and never ask more than it can give.

A bow is at rest or under tension in the hand of the archer, but the hand is merely the place where all the muscles of the body, all the intentions of the archer, and all the effort of shooting are concentrated. Therefore, in order to mai

ntain elegance of posture while keeping the bow drawn, make sure that every part does only what is necessary and do not dissipate your energies. That way, you will be able to shoot many arrows without tiring.

In order to understand your bow, it must become part of your arm and an extension of your thoughts.

The Arrow

The arrow is the intention.

It is what unites the strength of the bow with the center of the target.

The intention must be crystal clear, straight and balanced.

Once the arrow has gone, it will not come back, so it is better to interrupt a shot, because the movements that led up to it were not sufficiently precise and correct, than to act carelessly, simply because the bow was fully drawn and the target was waiting.

But never hold back from firing the arrow if all that paralyzes you is fear of making a mistake. If you have made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time.

If you never take a risk, you will never know what changes you need to make.

Each arrow leaves a memory in your heart, and it is the sum of those memories that will make you shoot better and better.

The Target

The target is the objective to be reached.

It was chosen by the archer and though it is a long way off, we cannot blame it when we fail to hit it. In this lies the beauty of the way of the bow: you can never excuse yourself by saying that your opponent was stronger than you.

You were the one who chose the target and you are responsible for it.

The target can be larger, smaller, to the right or the left, but you always have to stand before it, respect it, and bring it closer mentally. Only when it is at the very end of your arrow should you release the bowstring.

If you view the target as the enemy, you might well hit the target, but you will not improve anything inside yourself. You will go through life trying only to place an arrow in the center of a piece of paper or wood, which is absolutely pointless. And when you are with other people, you will spend your time complaining that you never do anything interesting.

That is why you must choose your target, do your best to hit it, and always regard it with respect and dignity; you need to know what it means and how much effort, training, and intuition were required on your part.

When you look at the target, do not concentrate on that alone, but on everything going on around it, because the arrow, when it is shot, will encounter factors you failed to take into account, like wind, weight, and distance.

You must understand the target. You need to be constantly asking yourself: “If I am the target, where am I? How would it like to be hit, so as to give the archer the honor he deserves?”

The target exists only if the archer exists. What justifies its existence is the desire of the archer to hit it; otherwise it would be a mere inanimate object, an insignificant piece of paper or wood.

Just as the arrow seeks the target, so the target also seeks the arrow, because it is the arrow that gives meaning to its existence; it is no longer just a piece of paper; for an archer, it is the center of the world.

Posture

Once you have understood the bow, the arrow, and the target, you must have the serenity and elegance necessary to learn how to shoot.

Serenity comes from the heart. Although the heart is often tormented by thoughts of insecurity, it knows that—through correct posture—it will be able to do its best.

Elegance is not something superficial, but the way in which a man can do honor to his life and his work. If you occasionally find the posture uncomfortable, do not think of it as false or artificial; it is real because it is difficult. It allows the target to feel honored by the dignity of the archer.

Elegance is not the most comfortable of postures, but it is the best posture if the shot is to be perfect.

Elegance is achieved when everything superfluous has been discarded, and the archer discovers simplicity and concentration; the simpler and more sober the posture, the more beautiful.